VeteranLight I don't have all the words right now but this film is a work of art.

Platicsco Good story, Not enough for a whole film

Acensbart Excellent but underrated film

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Robert Reynolds This is a nicely done second tier World War II propaganda short from Columbia. There will be mild spoilers ahead: During WWII, pretty much all the studios produced war-related shorts intended to boost morale on the home front. In this instance, three animals (a vulture, gorilla and hyena) represent Hitler, Mussolini and Tojo. They begin bullying the other animals and generally take over, taking everything for themselves.Fed up with this, the other animals band together to fight their common enemies. The short is filled with visual and musical cues, with the "V for victory" symbol featured prominently in everything from rabbit ears to footprints in the snow and "dit dit dit DAH" showing up as a musical call to victory more than once.For Columbia, this is actually a fairly decent, though predictable, cartoon. Sadly, Columbia shorts are by and large unavailable. One can hope that this lack will be rectified someday. Worth watching.

theshape-13 While I was exposed to various WWII propaganda cartoons on TV while growing up in the 1970s, I didn't see the Columbia Color Rhapsody SONG OF VICTORY until just recently, having acquired a print from a private collector. Man, what a great cartoon!SONG OF VICTORY tells the story of cute cuddly little woodland creatures who fall victim to a vulture (caricature of Adolf Hitler), an ape (Benito Mousalini) and a buck-toothed hyena (Hirohito). This triumvirate bully and terrify the forest creatures, forcing them to be their slaves and bring them food. When one of their own is beaten for stealing a walnut, the animals band together to terrorize and taunt the trio with various signs of "V" for victory - the rabbits' ears forms "V"s; a woodpecker pecks the letter "V" on their cave door; the frogs croak the dreaded "DAH DAH DAH DAHHHHH". Needless to say, our furry little friends vanquish their tormentors, ending the film.This is one of the most beautiful and daring cartoons to ever come out of the COLUMBIA/SCREEN GEMS output! The film carries 2 important names in the history of theatrical animation - Frank Tashlin and Dave Fleischer. As Tashlin's reign as production supervisor for the COLUMBIA cartoons was ending, this film was still in production. When Dave Fleischer assumed studio control, he made sure the film was completed. Fleischer received producer's credit, while Tashlin retained his credit as 'supervisor'. Kudos also to layout artist Zack Schwartz and director Bob Wickersham, 2 more unsung animation heroes whose work remains rich and impressive even today! Final kudos to musical director Eddie Kilfeather for bringing this film to life with an excellent score - the music over the end titles is quite stirring and beautiful!With any luck, hopefully someday COLUMBIA/SONY will release its cartoon library to DVD for others to discover this wonderful cartoon.

scgary66 Although not quite on a level with other war-related cartoons like Der Fuehrer's Face or Russian Rhapsody, etc., this is a very well-done short. It should be noted that it is not a wholly comic cartoon, but a somewhat more somber take on the same theme, with various woodland animals being beaten (offscreen) by the sinister dictator-creatures standing in for Hitler, Mussolini and Tojo. All the violent aspects are shown in shadows, etc; the onscreen interaction is of a more inspirational nature in encouraging free peoples to join in overthrowing dictatorship. The three villains are shown being driven toward a cliff, though their demise is not depicted. I note that there is also, to my mind, a certain level of unspoken tribute to Churchill and Britain.This was released at about the same time as Disney released Bambi, and the animals created by Screen Gems for this film (especially the rabbits and chipmunks) bear some similarities to the Disney work in style and characterization, though the Fleischer style is also clearly visible in the appearance of the vulture and other of the darker aspects of the short.A solid 8 of 10