Mad Dog Time

1996 "No laws. No meaning. No exit."
5.4| 1h33m| R| en| More Info
Released: 08 November 1996 Released
Producted By: United Artists
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

With his boss in the madhouse, a mobster is temporary boss of the criminal empire just as vicious rivals threaten the control of the empire.

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Reviews

Matrixston Wow! Such a good movie.
Claysaba Excellent, Without a doubt!!
RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.
rekall1900 If the Godfather can be rated as the greatest of realistic crime or gangster movies then Mad Dog Time should be rated as the greatest of surrealistic movies. This is a film which takes the serious reality of the mob world of killers and shows them in a strange weird way that should rate this film as one of the great films of the cinema art. It is like watching mobsters in a way the painter Picasso viewed reality with his famous Cubism. In some ways it is Film Noir but in other ways it is comic and even romantic. If you want to see a different kind of crime movie that is well acted and whose meaning may be no more than the art of strange film or showing what creative film making can do, then catch this one.
Odysseus_Rex I don't know much about the Rat Pack, and Frank Sinatra always seemed a bit too self-consciously full of himself to me. So when I call this one of my all-time faves, it's nothing to do with a tribute-band mentality. As another reviewer says, Mad Dog Time is about symbolism, not realism. It's kafkaesque (a pity Kyle MacLachlan is probably the weakest of a very strong crowd, when he was so good as Josef K), it's stylish, knowing, sardonic and slick. Jeff Goldblum is navigating his way around a variety of characters, trying not to get shot and acting deftly rather than dorkily, trying to stay abreast of what he knows and others don't, whom he can outshoot and whom he can't. Gabriel Byrne and Richard Dreyfuss (his best performance) have a ball, and the supporting cast look spot-on. The symbolism, the settings (the one outdoor motion shot with Jeff Goldblum walking down the steps seems really weird after so much lounge lizardry), the dialogue (style, not practicality, is the order of the day), it's all about characters interacting, not really gangsterism. Fun to watch, must've been fun to do. What the critics were up to is really a mystery...
shane013a-1 I will agree that this movie is a lot of fun to watch,uncut that is, and I will go further and say that it was probably a hoot to be a part of the making of it as well. Lets face it some of these guys are not around anymore and this might have been one of their last laughs together. I for one found it exciting to have one last look at Henry Silva, Richard Pryor and Christopher Jones. Those last two by the way were in one of their first movies together as well, Wild In The Streets. Michael J. Pollard will always be seen in something. Kyle MacLachlan was probably in it just for the kicks. His performance seemed a bit over the top even for him. All in all I would have loved to have been an extra on this one but at least I got to see it.
walkerjh Not a movie for everyone, but this movie is in my top 10. I am a lover of black comedy. With a cast including Richard Dreyfus (Vic), Jeff Goldblum (Mick), Larry Bishop (Nick) and Gabriel Byrne (Ben 'Brass Balls' London) in the leads, the lines can't help but be dry. The supporting cast is nearly dead center. Counting the minor flaws in the movie: Ellen Barkin's make-up gave her face has a washed out look; there were a couple of gimme cameos by Joey Bishop and Richard Pryor that served no purpose, and Michael J. Pollard's screen time was too short. Over all, the cast was just incredible without egos to wreck a fine script. If you have seen Larry Bishop's (writer, director) film, Underworld (a dark crime flick), you will enjoy this one. His next outing (writer, director, actor) is Hell Ride with Michael Madsen and Quentin Tarantino.

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