Shopworn

1932 "A SUPERB ARTISTE IN HER MOST GLAMOROUS ROLE...Barbara STANWYCK"
6.4| 1h6m| en| More Info
Released: 25 March 1932 Released
Producted By: Columbia Pictures
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Budget: 0
Revenue: 0
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Synopsis

A waitress falls for a wealthy young man but has to fight his mother to find happiness.

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Reviews

Hellen I like the storyline of this show,it attract me so much
Vashirdfel Simply A Masterpiece
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
bkoganbing Shopworn was one of those films that was old fashioned immediately upon release. I doubt we'll see a remake of it. If it wasn't for Barbara Stanwyck no one would give it any notice.Stanwyck plays a poor but honest hash house waitress who attracts the attention of medical student Regis Toomey. Toomey is from proper society and he's tied rather neatly to mother Clara Blandick's apron strings. Blandick might well have been the inspiration for Jane Wyman's character in Falcon Crest, a troublesome meddler in people's lives who does it because she can. Nobody's cutting mom's apron strings on her darling boy.Really I'd have taken the money and run and had a clean conscience. I sure would have not wasted any more time on mama's boy Toomey. But Stanwyck doesn't and you have the rest of a soggy story.She was a great actress Barbara Stanwyck to make this drivel sound somewhat plausible. Zasu Pitts is strangely subdued as Stanwyck's best friend. Why the director kept her in check is a mystery, Pitts's eye fluttering antics might have added something desperately needed for this film.For Barbara Stanwyck fans only.
st-shot Working class heroine Barbara Stanwyck is tough as nails as she spits in "decent society's" face rather than buckle to bribe or threat as a waitress in an other side of the tracks romance with a med student in Shopworn.The son of an overly possessive mother, David Livingston falls hard for tip chaser Kitty Lane at a local greasy spoon. Clinging mom is not about to let this happen and she wastes no time in exercising her considerable pull in getting a big time judge relative to send her to the slammer for 90 days on morals charges. Upon release Kitty goes on stage and makes it big. Six years later she runs into David, now a doctor again along with his mother still intent on keeping a firm grip on him.There is some very ugly abuse of power that takes place in Shopworn as the son obsessed mother badgers the judge to do her corrupt bidding in getting Kitty out of the way. There are also swipes at law enforcement, the penal system and polite society, with Kitty being an ideal lynch pin for such actions. As Kitty, Stanwyck does an excellent job of vociferously exposing hypocrisy, especially in the scene where she is bribed and threatened as she throws the money in the judge's face and berates the police. The ending is contrived however and the sickeningly sweet finale is hard to swallow. Babs is too good for the lot of 'em. Mom and son (a wincingly woosie performance by Regis Toomey) don't deserve to be in the same room as her.
ksf-2 In her tenth film, Barbara Stanwyck is the poor, working girl (Kitty Lane) who only wants to marry the man she loves, but his snobby rich family keeps interfering. Filmed J-u-s-t before the production code came into being, they put her away on "morals charges". Regis Toomey (competent, but Mr. monotone) stars as David Livingston, who wants to marry Kitty, but doesn't have the guts to stand up to his family. They go their separate ways, but meet up again later, when Kitty has become the successful entertainer, although they don't make it clear just what she does for a living now; Wearing rings and fancy jewelry when they meet up again, she tells him "Careful Dave, I'm a notorious, woman, and you'll probably get yourself talked about!" Oscar Apfel (always played the judge or the police chief) and Clara Blandick (Mom Livingston) team up to stop the marriage, but it all works out in the end... One of Nick Grinde's first talkies as Director. He and Zasu Pitts (Dot) had been in silent movies for YEARS before this film. Fun film, no big surprises.
HarlowMGM SHOPWORN is a terrific little potboiler from Columbia Pictures in 1932 starring Barbara Stanwyck in one of her first good-hearted girls from the wrong side of the tracks. Barbara stars as Kitty, a waitress with no family and no means who attracts the attention of wealthy young Regis Toomey much to his hypochondriac mother Clara Blandick's displeasure. When learning Toomey plans to marry this "cheap" girl, Blandick pulls in her pal, corrupt judge Oscar Afel to put out a warrant on Kitty in a trumped up morals charge. Virtuous Kitty angrily refuses the judges offer of $5,000 to get out of town and instead serves her sentence. Once released, she is now embittered and not quite sure she can trust Toomey either.Now free, Kitty decides to enter a new racket where she becomes a sensation as a sexy nightclub songstress. Stage door Johnnies are all over the place and Toomey numbers among them but Kitty while still has feelings for him she remains untrusting. And old mother Blandick is still around to cause further trouble.This movie is highly watchable mainly because of two sensational actresses, Barbara Stanwyck and Clara Blandick. Everyone knows how fantastic Barbara is, she could find truth in the most hackneyed situations and she does not disappoint with this rather standard story. The superb character actress Clara Blandick's talents are less remembered today outside of her sweet Auntie Em in THE WIZARD OF OZ but she was really in her element playing mean old bats who went out of their way to make trouble. Usually Blandick's buzzards were rural hens but her she is equally effective as a moneyed monster. Blandick holds her own with Stanwyck and proves to be one of Barbara's finest female co-stars.Show biz history buffs will want to watch for Maude Turner Gordon in the supporting role of Mrs. Thorne. Ms. Gordon was one of the great beauties of the late 19th century and very early 20th century stage and makes as lovely and elegant a senior citizen as Stanwyck herself would a half century later.