Kim Dotcom: Caught in the Web

2017 "The most wanted man online."
7| 1h48m| en| More Info
Released: 13 March 2017 Released
Producted By: New Zealand Film Commission
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Budget: 0
Revenue: 0
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Synopsis

The larger-than-life story of Kim Dotcom, the 'most wanted man online', is extraordinary enough, but the battle between Dotcom and the US Government and entertainment industry—being fought in New Zealand—is one that goes to the heart of ownership, privacy and piracy in the digital age.

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Reviews

Cleveronix A different way of telling a story
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Humbersi The first must-see film of the year.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
mihai_chindris The unknown king of the internet, Kim Dotcom, mastered the secrets of this network between computers and became a well known figure, after time, for his talent and brilliant innovations that he came up with. Kim faded in existence for many as a bad guy, the pirate that cracked up privacy and made everything open source. He is just a regular dude with extraordinary ideas under his belt, that no one could have ever just think of, and it is sad to see that someone who militates for the freedom of others, is being prosecuted and hunt for unnecessary things.
paul2001sw-1 New technology creates fertile ground for self-proclaimed visionaries, con-artists, and anyone who spots new opportunities to externalise costs. The German entrepreneur who later renamed himself "Kim Dotcom" was not a conventional figure, a shy man who made his reputation by partying in public; but who made his money off the back of internet piracy. Yet one can still be concerned about the circumstances of his arrest in New Zealand, which seems to have used massive, and massively inappropriate, force, been informed by illegal surveillance and motivated by political concerns. Nonetheless, I found this documentary a little over-sympathetic to Mr. Dotcom. We live in a world where it's possible to grab a great fortune in little time without doing much good for anyone else; there's definitely an attitude of undeserved entitlement from tech "pirates" who delight in exploiting new ways of breach norms but nonetheless cry foul when the government doesn't play fair. We do need to keep a leash on those who claim to rule on our behalf; but "finders' keepers" libertarianism doesn't offer us much hope of a better alternative.
David Ferguson Greetings again from the darkness. On paper, the real life story sounds like some cheesy B-movie thriller on the trail of a super- hacker nicknamed "Dr. Evil of the internet" as he builds his empire by stealing the work of others. However, director Annie Goldson is dealing in reality and submerges us in the years-long saga of Kim Dotcom, the (somewhat) proud owner of the Dr Evil moniker. This is every bit as much a commentary on legalities and technology as it is on the 'livin' large' lifestyle of the film's subject.A sprawling estate with a security wall and cameras located in Coatesville New Zealand is where we begin. It's the home of Kim Dotcom, formerly known as Kim Schmitz, and his wife Mona and their 3 kids. Think Jordan Belfort in THE WOLF OF WALL STREET and you'll have a good idea of the type of extreme parties that Kim and his cohorts hosted. In 2012, a pre-dawn raid of the estate changed everything – and we are privy to some of the actual footage.After the raid, law enforcement threw just about every possible charge at him: money laundering, racketeering, and most crucially, copyright infringement. Perhaps you were one of his MegaUpload customers? Millions of people were, and he banked hundreds of millions of dollars from his site – a site designed for users to share files with others. Of course, it turned into a site where mostly what was uploaded and shared were digital copies of movies and music. The files spread across the globe while artists and production companies received no royalties. The question of law boiled down to this: can an online provider be protected or insulated from the (illegal) actions of its users?Kim Dotcom has been described as a parasite, a criminal and as evil. Obviously, he sees himself much differently and while reveling in his "most wanted man online" badge, he prefers to position himself as a resistance fighter … one who has simply seized an opportunity afforded by a technological revolution of which lawmakers can't maintain pace. Director Goldson provides as much structure as possible to a messy and multi-faceted legal story, while also presenting the super-sized personality of Kim Dotcom … a man driven by ego, greed, and fame. He clearly thrives on his celebrity status (as evidenced by his participation in a Town Hall meeting with Julian Assange and Edward Snowden), and from a very early age became quite comfortable with relaxed ethics in our ever-evolving culture of technology. In an era of dissolving morals, he is a difficult man to muster sympathy for. It does seem, however, that he was at a minimum, a victim of over-reaching by law enforcement. The legalities of the search warrant and charges are a bit murky (and still being challenged), and viewers will likely teeter between 'lock him up' and 'modernize the laws'. We all know the universal internet is tied to the global economy, so why are international copyright laws so fragmented and antiquated? Instead of a B-movie thriller, Ms. Goldson has delivered a true-to-life horror story … one with no clear resolution in sight.