Matialth Good concept, poorly executed.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Dana An old-fashioned movie made with new-fashioned finesse.

Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

jotix100 A college professor Max, is at the center of this film which is based on three short stories by Nobel winner Isaac Bashevis Singer. It is a tender account of a man, who even at the end of his life, is the center of attraction for some women in his life. We follow Max Kohn as he is going to give a lecture at a college. Max is old fashioned, loving to travel by train. His live-in girlfriend, Reisel, is protective of him. Max observes a young woman traveling in his compartment, although they never speaks, she is mysteriously involved in a subsequent meeting with a woman in Florida. The train brings back memories of a time gone by. Max meets one of the women in his life, Rosalie. They had quarreled about Kafka, something she brings up again.Max elicits something in women like no other men in his age bracket. The next story shows him arriving to his next destination and because of a confusion, he ends up in a cheap hotel, where the manager, a Sikh man, is rude to Max. His encounter with a hotel maid is not to be believed, for this older man can drive women nuts.The final segment shows a different character, Harry Bendinger, an old Jewish man now retired in Florida. His next door neighbor, Ethel, invites him to come over her apartment. In the course of their conversation, Ethel mentions her daughter, who happens to be the young woman we saw on the train. Harry having gone through an operation for prostrate cancer is at a loss, but as a nurse reminds him, there are other ways to please a lady.Jan Schutte directed the film which he also adapted from three short stories by Bashevis Singer. The films shows fluidity in the first two segments, but takes a radical change in the last tale. The film is not exactly about love, but the perception of it. Otto Tausig, the Viennese actor, is basically the main reason for watching the film. The actor makes us believe he is no one but Max, and Harry. The ladies in this man's life are played by Rhea Pearlman, who is Reisel, the protective New York girlfriend. Then there is Barbara Hershey, all passion about the way she had quarreled with Max over literary viewpoints. Elizabeth Pena is sensual as the maid, Esperanza. Tovah Feldush is wonderful with her Ethel. Olivia Thirlby is also seen as the daughter of Ethel.

hdavis-29 I've watched this movie twice before I dared comment. I'm beginning to wonder if there are two versions of it floating around. The one I've seen both times centers on a little nebishy 80 year old guy named Max, who blunders somewhat ineffectually through life, while attractive younger women (not young, just younger than he) who seem to find him irresistible. Barbara Hershey is gorgeous, the Latina maid, the widow, Ethel. What the hell do they SEE in this old man? He's no great wit or charmer and he sure ain't good looking. So there's this credibility gap right at the core of the film. It's a nice fantasy to have - that when you reach a certain age, women will flock to you simply because you're alive and (presumably) available. But it undermines the film. This probably worked better as a book, allowing the reader to cast the various roles.Maybe this was a great story and it's just the casting that undermines it. In any case, the pacing and understated style will make this film toxic for anyone under 50.

evening1 Imagine a man in his 80s who attracts a succession of much younger, beautiful women who want nothing more than to seduce him. Sound unbelievable? Well, the man in question happens to be a writer who confuses reality with his own imaginings. Is he making this story up in some sort of narcissistic haze? The viewer is never quite sure. Some may like this ambiguity; I came to find it a bore. "Love Comes Lately" starts out all right. We see Kohn in a neurotic relationship with his longtime girlfriend, played nicely by Rhea Feldman. He seems mildly charming at this point, if a tad manipulative and dishonest. But then the movie deteriorates into the series of interludes with women who find Kohn irresistible. It was sad to see the wonderful Barbara Hershey cast as one of these deluded groupies. Someone must have discovered Otto Tausig and thought him cute but it was fantasy to think he could sustain a feature-length film.

js-174 We saw the film at the hamburg filmfest, it was lovely, warm and entertaining and gave a complete different idea about love and age. The main actor Otto Tausig is outstanding, very funny and charming. The story is based on three Isaak Bashevis Singer short stories and merges them very beautifully and organic into one script. The photography of the film is stunning, and it shows America in a different, maybe a little European light (the film has been shot in New York, New England, Florida and California). The music, composed by Henning Lohner from LA and Berlin, was great as well. . Really worthwhile seeing! Josef Sigmund, Hamburg