Jason X

2002 "Evil gets an upgrade."
4.4| 1h31m| R| en| More Info
Released: 26 April 2002 Released
Producted By: Sean S. Cunningham Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

In the year 2455, Old Earth is now a contaminated planet abandoned for centuries -- a brown world of violent storms, toxic landmasses and poisonous seas. Yet humans have returned to the deadly place that they once fled, not to live, but to research the ancient, rusting artifacts of the long-gone civilizations. But it's not the harmful environment that could prove fatal to the intrepid, young explorers who have just landed on Old Earth. For them, it's Friday the 13th, and Jason lives!

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Reviews

Steineded How sad is this?
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
George Taylor I'll be honest to start. I'm not a big fan of the Friday series or Jason. I find the idea of the indestructible boogeyman a stupid one. By the time the 3rd sequel came around (the 3D one), I went to see these for two reasons: Nudity and Killings. When the censors started cutting the gore out - I stopped paying attention at all. Jason X is the best of the later sequels. It has an interesting idea, Jason waking up in the future, and a cast that can actually act and that the audience can actually root for. Jason is as menacing as ever (honestly, I could have used more gore, a lynchpin of the originals), and it's quick and fun. Just grab some popcorn and, as usual, turn off your brain.
Sam Panico In 2010 - 9 years in the future! - Jason is captured by the U.S. government but can't be killed, so government scientist Rowan LaFontaine decides to place the killer is suspended animation. Of course, a bunch of soldiers screws the whole thing up and Jason kills everyone in his path before he stabs Rowan and freezing both of them.445 years later, Earth is ruined so everyone moves to Earth 2. So why not send some students back to the old Earth on a field trip? Why not send their professor and an android, too? While exploring the Crystal Lake facility where Jason was experimented on? And why not put the still frozen bodies of Jason and Rowan on the Grendel, their ship? Nothing bad can happen, right?Well, it turns out that Jason is dead and his body could be worth plenty. The Professor calls his money man, Dieter Perez (Robert A. Silverman, who has been in five Cronenberg* movies and the two episodes of Friday the 13th: The Series that he directed, too) and they discuss how Jason's body could be worth something to collectors. Luckily - or maybe not - they bring Rowan back to life.Of course, kids keep having sex around Jason, which brings the maniac back to life. He wipes out nearly everyone on the ship, including all of the soldiers that are on board. He even takes out an entire space station!The teens upgrade their android, KM-14, who wipes out Jason. Or so everyone thinks - a medical station brings him back as Uber Jason, filled with cybernetics so powerful that he can punch the android's head off. Not even a holographic simulation or a shuttle crash can slow him down! It takes flying him through re-entry and burning him up to take him out.That said - two teens see his mask land on Earth 2, so he could always come back. He can come back, right?This was written by Todd Farmer (Drive Angry, the remake of My Bloody Valentine) and directed by James Isaac (House 3). I have a real weakness for this film as it really goes places none of the others did. It's the Abbott and Costello school of running out of ideas and just doing something completely off the wall.*Cronenberg shows up in a cameo as Dr. Wimmer, too!
meurighughes 10/10 for my stick-ability, 1/10 for the movie. Poor acting, predictable lines, cheesy action. Music is a big part of making this movie as bad as it is. 450 years in the future, humans are still as inept to rid the universe of the slowest killer ever.
Leofwine_draca So Jason is back, and in a big way, with possibly the most expensive movie of the series so far and certainly the most special effect-filled one. Following on from JASON GOES TO HELL, which changed the core concept by having Jason becoming an evil slug that jumped from person to person, here we have the traditional hockey-masked killer back, but the setting is a futuristic spaceship in the style of many recent B-movie sequels. Thankfully, the film is still violent at heart, and for a 15 certificate film it offers some of the most imaginatively gory moments I've seen in a long time. People are decapitated, cut in half, thrown onto enormous drill-bits, get impaled, electrocuted, have their throats slit, and plenty more. Certainly the film's most notorious sequence is also the most inventive, having a young blonde lady getting her face frozen in liquid nitrogen, then smashed apart on a work surface – this is without a doubt the most disgusting thing I've seen on screen in a long, long time.The formula is predictable, involving young good-looking heroes and heroines narrowly evading Jason at every turn, but the special effects are better. Certainly the kills are authentic-looking and the CGI shots are fun if not particularly convincing. Set design is spot on, and elements of the traditional Friday the 13th music are more than welcome. Like it or not, things do become very cheesy as the film progresses, introducing the 'Uber-Jason', a nanobot-modified killer who looks more like the Terminator than Mr. Voorhees, and the climax, set in space, is totally off the wall and utterly unbelievable.The main thing, though, is that this film is fun, and a whole load of fun at that. There's plenty of self-knowing humour, black comedy and the young cast do a lively job. The film introduces a new hard-assed action hero in Tony Todd-lookalike Peter Mensah who I'd certainly like to see more of (and thankfully I did, when he took a lead role in the smash TV series SPARTACUS). And it wouldn't be the same without stuntman Kane Hodder, as huge and hulking as ever, who positively delights in a return to his famous role. So, fans of the series will delight in this entry which is both predictable and unpredictable at the same time; it never lets up from the start and offers enough blood and guts to satisfy any horror fan's appetite. An absolute delight.