Nessieldwi
Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
Odelecol
Pretty good movie overall. First half was nothing special but it got better as it went along.
Caryl
It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
Horst in Translation (filmreviews@web.de)
"Ko-Ko's Earth Control" is a 6-minute cartoon by Dave Fleischer and this is from 1928, which means two more years and it will have its 90th anniversary. It is about the clown Ko-Ko and his dog who enter a building, which is a somehow the center of the world as it includes all kinds of levers and regulation when it comes to creating balance on the Planet Eart, which refers to nature, but also to buildings for example and to gravity in general. And you know what happens next. The two protagonists are not evil, but they are as clueless as they are chaotic and they cause all kinds of havoc one would imagine. The perfect assistants to true evil masterminds. But these two don't even need an evil boss to come up with complete catastrophe all around. I thought this was pretty decent for a black-and-white silent cartoon. By 1928, it was not too long anymore until sound and color came and the Golden Age of Animation started. And lets be honest, compared to what we got to witness in the following 2 decades, this one here simply is not a good film anymore. I would say only watch it if you really really (really really) love old cartoons.
morrison-dylan-fan
With a poll taking place on IMDbs Classic Film board for the best titles of 1928,I started looking round for cartoons to view from the year,and I stumbled across one by Dave Fleischer,which led to me getting ready to see Koko take over the earth.The plot:Walking round with his dog Fitz,Koko stumbles on a building which contains leavers which control various aspects of the earth.Messing around with ones controlling the weather,Koko and Fritz spot a lever which if touched will destroy the earth.Finding the lever far too tempting,Koko and Fritz pull the lever.View on the film:Drawn in thick marker pen, Fleischer gives the animation a bold appearance,which sadly lacks any sense of detail.Whilst the animation is drawn in a broad manner, Fleischer displays a real precision in the blending of various film style,with Koko & Fritz steps into live action giving the animation a strong depth,whilst Fleischer covers the screen in dashes of startling lightning,as the world turns on Koko.
Robert Reynolds
This is a Koko the Clown silent short produced by the Fleischer studio. There will be spoilers ahead:One of the most fascinating cartoon characters ever created is Koko the Clown, though he's largely forgotten these days. If he's remembered at all by the average person, it's as a sidekick to Betty Boop. While the shorts with Betty Boop are typically good ones, the Koko shorts done prior to Betty Boop's creation rank among the best shorts the character appeared in. Koko's Earth Control is one of the best of them.The short opens with a rapid sketch of the globe by the cartoonist, with Koko and his dog Fitz striding the globe. They come upon a building housing the controls for the planet Earth. Once inside, Koko amuses himself by making it rain and making darkness fall. Fitz comes on a large lever. The sign on the wall behind the lever cautions that it should not be touched, as if it is, it will cause the end of the world.Naturally, Fitz is overcome by the total desire to pull the switch. Koko reads the sign and is horrified. He immediately does everything in his power to stop Fitz, which of course makes Fitz all the more determined to pull the damned thing. Eventually he does and that's when things get interesting.The animation becomes surreal, with volcanoes and earthquakes, monsters, the sun and the moon in competition and all manner of strange things, even in the later live action sequence near the end. A fascinating ending to boot.This short can be found online and is well worth checking out. Most highly recommended.
TomWills
Reminds me of René Clair's surrealist short The Crazy Ray (a.k.a. Paris qui dort) which predates this by a few years. It uses the live action shots that the Fliescher's were known for extremely well, probably because they go beyond the simple inkwell creation/creator gag. Worth a look!
