Stunt Rock

1978 "The Ultimate Rush."
5.5| 1h26m| en| More Info
Released: 30 June 1978 Released
Producted By: Intertamar
Country: Australia
Budget: 0
Revenue: 0
Official Website: http://www.sorceryrockband.com
Synopsis

Australian stuntman Grant Page goes to Los Angeles to work on a television series. He uses his spare time to lend his expertise to rock band Sorcery. Page helps the band develop pyrotechnic magic tricks for their shows, and also recounts to his own exploits as a stuntman and daredevil as well as various stunts by other greats.

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Reviews

Pluskylang Great Film overall
Moustroll Good movie but grossly overrated
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
Coventry I must have seen bits and pieces of "Stunt Rock" footage in the downright fantastic documentary "Not Quite Hollywood", probably found it instantly cool, promptly added it to my never-ending watchlist, and then subsequently forgot about it for the next ten years or so. They obviously only showed the awesome stunt parts in "Not Quite Hollywood", and from the documentary I couldn't derive that this really isn't the type of "film" I usually seek for. "Stunt Rock" isn't a film, in fact, because there aren't any real characters and there isn't a plot. It's a mixture of impressively performed stunts by Grant Page, integrally sung rock anthems by a band named Sorcery and inventive magical tricks shown by a Merlin lookalike wizard and a sort of devil named Prince of Darkness. It's original, exhilarating and entertaining for about half an hour, but then it becomes rather tedious and repetitive. I don't want to talk too negatively about "Stunt Rock", because I have tremendous respect for its director Brian Trenchard-Smith. After all, he's the Ozploitation pioneer who created cult hits like "Blood Camp Thatcher" and "Dead End Drive-In". He's clearly fascinated by the world of stuntmen and wanted to bring an ode to their business; good for him! Some of the Sorcery songs are quite catchy, for example the one that has a similar beginning as "Psycho Killer" by Talking Heads.
jrdodson This movie can't decide if it is a concert film, a stunt documentary, or a love story. Ultimately, it winds up being none of the above.Choppy editing, wooden-like-a-tree acting, dreadful, repetitive and puerile songs;dialog that beggars description and magic tricks that are either interminable or transparent or both (i've seen better at a child's birthday party)--this is a perfect storm of a bad film. Perhaps it would be tolerable if watched under the influence of intoxicating substances, but any clear-headed viewer with the desire for a coherent story and interesting plot need not linger here.What baffles me most of all is where the funding came from for such a project. Assuming there was a script prior to shooting, who would bankroll such a dreadful waste of celluloid? This is nothing more than a vanity project for Grant Page, the stuntman who takes up most of the um...plot isn't the word. Ah, i have it--Grant wastes most of the screen time. You watch this, you don't tell me you weren't warned.
lthseldy1 This ones a classic, all it has is a man doing these awesome stunts that make me cringe just watching him burn himself up, hanging over cliffs and all kinds of stuff and the band Sorcery reminds me of a cross between KISS and Uriah Heep and I loved it! I loved the theatrics, the music, the stunts pulling together with the music, man this guy is awesome. Hated the ditzy girlfriend though he should have gotten somebody more wilder and adventurous than her. I liked the song "Woman" the best.
jason-371 you won't believe your eyes! stunts! rock! it's the new style! these people really thought they were onto something here, and their earnestness, regardless of talent, helps elevate the whole film. there is no plot to speak of, although a few tangental storylines keep things moving more or less ahead. but really it's all an excuse to get from musical sequence to stunt sequence and back again. over and over and over. every moment is unbelievably absurd and surreal. many of the stunt sequences are spliced in from other films the star, Grant Page, has performed stunts in. he plays himself, as do many of the other actors and musicians here, including the amazingly awful sorcery, whose live performances, as shown here, are filled with an audience who seem to all be wondering who the hell these people are. besides this, there's a masked keyboardist! stunts painfully gone awry! chicks in gold spandex with guns! wizards! demons! 10 out of 10! especially good as a double feature with Dolemite or The Song Remains The Same. PS: a few years ago a friend had a bachelor party in which he and his buddies dressed up as Sorcery and actualy learned and played the entire soundtrack to the film. Even better was that the director, Brian Trenchard-Smith showed up and videotaped it!