VividSimon Simply Perfect

Beanbioca As Good As It Gets

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

asgbeat Though their on-screen time together is short, the dashing Calvin Lockhart and the mesmerizing Vonetta McGee made quite a delicious pair in "Melinda." His mocha complexion and swiftly-melting-heart against her café au lait luminescence and wariness-turning-to-warmth are bewitching to behold in the early seduction scenes of this R-rated, '70s Black cast rarity. From their first encounter in a funky supper club to "back at Frankie's place" and the few days they get to spend together, there is an intoxicating mix of mental chess play, crackling sexuality, sweet humor and soul-baring communicated by veteran Lockhart and then-budding starlet McGee - both wonderful actors.My frustration with this set up is that because the love scene between "Frankie" and "Melinda" is so potentially erotic (remember there were very few full-on lovemaking scenes between Black actors on the big screen in '72 - especially between two this attractive), someone at MGM deemed it necessary to mute that eroticism by having a henchman follow the first-time lovers home, stand outside the door eavesdropping, become aroused and bring himself to a simultaneous orgasm along with the pair inside. It's truly a travesty. "Melinda" is a mob boss thriller, not "Flip Wilson Sends Up Shaft!" The music and vibe senselessly switch from seductive to comedic as the bad guy outside is making goofy faces while the gorgeous people inside are getting it on all over the living room floor. The lovin' is low-lit by the fireplace which adds an air of mystery yet is ultimately ruined because the editors keep cutting back and forth between the sex-down inside and the brightly lit bulls**t outside. Without the cold shower of "comic relief," this could have gone down as among the era's most arousing love scenes - Black and beyond.It feels like another case of Hollywood being uncomfortable with and/or afraid of Black sexuality. I wish Mr. Robertson or Mr. Lockhart were still here to reflect on this. Perhaps Ms. McGee could answer me. Did some cigar-chomper at MGM or in the MPAA, after reading the script or seeing the dailies, say, "O.K., we can only keep the sex hot-n-heavy if we break it up every few seconds with some completely out of character (for a thug) stupidity, or just call it a wrap with a fade-to-black at the foreplay stage on the sofa." The "guidelines" for such things were, and still are, just that whimsical...administered on an impossible to pin down case-by-case basis. Beyond Lockhart & McGee, "Melinda" is a cool slice of diverting entertainment. The controllers of the MGM film library should make this title available in a high quality DVD. As another commenter expressed, even though the budget for "Melinda" was obviously low, director Hugh A. Robertson and the cast created an earthy snapshot of Black Los Angeles better than most from the 70's so-called "blaxploitation" flicks. "Melinda" also boasts one of the first screen appearances by Black karate champion Jim Kelly (who later co-starred in "Enter the Dragon" with Bruce Lee, and his own star vehicle "Black Belt Jones"). Plus, there is a righteous score by African American composer/arranger Jerry Peters featuring R&B singing great Jerry Butler. If you ever come across a copy of the rare soundtrack Lp (on Pride Records), grab it.If "Melinda" is ever respectfully released on DVD, the sorely underrated Calvin Lockhart will flash one of his dazzling pearly white smiles from Heaven above - boasting enough wattage to illuminate a month of soulful Sundays.

gary freeman of all the blaxplotation films in the 70's, Melinda ranks on my list with Shaft, Superfly, Trouble Man, Cotton comes to Harlem, and such like. i had'nt seen it since 1974 maybe, and have been looking for it for more than 30 years. finally, i found it in San Francisco. the DVD was a good print although you knew it was as old as it is/was. Calvin Lockhart was brilliant as the narcissistic Frankie J Parker, and Rosiland Cash's role of Terry, displayed the strength and resolve of a strong Black woman of the time. violent and dark, with a hint of mystery and overloaded with the rage of revenge, Melinda was a thriller. as i watched again, for the first time, the lines all came back and i can remember how many of Lockhart's lines, i began using. incredible how influential movies can be to a 20year old African-American in the 70's.

galaxxy500 That super-ego brilliant Mutha Frankie J. Parker played by Calvin Lockhart is a ghetto disc jockey who smooth talks and womanizes until he meets a sultry gal named Melinda played by Vonetta McGee. Things go smoothly until Melinda winds up dead in Frankie's apartment. The mob is behind the hit since Melinda had one of their audio tapes concealed in a cigarette box. Frankie cant take on the mob all by himself so he rounds up a few buddies and struggling businessman and karate instructor Charlie Atkins played by Jim Kelly and together form a small army and go into combat. Kelly, who is responsible for the violence and Lockhart take on thugs, steal their cars and drive up to the mob boss's mob to "clear things up" and "close the deal". In the end Frankie rekindles a lost love interest and Kelly and his crew go back to the real world and leave Frankie and his old time gal to reconcile and understand each other throughout the end of the film. Through this violent action film I saw a lot of the characters emotions, the fear,the struggle,the anger,the courage, and the love and romance. At the end I felt good inside. I could Identify with the characters who went through all that. To me this film has been overlooked and underrated. "Melinda" should be digitally remastered and recorded on DVD. I strongly recommend this film to anyone. Look past the color and the genre. This is your kind of Black Film.

hillari A smooth DJ falls for a woman he's just met. When he finds her dead a short time later, he discovers that she had been killed because of her ties to organized crime. The DJ decides to avenge her death, receiving the help of a woman (the late, great Rosalind Cash) whom he had scorned. This film doesn't exactly follow the bullets and blood formula of many other Blackploitation action films. It does a little better on characterization, especially of the DJ and his scorned gal pal. However, it doesn't get as deep as it promises to be.