Mjeteconer Just perfect...

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

smatson123 About an hour into my viewing of this documentary about Jewish children transported out of Germany for their own safety on the brink of WW II, my 10-year-old came up and, seeing how engrossed I was, slipped me a note that said:"Can you change to Disney at 9:30?This movie is scaring me. Check One: ____yes ____no"I hadn't occurred to me that from a child's point of view, the movie would be, by turns, frightening, disturbing, and dark. Certainly, up to that point, it was going in that direction. But what I was able to convey later to her (a former orphan herself) is that underneath the darkness there is light, if you look for it. This film was richly layered, as others on this site have already noted, with grief, despair, horror, regret and anguish, true. But countering it is the knowledge that there are good people in the world that will reach out in generosity to the victimized--just as British couples agreed, over a two year period and longer in the late 1930s, to provide homes to 10,000 endangered Jewish children. Another important positive is evident in every testimony in the film--from former transportees, a foster parent, host families, transport organizers. And that is the fierce, all-encompassing devotion between the Jewish family members affected by a perfect storm of historical events: the rise of a convincing megalomaniac who turned an entire country to antisemitism; increasing hostility in the immediate environment; the inability to earn a living or go to school; the wrenching separation of sending beloved children away; and finally the ultimate crisis of the adults "being transported" to the death camps. Through it all the devotion remains, unshaken. A father who adores his young daughter, hobbling with a cane after the train that is taking her away, takes her hands through the window and manages to pull her out--his overriding love trumping the knowledge that she would be safer away from her family. A 10-year-old on her own initiative goes door to door in London begging wealthy residents to hire her parents so that they can get work visas in order to escape Germany. An older transportee relates with quiet dignity and awe how her father died in a camp: beaten to death for protesting the guard's treatment of older inmates. Photos and restrained musical accompaniment throughout the movie lend both strength and pathos to each story.One doesn't have to be Jewish--and I am not--to appreciate how family ties and identity can remain intact through sheer will, despite horrific experiences as shown through this film. "Into the Arms" is universally compelling in its scope. It's also expertly crafted by director Harris so that interviewees become familiar and sympathetic protagonists and we raptly follow their stories, all different, in stages. Astutely, he makes sure we see that they are fully human--not angels or mere victims. One woman admits openly that she was taken from foster home to foster home because behaviorally, she was a handful (as one might expect of a child who finds herself living with complete strangers, speaking a foreign language). Another lied to her foster parents to arrange for her sister to be taken in, and cheerfully threw the lie back in their faces when the sister arrived, not at all what they expected. Finally, I was moved, as I always am, to see how the documentary format helps people deal with their demons by speaking about them. The man whose witness ends the film, whose experiences have been as anguished as anyone's, seems to say it all in discussing why he was saved and others were not, impassioned but optimistic. If you haven't seen "Into the Arms" but are looking for a new prism from which to view the Nazi era and what people in all circumstances can extract from suffering, I highly recommend this film.

jotix100 "Into the Arms of Strangers", directed by Mark Jonathan Harris, is a loving account of what parents resort to do in order to save their children from a tragedy that was looming over Europe. Having missed this film when it was first released, we caught up with it in the DVD format that has been lovingly transferred to that medium.The story of the "Kindertransport" is recounted by some of the children that participated in it. We watch them as they are today, and through pictures, and sometimes on those old newsreels and films where they are captured as children in Germany, and the countries where the prosecution of Jews took an ugly turn.Our heart goes to some of these older people that speak with such dignity in spite of what was done to them and their families. It's a tribute to the people who tell us what happened to them in the way they express their experiences without venom, or malice. After all, these persons showcased in the documentary are all survivors, something that thousands other Jewish children didn't have the same fate.One can only imagine what these individuals went through at such an early life, many without being able to speak English, or made themselves understood in the households that received them. Imagine a child separated from loving parents having to deal with a world gone mad. It speaks volumes the people that tells us their stories turned out to be the way they did!Dame Judy Dench's narration works well in the context of the material being shown. Mark Jonathan Harris has made a valuable contribution to show the whole world how a mad man changed these children's lives, and their parents' forever.

Claudio Carvalho Along 1938 and 1939, the United Kingdom welcomed 10,000 Jewish children from Germany, Austria and Czechoslovakia through the Kindertransport program. Most of the other countries, including the United States of America, refused to accept these children. With the beginning of the World War II, this relocation was interrupted. "Into the Arms of Strangers" is a documentary, based on the remembrances and touching testimony of some survivors discussing their reality in their new homes or foster houses, their adaptation problem far from their parents, families and birth country and language and illustrated by photos and footage from that sad period. In the end, the viewer is not sure whether these children were lucky, or whether it might be better for them stay with their families and face the Holocaust together, due to their serious childhood trauma. Inclusive some of them did not speak the original language anymore, and needed an adaptation period to meet their parents again in the end of the war. As mentioned by another user, "this film is at once a testament to man's inhumanity". Unfortunately, the saddest thing to say is that more than fifty years later, we see Bosnian, Africans, Palestines, Iraquians etc. children being separated from their families due to the intolerance of the mankind. I can never forget the image of that Iraquian orphan without both arms on TV. My vote is seven.Title (Brazil): "Nos Braços de Estranhos" ("Into the Arms of Strangers")

James L. A documentary about the Kindertransport, which sent many Jewish children in Central Europe to safety in Britain. The film is constructed from interesting and rare film footage and newsreels, German lullabies and folk songs, still photos,letters and drawings, representative objects, but, most importantly the recollections of many Kindertransport children, full of detail and emotion. In a certain part of the film ,lines from letters from the children to their parents are read and one of the letters which is read is that of my grandmother, a child on the Kindertransport herself. To me this film was a personally invigorating, touching, informative and sad experience . Recommended when it opens ( I saw it at the Warners screening room in N.Y before it opened because of my connection).