Sukiyaki Western Django

2008
6.1| 2h1m| R| en| More Info
Released: 29 August 2008 Released
Producted By: Sony Music Entertainment
Country: Japan
Budget: 0
Revenue: 0
Official Website: http://www.sukiyakimovie.com/
Synopsis

A nameless gunfighter arrives in a town ripped apart by rival gangs and, though courted by both to join, chooses his own path.

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Reviews

GamerTab That was an excellent one.
VeteranLight I don't have all the words right now but this film is a work of art.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.
tomgillespie2002 This Japanese-Italian crossover is a homage to the great spaghetti westerns of the 1960's and 70's. The oh-so familiar plot is reminiscent of Akira Kurosawa's masterpiece Yojimbo, later remade by Sergio Leone as a western with A Fistful Of Dollars. A brooding gunslinger arrives in a small town that has been torn apart and occupied by two warring clans - the reds and the whites. After advertising his expert gun skills up his arrival, he at first offers up his services to the highest bidder, but after realising the peril faced by the town's innocent natives, he decides that he can put his skills to better use and wage a war against the clans. All of this is seemingly told by a mysterious stranger played by Quentin Tarantino, who introduces the film at the beginning.After the truly cringe-worthy opening scene, in which the aforementioned Tarantino shows off his acting 'skills' and mows down a few faceless bad guys and talks tough, the film seems to pick up some pace. The opening is deliberately designed to look cartoonish, with plastic looking sets and over-the-top blood spraying. It just doesn't work and thankfully moves away from this style and takes on a more traditional method. For all it's trying, the film never leaves second gear. The familiar storyline doesn't offer anything I've not seen before, and the decision to have the Japanese actors speak in broken English with subtitles is an interesting idea I suppose, but just becomes slightly annoying and confusing. I would expect better from a director such as Takashi Miike, who made the excellent Audition and Ichi The Killer. I just pray he doesn't become another homage-loving filmmaker like Tarantino.www.the-wrath-of-blog.blogspot.com
Dominik Schlatter there is a chance that this movie is great and that i'm actually the idiot who just couldn't see all its good qualities. there is that chance.. well, i seriously doubt it.here's why: i get a movie, that wants to be funny and cruel at the same time. 'severance' and 'shaun of the dead' would be a good example. or 'very bad things'. (i'm really not squeamish, when it comes to pitch-black humor)but django? the scene when the mother gets raped and watches her son cry over the corpse of his dad? that's (sorry) too damn cruel to go with all those unbelievably stupid red-gang scenes. other scenes are just silly (but not in a funny way) and therefore unnecessary. the schizo, for example. or the sheriff: out of the blue he shoots the female gunfighter in the shootout. why is that in the movie? i could go on and on... but i won't.it is one of THE worst movies that i've seen. just writing about it pisses me off once again...i will tell you one strenght of the movie though: the cinematography (beautiful pictures), the camera-work (great shots) and the costumes. the perfect setup. what the crew should have done was get another director (a sane one, please. preferably one with an intact soul)and a new script and start over. OK, i'm done.
joekats OK not to death (i cant be reviewing this from Hades) but certainly to sleep. When i rent this film i knew already that it wasn't a standard western. I expected a highly stylised movie with surrealistic elements and perhaps humour. Well none of those happened at least in the right way. I liked the idea of a Japanese influenced western. No problem with that. The language also didn't annoyed me that much since all the films in Greece have subtitles. It rather was on the good side of weirdness of this film.The problem was with the plot. There wasn't any!! At least one that made sense! A gunslinger walks in a village torn between two gangs searching for gold. Thats it! Nothing more! Its absolutely childish and SLLLLLLLOW. OK you may think that many fun films have week plot which they match with great action. Well not here people.. The action shots are nothing special and many times they don't even show the result of the action. There is not even the extra gore element present, to spice things up. The performances had nothing special. Including Tarantino who propably was there just to have fun and get some bucks also. I was thinking to see this in cinema, but thank god i had no time then. I rent it so they only fooled me in losing 2 euros. I fell asleep for 10min while watching it (wasnt even tired that day) and i didn't got back to see what i missed. That says a lot.
ciscokid1970 This movie will be loved by fans of old Akira Kurosawa samurai films crossed with old westerns with a touch of Tarantino story play. It is a little like Yojimbo meets Pale rider.First I want to clear up a significant error that most reviewers are making comparing this movie to Spagetti westerns. This movie is NOT a copy of a Spagetti westers. In fact most Spagetti westerns ARE copies of old Samurai films many written by Akira Kurosawa. This movie has similarities with Fistfull of dollars which came out in 1964. But Fistfull is a almost word for word copy of Yojimbo which came out in 1961, just substitute a gun for a sword. Anyway BOTH Sergio Leone and Akira Kurosawa made wonderful movies.OK let me start by saying the story only starts slow...and kind of cheesy with the whole Tarantino sitting around a campfire with fake Mt Fuji in the back. But all the old westerns and samurai films should have trained you to be patient in the first 15min.The filming is brilliant has just enough color in the background, just the right amount of lighting, nice mix of angry close-ups on hero and bad guys faces. Where the movie excels in a way Kurosawa would be proud is the well used special effects mini explosion bullets, exploding blood packs and my new favorite big bullet holes. There is a lot of clever little homage bits like Eastwood's poncho and Van Cleef's long shot gun.The only points off are for the dumb part by the sheriff. It would have also been better with more sword fighting.Near the end there is a nice homage line "This is for Akira"