Standard Operating Procedure

2008
7.4| 1h57m| R| en| More Info
Released: 12 February 2008 Released
Producted By: Sony Pictures Classics
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.sonyclassics.com/standardoperatingprocedure/
Synopsis

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

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Reviews

Plantiana Yawn. Poorly Filmed Snooze Fest.
Numerootno A story that's too fascinating to pass by...
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Mr_Pink05 Respectful silence from the audience throughout. Not a word spoken by anyone exiting the theatre afterwards. Standard Operating Procedure is the film no one is talking about.Errol Morris' documentary on the abuse of detainees at Abu Ghraib prison is smart and informative. While talking head interviews with the people directly and indirectly involved provide the backbone, cinematic reconstructions of 2003s grizzly events coupled with the well known photographs taken by soldiers work successfully at pulling an emotional response from the viewer.Though intriguing, SOP doesn't really benefit from the big screen treatment and would probably have just as much impact if viewed on TV.Dark and depressing, shocking and enlightening: SOP is 2008's must see documentary.
poe426 According to attending physicians, I died in 2004 during a surgical procedure. Not long ("two or three minutes," I was told), but I was, technically and by legal definition, dead. But I'm stubborn (according to the woman I married), and I came back. Not long thereafter, I found myself flat on my face in a service station parking lot, thanks to something called "occult blood" that had built up in my system. Back to the hospital, where I spent five days in the Intensive Care Unit (two or three of those days in critical condition). Shortly after dodging that bullet, I developed kidney stones that left me writhing in agony in the hospital parking lot. Procedure number three. Then came The Biggie: chest pains that required quintuple bypass heart surgery. The foregoing, as one might very well guess, left me feeling a tad... weary of it all. I said so, aloud, and suddenly found myself handcuffed to a chair bolted to the floor in a holding cell. The next day, I was driven out of town to a run-down facility known hereabouts as "Cherry." I knew that something was wrong when (still handcuffed) I walked into the bathroom and found the walls, the sink and the floor covered with blood. It was a clear indication of things to come. There were fistfights (one of which came dangerously close to me where I lay, stitches still fresh, in bed one night) and beatings by both fellow inmates (sorry: "patients") and guards ("staff"). It was a harrowing experience that made the antics in ONE FLEW OVER THE CUCKOO'S NEST seem tame by comparison. I was only there for two weeks, but I saw (and was appalled by) the way mental illness (even simple depression) was dealt with hereabouts. Watching STANDARD OPERATING PROCEDURE, I couldn't help but be reminded of my "time away." If and when our leaders straighten out the mess they've made elsewhere around the world, they might want to take a nice, long look at the homefront.
Roland E. Zwick We're all familiar with the images that began flowing out of Abu Ghraib Prison in the spring of 2004 - photos showing detainees (some terrorists, others undoubtedly not) hooded and stripped, forced to assume painful and/or humiliating positions, often for hours on end, with American soldiers posing gleefully nearby, smiling and flashing thumbs-up signs for the camera. Once the pictures went viral, they came to symbolize not only the botched operation that was the Iraq war, but the fundamental failure of the U.S. military to win friends and influence people in a land the Bush administration claimed vehemently to be "liberating." In "Standard Operating Procedure," famed documentary filmmaker Errol Morris ("The Thin Blue Line") attempts to uncover the truth behind those photographs, mainly by allowing those who were most closely involved with the scandal to tell the story in their own words (including Private First Class Lynndie England, who, whether fairly or unfairly, emerged as the one clearly identifiable "face" and household name from the scandal). Morris provides no voice-over narration to accompany the interviews, just re-enactments of the incidents done in a quasi-surrealistic style, using slow motion photography and artsy graphics.Through his discussions with the principal players in the drama, Morris provides a probing study of the effects of war time stress on the human psyche. The film offers no easy answers as to exactly why the events at Abu Ghraib unfolded as they did; yet, while it doesn't turn the individuals involved into easy-to-blame villains, it doesn't completely exonerate them either. In fact, it is the seeming "normalcy" of these people, as they attempt to make their case for the camera, that renders their actions all the more unsettling. Morris also makes it clear that these low level individuals - many of whom have served time in prison for their crimes - were most certainly used as scapegoats for higher-ups in the military who managed to successfully deflect any personal culpability for the events that took place there.In a true journalistic coup, Morris was able to obtain grainy home movies shot at the same time that the pictures were being taken. As a result, we're able to witness the step-by-step process by which that infamous shot of the naked men stacked in a pyramid formation ultimately came about."Standard Operating Procedure" doesn't successfully address all the questions it sets out to answer, but that is hardly a weakness of the film, since it is dealing with a complex, messy situation involving complex, messy people caught up in a complex, messy war. One doesn't leave "Standard Operating Procedure" necessarily more enlightened that when one went in - just more well-informed. And that's perhaps the best one could reasonably hope for under the circumstances.
rdgreid What a crashing bore of a movie on a topic that deserved a much better treatment. Morris displays his customary heavy handedness in driving home the trivial and obvious points with excess, unneeded imagery. If you want to see a compelling story on this issue, told with much more flare and skill, see Taxi to the Dark Side. Don't waste your time on this, unless you need a good snooze. On display are Morris's usual techniques, employed to similar head-scratching ends as in Fog of War. At least there, we had an interesting character at the heart of the story and Morris lucked out with some poignant on-screen moments from McNamara. Here, he demonstrates that he has no intellectual or critical filter with which to sift facts. So, when one interviewee mentions the three cameras used to take the pictures at Abu G, we get a special effects image of each camera model floating in space as if this were some revelatory moment. When it is revealed that during an amnesty period after the Abu G scandal was revealed many photos and other documents were handed in a shredded, we get, not just a slow mo of shredded paper falling through the air, we get also get an entire cell block filled with bits of paper. In other words, every moment is punctuated with Morris's subtext: you're just too dumb to get what you just heard and I'm so enthralled with my movie making skills that I'm going to beat you over the head with this. This is not documentary film-making. This is rampant narcissism.