Lovesusti The Worst Film Ever

BlazeLime Strong and Moving!

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

a-maiboroda This movie definitely falls in between of what people like to see and what they like to hope for..While most of the blockbusters, that come out nearly every week, filled up with the special effects, but the "Prophets" show the simplicity of the idea, and the execution is on the top level! Two guys, bikers, hook up out of the blue, and end up becoming more than just simple pals, because, Joe takes on a challenge to see to his new passed friend last will...i would recommend this movie to anyone who wants to see beyond the shine of Hollywood and glamour of most of the sunset strip.View it, you may like it!! Cheers.

dkidd23 This is one of those films which you can watch a dozen times and get something different out of it each time. Lots of guest appearances in this movie. I remember the first time I watched it and thought he looks familiar then realized it was Timothy Leary (Tune In, Turn On, and Drop Out Dude from the 60's) not long before he died. I had seen him on a lecture tour around the same time as the movie came out. Also people like Arlo Guthrie, David Carradine, Don Cheadle, John Cusack, etc. My favorite part is the entire section with David Carradine.This is a road trip movie and if I didn't already know who had directed it, I would have thought it was a Robert Altman film. Lots of good weirdness and things for you wrap your head around. Quite a few "in" jokes that you might not catch the first time you see it. If you watched one time and thought it was okay, then watch it again.

djelvis2 As road trip movies go, it's subtle and (perhaps too) familiar. Joe (no last name) decides to honor a stranger's last request, and deliver his ashes to an oasis in Nevada. Along the way he discovers the citizens of Today's America: the rebels whose time has passed, the franchise minimum-wagers, the common people in their varying degrees of lunacy... As he drives farther and farther from his old life, the purpose of his trip morphs into a larger exploration of the journey that everyone makes, the journey of life... John Doe's "Joe" pulls off the everyman bit, the straight man for everyone else to prosletyze to and joke around. His only job in the movie seems to be the audience's advocate, reflecting their reactions to the strangeness in the desert. Adam Horowitz's "Sam" is more than the lively sidekick; he represents the end result of being raised in modern times. A pathological liar, a pyro and a lemming, he's the motherless child that considers every location of the Motel 9 franchise his home. Overall, the movie feels as staged as an above-average Afterschool Special. The cameos feel like stunts (Mike Tyson's appearance in CROCODILE DUNDEE IN LA was more believable) and the intentions are so clear from the beginning that the trip seems redundant. And the point? It would seem to be as Sir Edmund Hilary reasoned for climbing Everest; "because it's there."As a road trip, it's more a pleasant afternoon than the journey of a million miles. 5/10 stars

rwint Doe meets a man at work who comes off as very annoying and empty headed. The type of person most people would want to run from. Yet Doe befriends him immediately. Then, when this new friend dies suddenly, he decides to honor him by burying his ashes in a mythical city called El Dorado, Nevada. Thus begins a very feeble attempt at a road movie. It was made by those who never did it themselves, but still think it would be a cool idea. It's the same people who like the idea of 'rebelling' yet have no idea what to rebel against. It has all the bad road movie cliches with none of the substance. It's too contained with none of the ruggedness. The quirky story threads and 'hype' philosophy are simply attempts to cover up it's own hollowness. There is some introspection involving looking at the 60's through 80's eyes. It shows how Generation X loves the allure of the 60's and wants to emulate it, yet has no real understanding of what it was about. It also shows how the aging boomer still longs for the open road even though he has now become apart of that dreaded responsible class that still needs to hold down a job. Yet all this is only done in minute spurts with the rest of it drowned out by a trendy existentialism that just doesn't work. John Doe, the lead actor, aptly fits his name. He is very boring and transparent. The 'celebrity' appearances are nothing more than tired walk ons by fading 60's icons. Horowitz is the only one that manages to give a interesting performance. His youthful energy seems sincere and lively. It's all very flatly shot and cheap looking. It looks like it should have gone straight to video. It also has some real stilted moments and bad acting too. This thing has the audacity to bill itself as THE EASY RIDER of the 90's even though it doesn't come close. It is pure imitation. Watching the real thing would be better or even watching some of the lesser known road pictures of that era.