In Tranzit

2008 "From her greatest enemy came her greatest love."
5.7| 1h53m| R| en| More Info
Released: 04 March 2008 Released
Producted By: Thema Production
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

Nazi POWs suspected of heinous acts are locked up in a Soviet women's prison run by vengeful female guards. To weed out the guilty, the innocent must pay. Can supposed enemies turn into great loves? Based on a true post-World War II story, this drama stars Thomas Kretschmann, John Malkovich and Vera Farmiga in a bitter game of cat and mouse and a battle between hate and humanity, mercy and revenge.

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Reviews

Steineded How sad is this?
Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
aydonis I was disappointed with this story. This must have been written for young girls looking at the world through rose coloured glasses, or at least for a very small audience range. The movie portrays the Russian soldiers, and the lonely local Russian women, as a bunch of bleeding heart liberals, all but throwing themselves at their Nazi captives who invaded their homeland, raped and murdered their friends and family members, destroyed their homes, and brought war upon them. An implausible love story supposedly based on a true story. From the beginning I was hoping John Malkovich might salvage some small part of this movie by putting a bullet through the head of the traitorous and deceptive Dr. Natalia, and executing all the prisoners, but alas no liberation from a painfully romanticized story ever arrived. This story is ridiculous and portrays many of the female Russian soldiers as weak, incompetent, and downright traitorous.
Michael O'Keefe Based on several combined true, harsh and emotional stories of war. In the manic aftermath of WWII, in a strange switch of power a group of German POWs are accidentally dumped in a female-run Soviet prison camp. The women themselves remembering how it was being in a German POW camp. Memories of whole families, husbands, wives and children massacred are not wasted when the guards are ordered to weed out the SS officers hiding among the prisoners. Each group learns that some prejudices are just not totally justified. Even betrayal is not out of the question...no matter what side you are on.I really liked the whole atmosphere. It seems like you can feel the cold of the falling snow and smell the exhaust from the Soviet transport trucks. Some outstanding acting from Thomas Kretschmann, Vera Farmiga, Daniel Bruhl and John Malkovich. Also in the cast: Natalie Press, Thekia Reuten, Tatyana Yakovenko, John Lynch and Patrick Kennedy. Some may find IN TRANZIT depressing and even lumbering; you just have to be in the right frame of mind to appreciate it.
echosheng90731 Excellent movie. Amazing performance by Thomas Kretschmann (as always). It's hard to see this gorgeous man dressed in drags and looks like hell half of the movie. The love scene of him with the nurse is so touching. The whole movie is a chilling and depressing experience until towards the last 30 minutes of the film. The only part that puzzles me is that after the "party" organized by the kind-hearted Jew, why were those Russian women so enthralled with the German POW's? Just after one or two dances? The pain and suffering of the war all thrown out of the window? Or, it's because so many Russian men had been killed that these women were simply man-hungry? It's a great movie in the same class of "the Pianist", go watch it!
manya7-1 Yikes! Just watched it in Russian. Fortunately I speak enough Russian to understand the voice-over; wish they had kept it in the original English and just added Russian subtitles. Kretschmann, Bruhl, Farmiga and Press all give excellent performances; Evegeny Mironov does the most amazing "silent" performance since his Russian version of Kafka's "Metamorphosis". I have no doubt that anti-German sentiment was running high in 1946 in Leningrad; nevertheless, surely there was some hope or ray of sunshine in all the gloom. I am beginning to understand why this film was not marketed in America. Unless you lived through those times, or are a student of history, the subject matter of this film may not have much appeal. Still, for you history buffs out there, don't miss some fine acting in this film.