Exoticalot People are voting emotionally.

Actuakers One of my all time favorites.

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

robertguttman Franz Kafka is off to see the Wizard, but rather than the Emerald City of Oz, instead discovers The Castle. Devotees of the writing of Franz Kafka will love this film, although all others will probably be somewhat perplexed. Nevertheless, this is an amazingly clever and inventive film. It combines a truly clever and literary script with stunning visuals, and features an amazing cast. Franz Kafka, working at a drab job as a clerk in a large insurance company in an equally drab and unnamed city, spends his evenings writing fiction that nobody ever reads, and that he sincerely hopes nobody ever will. When one of his few friends fails to show up for work one morning Kafka attempts to find out what became of him. In doing so he opens up a proverbial "can of worms" that eventually leads him to an incredible conspiracy.This is not your average thriller. It is a thriller based upon ideas, rather than upon car chases and spectacular pyrotechnics. Nevertheless, Kafka will keep the viewer on the edge of his seat, trying to figure out what it is really all about.

ccthemovieman-1 Despite the excellent black-and-white cinematography (which is seen for all but 15 minutes of this film), I canned this movie from my collection because the story was almost incomprehensible. It also was too depressing, too gloomy.This really is more of a horror film than anything else with a few uncomfortable scenes as people are being killed and/or used as guinea pigs in experiments. I would think this would not appeal to most people who aren't in some form of counseling or therapy (or should be!). Yet, that wonderful film-noir photography with great lights and shadows, made it intriguing to view.....once.

sol1218 (There are Spoilers) Dark and depressing movie about man's fight to keep his individualism in a world run and controlled by faceless and unfeeling bureaucracies. Franz Kafka, Jeremy Irons, has been quietly working as a clerk for a major government insurance company for almost nine years with the only person that he ever had a social relationship with being fellow clerk Edward Raban,Vladimir Gut. Edward had been secretly an active member of a revolutionary group that the secret police have been tracking and ends up dead floating in the Danube River.Kafka informed that Edward committed suicide by police official Gruback, Armin Mueller-Stahl, takes it upon himself to find out what really happened to his friend. Kafka gets in touch with Edward's girlfriend and fellow insurance clerk Gabriela, Theresa Russell, that has him ending up joining the anti-government group that the late Edward Raban and Gabriela are members of. Being a strong proponent of individualism himself Kafka fits right in with Gabriela and her fellow revolutionaries and become involved in overthrowing the government that he works for. A government that has enslaved him and his fellow workers by taking away their right to think for themselves. Where they eventually end up as a mindless mass of brainwashed zombies loyally obedient to every command, as senseless and ridicules as it is, that those in power give them.Kafka getting a promotion by his boss the chief clerk, Alac Guinness, that was supposed to go to his dead friend Edward. What he doesn't know is that he's being spied on by the two bumbling assistants that he's been assigned and that the government has already put him on their sh*t-list as a person who's ideas are dangerous to the state.It's later when Gabriela is fired from her job that Kafka realizes that the government, through it's secret police, is on to both him and the revolutionary group that he and Gabriela are members of. Thats when trying to track her down he finds this secret morgue that the government uses to store the hundreds of bodies of undesirables that it secretly murdered. Giving them false death certificates claiming that their deaths were due to natural causes.Determined to get to the bottom of what's going on Kafka makes his way into the Castle where all the records of everyone in the country are stored. It's there that he comes face to face with both the madman Dr. Murnau, Ian Holm,who runs the place and his biggest and most frightening nightmare.In the end Kafka goes back to his job as government clerk knowing that he as an individual can never defeat the massive and faceless bureaucracy that runs his, and the peoples, life. But through the power of the pen he can put his thoughts and ideas on paper and hopefully, when published, that will galvanize the people to rise up and tear down the bureaucracy that has taken away his, and the peoples, will as well as heart and soul.Franz Kafka would not live to see his 41th birthday dying on June 3, 1924. Unknown at the time of his death his writing have become the inspiration to many writers and philosophers over the years in informing the public about that dark cold and unfeeling world. A world that Kafka observed during his lifetime, 1883-1924, and was force to live and suffer in.

ShootingShark Kafka, a clerk at a Prague insurance firm, is upset when a friend mysteriously vanishes. Investigating the disappearance, he uncovers a group of terrorists trying to expose a secret police state where all non-conformists are kidnapped and murdered.This is a terrific mosaic of a picture; part biopic (Franz Kafka was a clerk, did not get on with his father, asked a friend to destroy his manuscripts and died of tuberculosis), part adaptation of Kafka's fiction (notably The Castle and The Trial), part homage to German expressionist cinema (Holm's character is called Murnau), and an enjoyably scary Gothic thriller with a great mad cast. Irons is a perfectly repressed hero, Russell is as gorgeous and intimidating as ever, Krabbe steals his scenes as a canny gravedigger, Mueller-Stahl is a copper from forties film-noir complete with razor-blade voice, Glover is an iconic villain and Allen and McBurney have a whale of a time as two pratfalling assistants. The script is a bit disposable, but it captures the essence of Kafka's nightmarish scribblings perfectly - hideous bureaucracy, impotent heroes, monstrous cabals, devious conspiracies and an overwhelming sense that truth and beauty are beyond our grasp. Shot in Prague in glorious black-and-white on fantastic period locations and stunning sets by production designer Gavin Bocquet. This is a great filmmaker's film - it's impossible to imagine it existing in any other form of expression, and it manages to be richly artistic but at the same time extremely enjoyable and completely lacking in pretension. Soderbergh is a bit of an enigma to me - this is a great movie, as is his subsequent film, King Of The Hill, but both bombed financially, whereas many of his later more commercial and critically-lauded movies are much less interesting. Check out Kafka though - it's got style, scares and terrific performances, and it's about the greatest paranoid fantastist that ever lived.