Leave It on the Floor

2011 "Step Up and Vogue!"
6.3| 1h45m| en| More Info
Released: 18 June 2011 Released
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Synopsis

Our African-American hero , Brad is bullied by his dysfunctional mom; he flees his home and by chance tumbles down the rabbit-hole into the LA ball scene where he finds a ragtag new famiiy. With music by Beyonce music director, Kim Burse, screenplay and lyrics by Glenn Gaylord choreography by Beyonce dance master, Frank Gatson Jr. and eye-popping visuals and direction by Sheldon Larry, the film is an ode to the wild funky and heart-aching life of this amazing underground. Written by Sheldon Larry.

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Reviews

Unlimitedia Sick Product of a Sick System
Exoticalot People are voting emotionally.
Stevecorp Don't listen to the negative reviews
ShangLuda Admirable film.
drryanjames I have had this movie for some time, but never really paid attention to it, pushing it back on my viewing list. I finally watched it last night. My spouse and I were overwhelmingly impressed with the acting, the singing, and the costumes. Being an indie film, we were not anticipating such a production, because it was gay themed it made it more incredible. Being white gay men, it was certainly an incredible experience and pleasure to see a number of black actors getting parts. This is one movie I will watch multiple times.
unavitavagabonda At first glance, this is nothing more than a slight, upbeat story -- along the lines of the Step Up franchise -- of how pursuing one's artistic dream (music, dance, and drag, in this case) redeems everything. But there is both more—and less—going on in this film. Here, the filmmakers, both white men, set a love story in the midst of the ballroom scene in a poor section of Los Angeles. The mostly black, mostly trans kids of the House of Eminence live to "walk" the runways at competitions and dream of "taking home tens" and trophies. Leave It on the Floor depicts the poverty, homelessness, and marginality of its characters' lives but somehow imagines those conditions as having no impact on their existences; they've been thrown out of their homes and done time in prison; no one has a job. And yet they happily fall in and out of love, treat each other reasonably well, and live in a sort of idyll of sister/brotherhood. It's a Disney fantasy of poor queers of color; on the other hand, it's essentially the only film about poor queers of color. Deconstructing this flight of fancy will provide more insight into class, race, and gender than does the film itself; on the other hand, the characters are at peace with their queer, trans, outcast selves; they build friendships and families and fall in love. There's not much "realness," but there is a kind of pushing back against "realistic" stories of ruined, gritty, miserable black lives, and that's a provocative stance, the film's many weaknesses notwithstanding.
l-vandress I'm a middle-aged housewife and know little about the world depicted in this film, but still found this one of best musicals I've seen in the last 10 years. Well-written songs, fabulous dance numbers, and good acting--what more could you want? The music is so infectious I'm hoping to find the soundtrack to purchase. Put your prejudice aside and try watching it. I dare you not to get up and dance! Not sure what the previous reviewer's agenda is but, this is a musical! No one would ever have assumed that Oklahoma, Chicago, or West Side Story was trying to portray everyone who lived in those places or during those times. Lighten up or don't watch musicals.
uptownbill The new movie musical "Leave It On The Floor" does for the world of Ball competitions & gay houses what Birth of a Nation did for the Emancipation Proclamation. Both films written, directed & produced by white men seek to portray one dimensional, dysfunctional, shiftless, self destructive African Americans. The men in Leave it on the floor are gay ball dancers in the House of Eminence who are so self loathing they actually except abusive, destructive relationships and sing about those conditions as "Black Love". Leave it on the Floor is a gay black exploitation film. The subject matter as well as the performers are exploited for the benefit or the writer, director and producers. It is highly offensive to African- Americans and Gay African American males specifically. The actors did the best they could with an uninspired script and weak amateurish song writing. Poorly written, filmed, edited & directed.