Artivels Undescribable Perfection

Claysaba Excellent, Without a doubt!!

Beanbioca As Good As It Gets

CrawlerChunky In truth, there is barely enough story here to make a film.

Strega Granger This is a movie from the authors of "The Intouchables" (2011), so of course, the comparison will be unavoidable. But let me tell you, both movies are something different, though the style is present there, as does Omar Sy. This is a movie about life itself. It will make you feel many emotions: it will make you laugh, it will make you yelp, it will make you feel tense.On one side, you see what an immigrant without his working permit has to do in order to survive in an European country, why he is there, what he does.. On the other side, you see a burnout woman who tries to find herself back. The story simply flows slowly, as life does, no rush things (as we are used to with some American movies) but everything goes at its own speed, because there are some things that cannot be rushed.Charlotte Gainsbourg is THE movie. From the first time she is on-screen she steals the show. She really gets into character and you can feel identified with her (hell, where is my horse!!?). Opposite her there is Omar Sy, who is also great and make you feel tense at some points of the movie because of his situation. then, there are the supporting roles played by Tahar Rahim, another immigrant trying to survive in Paris, and Izïa Higelin playing a ONG worker who introduces Charlotte's character into the reality that immigrants are facing everyday.This movie feels really close to you and you cannot help but feel connect with its characters, so give it a try and watch it in its native French language!

zkuna22 I enjoyed every minute of the movie!At the same time Samba is so entertaining and comical with lots of great scenes, but also educative and touching. It shows real European attitude towards immigrants. I have to highlight actors. Both Omar Sy and Charlotte Gainsbourg are so believable. My favorite character is definitely Wilson, brilliantly played by Tahar Rahim. So lovable character. The soundtrack is also brilliant. I recommend Samba to all who wants good, entertaining comedy with unusual love story. This movie is so different from classical Hollywood romantic comedy and that's why I prefer European and non-Hollywood comedies.

nina_glyndwr This film could have been a lot better. It dragged in places - 2 hours long!!! 90 minutes would have been sufficient.The major problem is Charlotte Gainsbourg. I'd like to like her, given her parents, but she seems to have only two expressions: sulky, bored face and wan smile. She doesn't seem to be capable of emotions. She whispers most of her words.In a lot of the scenes with her and Omar Sy the characters didn't say much. Sort of along the lines of: *cough* "Did you say something?" "No. No, I didn't say anything." "Oh, you see I thought you had said something." "No, not me." "Oh, I thought you had." In places like this, the film drags.Fortunately, there are plenty of laughs along the way.However.. as is often the case with French comedies, there are sad bits, too. What is shocking is to see how the 'sans-papiers', those without the necessary papers, actually live. It's a dangerous and precarious life, never knowing where your next bit of paid, but illegal, work is coming from. I know it's a film and so not a real-life documentary, but it does make you think. It's sobering.Even a funny character like Wilson makes you realise just how hard the life of an illegal immigrant is. He's generally a happy-go-lucky character, but you can see how desperate he is to keep his charade going. Poor guy.Or take the scenes where the women in the immigration centre are trying to help all the immigrants. They are funny scenes, but you realise what a hard task they have.I'd watch the film again - but it could have been a lot better with a tighter script and a different female lead.

Paul Allaer "Samba" (2014 release from France; 115 min.) brings the story of Samba Cissé. As the movie opens, the camera pans from a wedding reception to ultimately the back kitchen, where we meet Samba, an illegal resident in Paris hailing from Senegal, making ends meet as a dishwasher. It's not long before Samba gets into trouble, and he faces possible deportation, despite having live in France already 10 years. Alice, a novice social worker/pro bono immigration adviser, is assigned to Samba's case. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.Couple of comments: first, this is a return of the team that brought us the delightful "The Untouchables" a few years ago: co-directors Olivier Nakache and Eric Toledano, and lead actor Omar Sy. On top of that, one of my favorite actresses, Charlotte Gainsbourg, co-stars. So this just HAS to be a great movie, right? Alas, it was not to be. From almost the very beginning of the movie, the plot is riddled with clichés and one-dimensional characters. Alice, played by Gainsbourg, is a rookie, literally the first day on the job. She is told by a co-worker who is training her that she should never, ever give out her phone number to any of the immigrants she is assigned to assist. So what does Alice do within minutes? Give her phone number to Samba, of course! The immigration system is portrayed as absurd, and I'm sure that there are serious issues there, but the way that the directors present it to us (all illegal immigrants: angels! immigration officials: the devil incarnate!) just made me roll my eyes. As for the supposed "comedy" aspects of this movie, I didn't notice much of any. I'm sorry if I'm being harsh on this movie. I'm sure this movie was well-intended, and I really wanted to like it, but when the movie was over, I felt very disappointed and, frankly, let down. Please note there is a nice soundtrack (available in France but not in the US, as far as I can tell), which features the Brothers Johnson's "Stomp", Bob Marley's "Waiting In Vain", and Cyreeta's "To Know You Is to Love You", among many others.I saw this movie during a recent family visit in Belgium. The early evening screening where I saw this at was quite well attended actually. I have no idea if or when this movie will make it to US theaters, although given the success on the art-house theater circuit of "The Untouchables", I wouldn't be surprised that this gets a US release at some point. Whether in the theater or eventually on DVD/Blu-ray, I encourage you to check this out and draw your own conclusions about "Samba".