ReaderKenka Let's be realistic.

Steineded How sad is this?

AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Antonius Block What on the surface may be construed as a typical 1960's romantic comedy is a great film with real weight. First off, as Natalie Wood's character has to stand up to her annoying brothers, who are over-protective and try to coerce her into a relationship with a nice guy played by Tom Bosley of all people (Mr. Cunningham from 'Happy Days'), it has a strong feminist message. Secondly, the film asks questions about the biggest things in life – is there such a thing as romantic love, or does lust obscure everything? And should one just settle in marriage, because, as a minor character so wisely puts it at a dinner party, "love is really an art, and like every other art, it demands practice and patience, consistent dedication and hard work."Lastly, and this is the biggest thing, the film shows what it meant to try to get an abortion before it was legal. You see, very early on in the film, Natalie Wood has told Steve McQueen that she's pregnant as a result of their one-night stand. That leads up to an extended sequence trying to get an abortion in an abandoned apartment which is horrifying, not because they "show" anything, but because it is so gritty and real, and filled with psychological pain. So here it is that you have this film with a beautiful couple with great chemistry, Natalie Wood and Steve McQueen, and you're in an emotional drama, and yet, it's one that has a sense of lightness about it, because of the strong performances they turn in, both of them delicately finding this balance. You have to love Wood's character at so many turns, as she consistently strives to find her own path in life, and her own voice. What an amazing film this is for 1963, and how timely it was seeing it in January, 2016, ominously showing what getting an abortion would be like in America if Roe v. Wade was overturned, and we went backwards during the Trump regime.

frankwiener I don't consider myself a huge fan of love stories, but every now and then one comes along that really works for me, and this is one of those rare occasions. While some reviewers consider the subject matter and the prevailing culture of the film to be "dated", do movies have to mirror the 21st century in order to be important, interesting, or even entertaining? I never dismissed "Casablanca" as "dated" because it happened to take place in 1941, a time when even this old geezer didn't yet exist. Now, why would I do that?This month's tcm star of the month being Natalie Wood, viewers were treated to a fascinating introduction by Wood's former husband, Robert Wagner, and her daughter, Natasha Gregson Wagner, who was raised by Wagner since infancy. I very much appreciated their special, personal rapport and their "inside knowledge" regarding the making of this film, as well as the two other films shown on the same night, "Splendor in the Grass" and "West Side Story".The success of this movie, brilliantly directed by Robert Mulligan ("To Kill a Mockingbird"), revolved around the highly engaging interaction between the two main actors, Natalie Wood as Macy's salesperson Angie Rossini and Steve McQueen as musician Rocky Papasano, but I don't think that their performances would have been as alluring without a very intelligent and complex script, as written by Arnold Schulman. Another vital element of the film's appeal was the outstanding supporting cast, especially Tom Bosley as an awkward, love-stricken restaurateur, Hershel Bernardi as Angie's possessive, produce pushing brother, and Edie Adams as an exotic dancer who also serves as Rocky's roommate of the moment. Portraying their characters as victims of intense personal crisis, both Wood and McQueen very credibly project an entire spectrum of feelings that convey their general state of extreme confusion and frustration. I especially appreciated how McQueen developed his character from unlikable to sympathetic in the course of the film, often employing his entire body in the process, and how Wood enabled us to share the wide range of emotions that Angie endured at a time of severe inner turmoil. The scene of her initial attempt at leaving the only home that she had ever known, for better or for worse, should "hit home" with anyone who had experienced a similar situation in their lives, including myself. Bravo Natalie. Loved the clothes hanging out of the hastily packed suitcase. Nice touch.Without fatally destroying the end of this movie for anyone who has never seen it, I was still left guessing how it would end until the very last scene. Even though the ending had its corny aspect, we need to accept the time as the dawn of the protest movement, so the final scene may have had a very different impact on an audience back in 1963 than it does in 2016. I still loved the final resolution. It actually brought tears to my hopelessly sentimental eyes. How about you?

George Wright Natalie Wood and Steve McQueen are at the pinnacle of their acting talent in this b-w gem from the early 1960's. Two very different people - Rocky Papasano and Angie Rossini - re-unite after a one night stand that results in a pregnancy. How they resolve this crisis is the story of this movie. Along the way, there is drama and a lot of fun. Much of the movie was shot on location in New York City's Lower East Side. There is one particularly gripping scene involving a back-alley abortionist that stands out in this film. The two young people come from Italian immigrant families who provide great entertainment as a backdrop to the love story.In the course of the movie, Angie, who was under the thumb of her domineering family, came into her own and took on a new-found confidence. Rocky's support and love helped her bloom into a wonderful and mature young woman. There were two hysterical dinner scenes, breaking the tense atmosphere of this dramatic coming of age film. Tom Bosley, in his pre-TV days, is the man considered by the family as an acceptable husband for Angie. He is very funny as the good-natured clutz trying to woo her. Other than that, the two great stars,who both died too young,have left their fans with a great love story.

wes-connors This starts out being an extraordinary drama, and ends up being an excellent romantic comedy. Both are done well, although "Love with the Proper Stranger" might have been better off sticking to the dramatics. Natalie Wood (as Angie Rossini) and Steve McQueen (as Rocky Papasano) are an infectious team. As the film opens Ms. Wood is tracking Mr. McQueen down, to ask for help in obtaining an abortion. McQueen seems to have forgotten the dalliance with Wood (blame it on the scotch).Watch for a brief moment when McQueen looks Wood up and down, in their first on-screen scene; this is, perhaps, when McQueen recalls her, and the point at which he begins to "fall in love" with her character (as the sexual attraction had already reached culmination). McQueen's realization is long and confused; but, Wood visibly "falls in love" with McQueen while watching him interact with his parents. In this case, disposing with the initial sexual attraction has made the characters' "romance" more interesting. This is difficult to play so convincingly; and, the lead performances, along with the direction of Robert Mulligan, are award-worthy.The dramatic highlight will be obvious; the comic highlight is the scene with Wood having dinner with Tom Bosley (as Anthony Columbo)'s family. This scene works so well because it both parallels and contrasts Wood's earlier meeting with McQueen's family (when she fell in love with him). Mr. Bosley heads up a strong supporting cast. Arnold Schulman's script, and the Milton R. Krasner photography, are also outstanding. The unworthy last act is disappointing, but not damning.********* Love with the Proper Stranger (12/25/63) Robert Mulligan ~ Natalie Wood, Steve McQueen, Tom Bosley, Edie Adams