Spotlight

2015 "Break the story. Break the silence."
8.1| 2h9m| R| en| More Info
Released: 06 November 2015 Released
Producted By: Participant
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.spotlightthefilm.com
Synopsis

The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.

... View More
Stream Online

Stream with Max

Director

Producted By

Participant

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Images

Reviews

TinsHeadline Touches You
Claysaba Excellent, Without a doubt!!
Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Syl There are two films to see if you are studying to be a journalist. Spotlight is one and then there is "All The Presidents' Men" about the abuse of power in the highest offices. Spotlight recounts how the Boston Globe uncovered not only the abuse but the massive cover-up to the Cardinal to protect their pedophile priests which became the first story in a worldwide scandal about abusive priests. We are now hearing about nuns being abused by priests. As a lifelong Catholic, I was fortunate that I wasn't a victim of such abuse. This film isn't about the abuse although horrible and massive to have thousands of survivors come forward but it is about the institution of the Catholic Church who abused their power in failing to protect vulnerable, innocent children from such horrific abuse. I know that the Catholic Church is not infallible. They are at fault for allowing such heinous but crimes but they are not alone. There are other religious organizations who have survivors coming forward about their own abuse. I hope that they don't stop coming forward. Boston was a heavily Catholic city with a strong Catholic influence in its politics and history. Boston was the hometown of the Kennedys and other Irish Catholics. The Catholic Church's power was finally brought down by a newspaper named the Boston Globe who I pray never goes out of business. This is why the press is so important. The cast was first rate and the film won the Best Picture Academy Award.
sakram I don't get it, all these positive reviews, I read the short description of the movie, I really liked the idea, it's a very sensitive subject that had to be discussed sooner or later, but 60 minutes into the movie and I dropped it, like seriously ? It's so boring, all these names thrown here and there, it's dialogue-heavy for no obvious reason, there is no important dialogue going on, just a bunch of workers, handling a case, interviewing a bunch of victims, and voilà, nothing more. I felt underwhelmed, bored to death. If it were not for the subject-matter, or the actors, this movie would get a zero. So for subject matter and actors' performances : 4/10
jasonlisa-46411 Really though...this will go down as one of the most forgettable best picture wins ever.
Asif Khan (asifahsankhan) It's a story of unglamorous leg-work rather than thundering revelation. The drama here comes from the detail, and the reporters' slow realisation that their investigation could change the world far beyond Boston's city limits. The Church's power is revealed as smoke, mirrors and an unwarranted sense of deference, with journalism at its best proving its worth.Director Thomas McCarthy's great strength is in his refusal to pander to audiences, or to default to easy answers; the correct reaction to the team's work is horror rather than jubilation. And while admirable, the reporters take some blame upon themselves. This crisis, after all, developed under their noses and it took an outsider to force them to examine it. Similarly, the cast (Mark Ruffalo was freakin' good!) modestly play down their characters' achievements and reputations. There is no Oscar-bait grandstanding (well, maybe one moment) and they all look quietly dowdy without indulging in any unnecessary uglification. These journalist greats could happily have rubbed shoulders with Woodward and Bernstein in All The President's Men, and they bring down an even bigger institution.Talky and intelligent, this lacks the glib edge of Aaron Sorkin or the poppy zip of Tarantino. Given the subject matter, too much lightness would be inappropriate. Instead, its tone is led by its characters, moving from scepticism to revelation and the uncomfortable sense that we should all feel guilty for ignoring the secrets too hard to acknowledge.