Spring Forward

2000 "Nothing in common. Everything to gain."
7.5| 1h50m| R| en| More Info
Released: 10 December 2000 Released
Producted By: Journeyman Pictures
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Budget: 0
Revenue: 0
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Synopsis

Trying to put himself back together after serving prison time for robbery, Paul takes a job as a parks employee in a small Connecticut town. His co-worker, Murph, a generation older than Paul, is dealing with his own issues, chiefly the the impending death of his very ill gay son. After the men have a run-in with local snob Frederickson, Murph's age and experience starts to temper Paul's fiery nature, as the younger man begins to embrace his new life.

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Reviews

Lucybespro It is a performances centric movie
Merolliv I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
d_perlin I have to confess I have a penchant for indie films. That said, this subtle and well written work gives the time and space for each character to develop, breathe and grow. Its choice of subjects, two male grounds workers in a small town in America, could easily have swung this delicate work into the pedantic or predictable. Too many times in the land of Indie the working class subject is fetishized or romanticized, or, worse yet, neglected and bypassed. Not here. By giving the characters real depth through well written dialogue, we see them grow, and in turn, grow with them as the seasons change. The everyday is transformed through excellent pacing, and we are given a chance to see what time can produce. Real human relations.
scotty-37 I liked this movie and found it an interesting character study that creates a hypnotic viewing experience. A few times the writing can be a bit overboard, but it's mostly very good.The one scene that stood out to me as really out of character was one towards the first where the character Paul runs off into the woods and starts crying. To me, it seemed vary unlikely that it would've happened this way. It doesn't seem likely, and this seemed more like a blunt object to set up the plot and background than coming out of the character here.To me, this movie was much more interesting for things that were unsaid than for the things that were said. The negative space is used well and I was glad they didn't follow up everything with some explanation of what happened next. You have to stay observant and make connections rather than expecting to be spoon fed. Nothing is certain in life, and neither is this movie. If you want a very linear storyline then go see something else. But if you want to examine the edges of things that are said and things that are meant, but not said, this is a good movie.Fascinating to watch. Peri Gilpin's brief appearance was perfect, also.
carwashwannabe I picked out this film randomly at the video store and I found it incredibly powerful and fitting to adult life, and every human's inevitable life ahead of them.I want to mention how low key some of the aspects of this film are (like having a mere 11 characters), but I don't want to spoil anyone's chance of seeing this, because not just people into indie films can be moved by something like this. Despite the movie's deep tone, I found it incredibly uplifting. What we become is not important, its the relationships we build with others that really gives our lives meaning.
senortuffy This is really one terrific film. It's about two guys working for the Parks and Recreation Dept. in some little town in Connecticut. Paul has just gotten out of jail for robbing a donut shop and is taken under the wing of the much older Murph.The movie basically is a series of scenes where they talk and discuss life in general. As they're picking up the trash in the park or driving down the road or painting a fence, they discuss the meaning of karma, love, betrayal, Murph's son dying of AIDS, all the things that make up a person's life.Ned Beatty is excellent in the role of Murph. I've seen him in dozens of movies, but I think I'll always remember him in this role as the character he plays fits him like a glove. He's an easygoing guy who's wise, caring and funny. By the end of the film, you feel you really know him, like he's a real person.Liev Schreiber plays Paul and he also does fine work in this film. Paul is angry at the world the first day he and Murph go out to work together, but he begins to mellow out as the days go by. He's much younger - mid twenties compared to Murph's early sixties - and he reads a lot of philosophy and discusses it with his friend. By the end, he's opened up a lot and isn't afraid to show his emotions or reach out to others.This film is everything you could possible ask for in an independent film. There's no expensive props or choreographed action scenes. It's simply two interesting people interacting with each other over the course of a couple of months and the way they affect each other's lives.