Istanbul

1957 "He must find his true love...all over again."
6.1| 1h24m| NR| en| More Info
Released: 23 January 1957 Released
Producted By: Universal International Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A suspected diamond smuggler returns to Istanbul and finds the lady love he thought was dead...or does he?

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Reviews

Acensbart Excellent but underrated film
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
prs51 After reading some moderately positive reviews here I approached watching Istanbul with some optimism. I remembered fondly Errol Flynn's late-career turn as "Mike Campbell" in the film version of Hemingway's "the Sun Also Rises". Although too old for the part, he put in a fantastic performance and was the only actor in that film who truly "got" his character from that great novel. Sadly here he is listless throughout whether fighting or romancing or anything. Cornell Borchers plays the love interest done up as Ingrid Bergman but with little of the charisma. As an aside Peggy Knudsen ("Mona Mars" from "The Big Sleep") plays the distaff side of a crass American tourist couple. The roles are played in the manner of Ralph and Alice from "The Honeymooners" and it jars greatly to a modern taste showing yet again that the past is a foreign country. The plot involving lost love and diamond smuggling is ho-hum and the overall entertainment value is passable only.
MartinHafer Nat King Cole was one of the greatest singers of all time. This is coming from a guy who generally prefers hard rock to most other music. His voice was so smooth and his style so perfect, you can't help but think he'd have been an even bigger star had he been born at a different time. While he made a few appearances here and there, this is one of the few chances to hear him sing one of his best songs (unlike in "Cat Ballou"). So, whether "Istanbul" is a good film or not, it's well worth watching just to hear and see Cole sing "When I Fall in Love"...a truly beautiful song from a beautiful man.As to the film, it's one of Errol Flynn's last films. It's not a super-cheapo production like many of his later movies (a few of which are truly embarrassing to watch today) but is more an international film with lovely sets, location shoots and Flynn STILL looking fit and handsome...probably his last film where he didn't look awful due to the ravages of alcoholism. He really looks pretty good for a man in his late 40s. Sadly, he'd be dead at 50...bloated and a shadow of his former self.Much of the movie is a flashback. As James Brennan (Flynn) nears Istanbul on an airliner, he thinks back to what occurred five years earlier. Back then, he fell in love with Stephanie Bauer (Cornell Borchers) but got pulled into a diamond smuggling affair as well. The end result was that Stephanie apparently died and Brennan left Turkey. Once Brennan's plane arrives, however, things get weird. Soon he sees Stephanie...his old dead fiancé! But she's alive and now falls herself Karen Fielding. What is going on here?! He also is soon approached by various scum-bags (including Werner Klemperer) and the intrigue begins all over again! See the film and see what Brennan learns about this crazy, mixed up mess!Along with "The Sun Also Rises", this is the last nice looking and cinematic film. It's in lovely Technicolor, has very good acting, music and enough gloss to make it worth seeing. Thankfully this is not an awful mess like his final film, "Cuban Rebel Girls"--and remembering him for films like "Istanbul" is what I'd much rather do. My only gripe about this one, and it's minor, is the amnesia angle--a plot device best left out of most films. Otherwise, I strongly suggest you see this film if you can...it's worth it.
ashew Yes, comparisons can be made to Casablanca, but this is not a remake of that movie. It is, however, a remake of "Singapore", starring Fred MacMurray and Ava Gardner. Aside from being left speechless by Ms. Gardner's overwhelming beauty, "Singapore" is a dreadful film. "Istanbul", however, is far more enjoyable for several reasons. 1) Errol Flynn. In spite of being older, slower, and puffy from decades of extremely hard living, the man had a personal charisma, effortless charm, and undeniable star quality that transcends all of the decay he had allowed to occur. I know of very few people who take Errol Flynn seriously as an actor, or think him very talented, but any true film aficionado knows the truth. Mr. Flynn's problem was that his performances were so casual, so effortless, so filled with natural humor, that the response was always "Oh it's just Errol being Errol" (not unlike the fate suffered by Dean Martin). I defy anyone to try and find a film where Mr. Flynn was not 100% honest on screen. Do you know how difficult it is to come across as casual on screen...as if the words you are saying are actually your own and not written in a script? Give the man his due. He is one of the most underrated actors in film history, which is a real crime. 2) Cornell Borcher. I don't recall ever having seen her before, nor since, so I looked her up on IMDb. I saw The Big Lift with Monty Clift, but don't recall her performance. Her other films appear to all be European and I haven't seen any of them. For reasons that are unexplained, she stopped acting in 1959. In my opinion, that is a shame. I thought she was really wonderful in this movie. It is rather startling how similar she is in look to Ingrid Bergman (which I am sure is another reason why there are Casablanca comparisons). I wish she had done more films, as I think her departure from acting was a loss for the movie-going public. 3) John Bentley as the customs agent who hounds Errol Flynn for the smuggled diamonds. Here is another actor who I had not seen before, nor since, but who gives a performance that is very nicely executed. His exchanges with Errol Flynn really help elevate the film. 4) Although a color film, there are many nice noir moments, and noir shots by director Pevney that attempt to generate viewer's interest, along with some very nice location shots of Istanbul that add immensely to the color and flavor of the film. 5) The incomparable Nat King Cole. A previous IMDb reviewer knocked Mr. Cole's acting, but I thought he did a fine job in this film, and there isn't a negative word that can be said about the man's singing. He was a one-of-a-kind.I am certainly not blinded to the films drawbacks, however. Although under 90 minutes, there are times this film feels very long. Sections drag, and the story could have been tightened up quite a bit, but then I assume they were adding filler to make this movie a respectable length. The script is average, most of the supporting characters are one-dimensional or uninspired (with an obnoxious caricature of a petty thief presented by Hogan's Heroes star, Werner Klemperer). Some might also be expecting more action from a film that has Errol Flynn's name above the title, but one must keep in mind that this is a love story, with the smuggling, suspense, and action being truly secondary.I think people are much harder on this film than they need to be. It is a flawed film, but that in no way keeps it from being entertaining...and, as I stated in the beginning, it is far better than the film it is intended to remake. A must-see for Errol Flynn fans, and a recommended outing for those interested in the kind of romantic-thriller-set-in-an-exotic-country movie that old Hollywood loved to make.
skyboy1999 By no means a masterpiece, and far from Errol Flynn's best, Istanbul still has much going for it. The locations and beautiful technicolour cinematography, bring us back to a time long since past. Errol Flynn does show moments of his past glory, and is OK as Jim Brennan, a pilot who's past comes back to haunt him. The picture is actually a remake of 1947's "Singapore", and the story seems awfully contrived and cliche' by today's standards. Also many of the supporting cast seem to be simply "going through the motions" in this picture. Many people have also compared it to one of the all time greats, CASABLANCA. While watching the film, I could see many of the similarities, but hey, Casablanca has inspired countless imitators, so take that for what it's worth. In closing, if you are a fan of Flynn, or old fashioned love stories, you might want to give this film a look. Otherwise, I'd recommend Casablanca, or The Maltese Falcon, as a good introduction to some of Hollywood's classics....