Little Miss Marker

1980 "A wildly romantic comedy about a cookie, a bookie, and the kid they bet their hearts on."
6.3| 1h43m| PG| en| More Info
Released: 21 March 1980 Released
Producted By: Universal Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Sorrowful Jones is a cheap bookie in the 1930s. When a gambler leaves his daughter as a marker for a bet, he gets stuck with her. His life will change a great deal with her arrival and his sudden love for a woman also involved in gambling operations.

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Reviews

Scanialara You won't be disappointed!
Hottoceame The Age of Commercialism
AniInterview Sorry, this movie sucks
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
ksf-2 The recurring theme music is almost "What a Day for a Daydream", with a jazzy twist. Walter Matthau is "Jones", the grouchy old bookie, and when someone owes him money, they leave their daughter as collateral. Supporting roles by Julie Andrews, Tony Curtis, Bob Newhart, Brian Dennehy. Its a fun, cozy little film, but sadly no big magic. The best things about this film are the premise... someone's little daughter as an I.O.U., and the nicknames of the various cast members. Newhart is "Regret", Matthau is "Sorrowful Jones", Lee Grant is "the Judge", and Sara Stimson is "the Kid". Don't forget Randy Hermann as "Fleabag Hotel Clerk". Based on a story by Damon Runyon, which has been remade several times. Jones and Amanda race a horse, and might fall in love in the process. The poor little girl is always asking when her dad is coming back, and Jones never knows what to say... so of course, "the Kid" goes looking for dad on her own. Jones finally has to tell her the truth, and that ain't easy. It's a fun, low-key caper. "Hopscotch" was the OTHER film Matthau made that year, and it's SO much better. Some fun names in Little Miss Marker. Needs to move a little faster, or something. Both Andrews and Matthau had won Oscars for earlier roles. This one isn't bad... just not great.
Ed-Shullivan This was a nice 1970's movie even though it was made in 1980. The little girl who played The Kid,(Viola Kates Stimpson) appeared to be a seasoned actress even though this was her first and last movie role. Too bad, because she showed a great presence on the large screen. Walter Matthau playing the cantankerous unhappy bookie who falls for The Kid was believable and quite touching.Supporting characters Tony Curtis as the mobster killer with his muscle Brian Dennehy , as well as Bob Newhart playing Walter Matthau's right hand man, and rounding up the stellar cast, Julie Andrews, whose horse farm was slowly being taken over by the mobster Tony Curtis, were all great supporting actors.This is very light movie fare, and you won't need any facial tissues for any sad tug at your heart string scenes, but what you will get is a 70's style THE STING type movie that is enjoyable for the whole family.
mattergy-2 I was actually present at CalExpo (home of the California State Fair) in the late summer of 1979 during the shooting of "Little Miss Marker". The horse racing scenes and much of the "ranch" scenes were filmed there at the time of a significant equestrian show, and my dad appears as an extra in at least one scene.I first saw the movie in early 2007, so it brought back many memories--"Smokey and the Bandit" was in general release at the time, Julie Andrews appeared in Blake Edwards' "10" the year before "Little Miss Marker", and in "S.O.B." the year after (wherein she briefly bares her breasts for the audience in a fit of exasperation) so LMM represents a clear break between the 70s and 80s for ME. The word "DIVORCE" comes to mind.Ironically, LMM is itself a VERY ENJOYABLE film. Just be aware that there are some underlying emotional themes that may unpredictably affect folks in their late 30s and early 40s.
director1616 Though there may be a tendency to compare the 1980 version of "Little Miss Marker" to the 1934 version (with Shirley Temple as The Kid), writer/director Walter Bernstein captures the very essence of the 1930's with his screenplay and direction, respectively. One of the reasons I loved the 1980 version is the set designs and the vivid colors of the film. But even more importantly, I loved Walter Matthau's performance as Sorrowful Jones. He has great one-liners that only add to this gem of a film. Of course, nobody plays a sidekick better than Bob Newhart, who plays Regret. Newhart and Matthau made a great team in this movie, and I wish they had worked on more films together. I love The Kid (played by one-time film actress Sara Stimson), for she adds a cuteness to her character that is similar to Shirley Temple's "Kid", but yet is different in that her character displays quite a bit more innocence. Julie Andrews is more than believable as Amanda Worthington, as she tries to soften the two men in her life. And one should not forget Tony Curtis, who is perfect Blackie.I regret that this movie didn't make more money at the box office, because it did capture the lives of the poor majority and privileged minority during the Depression very well. And it is funny and just a fun movie to watch. Little Miss Marker is one of my favorite films (added to the already long list) because it looks great cinemagraphic-wise, the script is well done, and the performances are very, very good. I find it interesting that this version of the famous Damon Runyon story is the first to be released on DVD (2004). Don't miss this chance to buy it and own it. You won't be sorry.

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