Oliver Twist

1982 "A Compelling New Version of the Great Victorian Classic"
6.7| 1h43m| en| More Info
Released: 23 March 1982 Released
Producted By: Norman Rosemont Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The classic Dickens tale of an orphan boy who escapes the horrors of the orphanage only to be taken in by a band of thieves and pickpockets.

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Producted By

Norman Rosemont Productions

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Reviews

TrueJoshNight Truly Dreadful Film
Cleveronix A different way of telling a story
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
OllieSuave-007 This is the first movie adaptation I have seen of Charles Dickens' classic - a story where orphan boy Oliver Twist (Richard Charles) escapes the orphanage in England and end up being taken in by a band of thieves.From what I remember, this movie followed the novel pretty well, capturing the elements of the story such as the old English times, the sinisterness of Fagin (George C. Scott) and Bill Sikes (Tim Curry) and the famous "Please sir, I want more sir" catchphrase by Oliver Twist.The acting was good for the most part - nothing that was really mind-blowing though. It's just very average at times, particular that of the Oliver Twist character, who was portrayed as a little too skinny, pale and malnourished and I thought his white hair made him look too ghostly. The plot, though, was steady-paced and made the movie was pretty intriguing enough that I didn't find boring or dreary. Director Clive Donner did a nice job in keeping the film interesting and engaging.Grade B-
TheLittleSongbird I will tell you, the 1948 David Lean film is magnificent, and the definitive version of Charles Dickens' classic novel. Now I liked this; it did have a decent script, director Clive Donner does more than acceptably portray the harshness of the Victorian era, and fluid camera-work considering it is noticeably lower budget an adaptation of the novel out of all the adaptations I have seen. The performances were very good; George C.Scott was oily, vile, manipulative and shrewd like Fagin should be. I will admit, although I am a massive Tim Curry fan, I was initially perplexed why he was cast as Sikes. Curry isn't exactly big and burly and I don't associate him as a violent murderer, but in terms of acting, he was extremely chilling and very effective in his role. Especially when he sees images of Nancy after he kills her, and speaking of the death scene, that was very brutal. In fact, this film is one of the more violent adaptations of the novel I've seen. I liked the dog too. Cherie Lunghi is as lovely as ever, and indeed vulnerable as Nancy, and Michael Horden is a splendid Mr Brownlow. In fact the only two weak performances came from Richard Charles as Oliver-he just couldn't carry the film on its own- and Timothy West sadly is miscast as Mr Bumble not being grotesque enough. The plot was hugely condensed of the content from the book, and consequently lacked the masterly storytelling that made the David Lean film such a classic. All in all, a flawed but respectable adaptation of a complicated book. 7/10 Bethany Cox
catjoescreed This is without doubt the absolute worst version of Twist I've ever seen, and I've pretty much seen them all. Oh, no question, the cast was great. George C Scott was wonderful as Fagin, Curry was quite nice as Sikes. Cherie Lunghi and Michael Hordern have always been big favorites of mine, going back to their days as Shakespearean actors in the BBC filming of the entire Shakespeare canon. And I was so glad to see the character of Charlie get his due - his part in the plot is so often elided.But the plot! Oh my God, the plot! Was there ever such a condensation? Dozens of characters left out, dozens of crucial plot points obliterated in the interests of squeezing this story into 100 minutes or so. Some of the most important story elements were kept, but were stuck in at the wrong places, leaching them of their poignancy. I even found myself laughing at a couple of places, the stuff was handled so badly. Nancy's death scene, by the way, was given the goofiest interpretation I've ever seen.I liked Sikes' dog. It's usually shown as an English bull, but in this version it was a Benji-style mutt. Yeah. I liked the dog. That was about it.
papccs This, yet another version of Oliver Twist is something rather peripatetic. The plot, something which I'm certain most people know, in this movie is rather confusing. It comes across as the director throwing scenes together without any purpose. The scene where Oliver asks for more, is missing entirely.One minute Oliver watches a boy collapse in the field where they are working, the next Mr. Bumble is proposing to the woman who runs the workhouse, and seconds later Oliver is seen working in the Funeral Parlor. Any sense of continuity for why he is there, has been left on the cutting room floor, if ever filmed. The scenery may, arguably, be more realistic, but the story line itself leaves something lacking.