CheerupSilver Very Cool!!!

Smartorhypo Highly Overrated But Still Good

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Michael Ledo Plot Spoiler review.The Blu-ray disc I watched was a restored copy of a film with the year 1976, apparently an edited version. Jack (Gerald Grant) and Elvira (Claire Wilbur) are swingers. She is bored by being able to easily score due to the Al Goldstein publication which lets them advertise. Elvira has been attempting to score with Betsy (Lynn Lowry) and Eddie (Casey Donovan). She likes the chase.The couple swap didn't go as I would have liked as same sex couples paired up. The monologue comes across as a Creative Writing 101 project. I was not overly impressed, and in fact it brought a chuckle as I had to laugh at what passed for clever in 1970 something.Guide Sex and full frontal nudity (M/F)

Libretio SCORE Aspect ratio: 1.85:1Sound format: MonoA sexually liberated couple (Claire Wilbur and Gerald Grant) set out to seduce a young newlywed couple (Lynn Lowry and Calvin Culver).Having explored familiar heterosexual obsessions in well-regarded softcore dramas like CAMILLE 2000 (1969) and THE LICKERISH QUARTET (1969), director Radley Metzger upped the sexual ante with SCORE, a good-natured bisexual romp which crosses the boundary into hardcore territory popularized in US theaters by the likes of DEEP THROAT and THE DEVIL IN MISS JONES (both 1972). Based on a play by screenwriter Jerry Douglas, SCORE pits a couple of worldly, uninhibited predators against naive, conservative-minded 'virgins' during a weekend get-together at Wilbur and Grant's luxury Riviera villa. Having plied the hapless duo with drink and soft drugs ("I'm not a very good junkie!" Lowry complains) and dressed them in costumes which tally with their sexual fantasies (cowboy, nun, sailor, etc.), Wilbur and Lowry pair off for a lesbian encounter, while Grant and Culver descend into the basement bedroom for a full-blown gay seduction.Artfully photographed by Metzger himself and veteran cinematographer Franjo Vodopivec on location in Yugosalvia, and framed as an adult fairy tale (the delightful opening narration locates the action "...in the lush little land of Plenty, in the enviable state of Affluence... deep within the Erogenous Zone"!), the movie is distinguished by clever dialogue which removes outmoded notions of sexual parameters from the outset. When asked how she differentiated between sexes during the orgies she's attended in the past, Wilbur replies: "First you don't know, then you can't tell, then you don't care!" The plot is wafer-thin, and the acting is merely OK (the women fare best in this regard), but Douglas' script - played out for the most part in a single interior set, with only a handful of outdoor sequences - allows Metzger to build slowly and surely to the climactic double seduction, using reflective surfaces (amongst other devices) to convey sexual dualities within the characters. Viewers hoping for a non-stop flesh-fest may be irritated by the long narrative preamble (punctuated by Wilbur's rough-house tumble with studly repairman Carl Parker), but there's still plenty of uncompromising nudity, and the film manages to stimulate the brain whilst simultaneously tickling your, er... fancy. Great music, too, including an ultra-groovy (and uncredited) theme song! The film exists in two separate versions: Metzger is said to prefer the softcore edition (85m), but the all-important sex scenes are seriously compromised by jarring edits and obvious gaps in the soundtrack. Try to see the full-on hardcore print (92m), which includes rather more graphic detail during the gay sex scenes.'Calvin Culver' is actually gay porn performer Casey Donovan, star of groundbreaking titles like BOYS IN THE SAND (1971) and THE OTHER SIDE OF ASPEN (1978), though he later re-teamed with Metzger for the director's hetero masterpiece THE OPENING OF MISTY BEETHOVEN (1976). Co-star Grant only appeared in two other films - Metzger's NAKED CAME THE STRANGER (1975) and Umberto Lenzi's EATEN ALIVE! (1980) - and it's sad to report that both he and Donovan have since passed away. Wilbur featured in the original stage version of SCORE, but her only other screen acting credit appears to be TEENAGE HITCH-HIKERS (1974), while the beautiful Lowry has since pursued a career in mainstream movies, including THE CRAZIES (1973), SHIVERS (1975) and CAT PEOPLE (1982). Writer Jerry Douglas adopted the pseudonym 'Doug Richards' and made a name for himself in gay porn, writing and directing a number of celebrated productions, including THE BACK ROW (1973), BOTH WAYS (1976) and MORE OF A MAN (1991), the latter featuring Joey Stefano and Chi Chi LaRue, while SCORE's production manager Branko Lustig has since become a major Hollywood producer, with titles like SCHINDLER'S LIST (1993) and GLADIATOR (2000) to his credit!

weho90069 Someone bashed "Score" for being a soft-core, "So What?" kind of movie. This is both unfair and uninformed. Image Entertainment's presentation of "Score" is a CENSORED print of Metzger's intensely more erotic and explicit work (particularly for 1972). Director Radley Metzger was, at this time, ramping up to his stint as legendary hardcore film maker "Henry Paris" (at which point in his career he would grind out some of the X-rated industry's most prestigious and sophisticated projects like THE OPENING OF MISTY BEETHOVEN and BARBARA BROADCAST). In the UNCUT version of "Score" Gerald Grant and Cal Culver (nee Casey Donovan of gay porn fame) engage in explicit, X-rated sexual activity, much of which was sadly and unnecessarily excised from the chopped-up print released by Image Entertainment. The ladies' sex scene is also longer and feels more complete with the missing footage. I've read some hearsay online that Metzger actually approved of releasing the censored version of the film instead of putting out the full-blown hardcore version. Disappointing, if true, though it may have been made purely due to marketing and distribution (otherwise the title might have been lost amid countless, worthless smutty DVDs in the back-room browsing areas of video stores. (shrug)Now more than ever before, "Score" needs to be re-released UNCENSORED; anyone who has seen the film in its entirety (as I have) knows that the sexual payoffs are part of the reason the film exists at all. Heck, it is still relatively tame by today's standards, so there was little reason to snip away the various erections and oral sex scenes (penetration, while it may well have happened between the men, is never truly explicit due to shadows, etc.). "Score" can only be fairly judged seeing the film in its most complete form; otherwise it understandably plays as half-baked, which is unfair to the viewer, to Radley Metzger and his team of film makers, and to the stalwart cast. I say, if it was good enough to show in theaters in 1972, it's good enough to show on DVD thirty-one years later! Sure, the bi-sexual theme still doesn't resonate well with a lot of folks and maybe that's part of the enduring charm of "Score". Non-traditional sex identities remain today a troubling and disconcerting taboo (particularly for men). It's sad that given as much progress as we've made culturally and scientifically, there are religion-bound folks out there still not willing to admit that *honest* human sexuality is rarely polarized (as hetero- or homo-) without *some* shades-of-gray... Because of this eternal angst, the uncensored version of "Score" is great for group showings. You'll watch with glee as your friends squirm as the last act goes into explicit high- gear.By the same token, of the ultimate strengths of "Score" is that it boldly and unabashedly plunges into territory that has been for decades-on-end commercial suicide. "Score" straddles the world of porn on the one side with more serious entertainment on the other. Even now, this unfamiliar mix of genres seems refreshing; the past three decades have given us plenty of porn and plenty of mainstream entertainment, but very little that really dares to push the envelope the way "Score" did, combining the two extremes. Other groundbreaking movies of the 1970s like "The Story of O" and "Emmanuelle" also accomplished this (and disasters like "Wild Orchid" promised to, but didn't).Today audiences are lamenting that more films like this don't exist -- films with admirable production values which nevertheless aren't afraid to take the provocation initially hinted at to an explicit level. Thanks to an unfortunate distribution choice by Image Entertainment (a company that made its initial living releasing XXX hardcore porno such as "The Girl From S.E.X. to video), audiences only get a "softcore" version and continue to miss out on the relatively mild (by today's standards) but ultimately necessary climaxes in "Score".

brisky This film, from the early 70's, was a milestone for adult sex comedies. It presented an attractive couple who are into both sexes without shame or guilt about their sexual proclivities. Indeed, it is the "straight" couple (played by Claire Wilbur and Calvin Culver) who question their own sex life. After lifting the barriers of guilt, the young couple are able to enjoy sex with whichever partner they're with, whether they are male or female. The relaxed pacing of the film, combined with the restrained performance make the same sex lovemaking seem almost childlike. This "forbidden" topic has rarely been seen or handled as deftly since.