Louder Than Bombs

2016 "Break the silence."
6.6| 1h45m| R| en| More Info
Released: 08 April 2016 Released
Producted By: ARTE France Cinéma
Country: Norway
Budget: 0
Revenue: 0
Official Website: http://www.motlys.com/louder-than-bombs
Synopsis

Three years after his wife, acclaimed photographer Isabelle Reed, dies in a car crash, Gene keeps everyday life going with his shy teenage son, Conrad. A planned exhibition of Isabelle’s photographs prompts Gene's older son, Jonah, to return to the house he grew up in - and for the first time in a very long time, the father and the two brothers are living under the same roof.

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Reviews

Exoticalot People are voting emotionally.
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
ReganRebecca Louder than Bombs is a frustrating movie because it's so beautifully edited and directed but everything about it just falls flat. The film is about the Reeds, a family made up of a father and his two sons, one an adult starting his own family, the other a teen, who are all coping with the loss of the mother of the family Isabelle, a war photographer who died 4 years earlier. The events in the film are triggered because a retrospective of Isabelle's work is being put on and a friend and journalist writing an article regarding her life warns Isabelle's widow that he plans to be "honest" about the way she died implying that the car crash she died in might not have been accidental after all. The rest of the film follows these three men as they stumble around their lives, reminiscing about the Isabelle they knew and didn't know and struggling to move forward. It's a very watchable film, but it's also somehow not enough. The struggles of the film feel self-indulgent and it's one of those films where women exist only to be lusted over or listen sympathetically to the men as they talk about their problems and throw tantrums. Even legendary actress Isabelle Huppert, as the ghost that haunts the family, doesn't get much to chew on. The worst part is that it's a movie that isn't easy to write off entirely. The youngest son is a bit of a writer and the way his text is layered over with images leads to some beautiful editing and some true movie magic. It's just a shame that these great moments don't quite live up to what they could have been if they had had strong emotion to back them up.
SnoopyStyle Renown war photographer Isabelle Reed (Isabelle Huppert) died close to home in a car crash. Her work is getting an exhibit with work partner Richard (David Strathairn). Her older son Jonah (Jesse Eisenberg) returns home to help after having a new baby. Her younger son Conrad (Devin Druid) is introverted and has a crush on classmate Melanie (Ruby Jerins). Conrad is furious when he discovers his father (Gabriel Byrne)'s new fling with his teacher Hannah (Amy Ryan). The family struggles to come to terms with their loss and their differing memories of Isabelle.Norwegian filmmaker Joachim Trier creates a compelling dysfunctional family. The movie would probably work better concentrating on Conrad as a coming-of-age story. It may not help that Druid is not the most accomplished actor. The allure of following the great adult actors is too much for Trier. These are interesting characters if only he could harness them better visually and narratively.
First Name Last Name Trier's English-languaged debut has been praised by many, but NOT by me. This is the essence of mediocrity: forgettable, not moving, not interesting, not dramatic. There is really no point to this. The cinematography is beautiful, the editing is quite inspired and interesting, but the script is awfully bland and the otherwise fantastic actors and actresses are wasted and utilized in a horrid way. Eisenberg is just plain old Eisenberg; Byrne can't save his character; and worst of all: Huppert is reduced to a boring character with no real depth or energy. It's all so incredibly lame. There are a few subplots in it, but it doesn't feel like it has a real plot or story that can drive the additions. Besides, the entire thing with the youngest son is that he likes to play Skyrim and he writes bad poetry that brings him success with a girl (realistic much??). This entire premise is horrible and made me sad for whoever wrote this uninspired crap: it's a big bowl of nothing. It's worse than nothing, it's boring, a void, a complete waste of time and Huppert. I hated it and almost couldn't finish it. Besides, a bunch of morals to the story did bother me: none of the characters are likable, but I feel like they were meant to be. The journey is not a journey, but a stagnant and static group of characters in a dull setup. It's not bad. It's just mediocre. Incredibly mediocre. Normally, the quite impressive productive forces behind a movie like this can make it count, but this one will be forgotten completely in five years - only remembered by the handful of people that could relate to one of the characters. I couldn't... Five out of ten. And maybe four on a bad day.
bbewnylorac Louder Than Bombs is a very earnest film that ultimately succeeds because its heart is in the right place. All the actors are very convincing in their portrayal as a close family that is devastated when the mother Isabelle (Isabelle Huppert) dies. Previously, she had suffered emotional conflict from being a very successful war photographer and having to combine that with motherhood and home life. As her damaged younger son Conrad, actor Devin Druid utterly steals the movie from his more experienced co-stars including Gabriel Byrne as his Dad and Jesse Eisenberg as his much older brother, Jonah. Druid conveys a keen intelligence but also depression, isolation, and trying to work out his problems on his own. A really demanding role and he succeeds beautifully. Gabriel Byrne has a fairly easy role as a very caring father who doesn't know how to handle Conrad's behaviour. Eisenberg's role is not as defined as Druid's -- Jonah's wife has just had a baby, Jonah has an affair, he tries to catalogue his mother's photographs but to me it didn't amount to much. Contrary to the film's title, there isn't a lot in the movie about Isabelle's work in war torn countries. I guess the movie is more about grief - about how the three men aren't coping at first, and how they eventually learn to cope. Special mention to a a smaller but lovely role from Ruby Jerins, playing Conrad's love interest Melanie. Jerins had a strong part as the nurse's troubled daughter in the TV series Nurse Jackie, and here she plays the quintessential flawed teenager very well.