AniInterview Sorry, this movie sucks

Acensbart Excellent but underrated film

Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Leofwine_draca Very much in the line of hard-hitting late '80s Hong Kong cop flicks like POLICE ASSASSINS and POLICE STORY 2 comes IN THE LINE OF DUTY, actually the fourth in a series of films but retitled for the purpose of simplicity for UK release. It's the film that propelled Donnie Yen into stardom and is probably the most action-packed of all kung fu flicks that I've watched so far. Director Yuen Woo-ping knows what the audience wants and he gives it to them, offering one superlative action sequence after another, building up to a fight-filled climax that will please any martial arts fan.Of course, in the face of so much action, something has to suffer and, as is so often the case, here it's the plot. This time around there's something about a stolen microfilm (a perennial favourite in the '80s – see it also POLICE ASSASSINS) which quickly turns into a good-guys-versus-bad-guys kick-ass action fest. Really, this film is all about the action and it's top-notch. Free of obvious wire work and packed with stunts, car chases (an ambulance in this instance), motorbike duels, shoot-outs, and, of course, kung fu, IN THE LINE OF DUTY is an action lover's dream that is rarely surpassed. The two heroes of the film are equally good, with Cynthia Khan playing the Michelle Yeoh-type role of indestructible female cop, and Donnie Yen as her hot headed partner, who gets into trouble with his unorthodox methods but who nevertheless proves unbeatable when it comes to tackling the bad guys.And what villains! This film has plenty – from the computer-game style street thugs (headed by muscle man Michael Woods) to the slimy corrupt "friend", this time played by the suave Michael Wong. On top of that there are motorbike assassins, huge muscle guys, a guy who I swore was the deaf baddie from POLICE STORY 2 (except it's not, he was played by Benny Lai and this guy isn't him), street gangs, and a female Caucasian who fights Khan in a lift shaft in one of the best bits. Okay, so the Chinese version of Seattle is hardly convincing, and the routine set gags (this time, a handcuffed guy trying to hide his cuffs from his mother) pass the time without being appealing. But in the face of the action, who cares? There's a guy with a lethal needle sticking out of his boot and a battle in an office with an electric fence. There's a rooftop duel between Yen and Woods, the latter proving to be near-unbeatable himself, and there's a fun motorbike chase through some back alleys. Lethal violence and hard-hitting kicks and punches are what this film is all about, and action fans will not be disappointed. It's a classic, pure and simple, up there as one of my favourite Hong Kong flicks of the late '80s.

sydneyswesternsuburbs Director Woo-ping Yuen who also created other classic martial arts flicks, Iron Monkey 1993, Thi Chi Master 1993 and another classic modern martial arts flick, Tiger Cage 2 1990 and was action choreographer on other classic flicks, The Matrix 1999, The Matrix Reloaded 2003, The Matrix Revolutions 2003, Fearless 2006, Kung Fu Hustle 2004, Kill Bill: Vol 2 2004 and was martial arts adviser on the classic flick, Kill Bill: Vol.1 2003 has created another gem in In the Line of Duty 4.Starring Donnie Yen who has also been in other classic flicks, Ip Man 2008, Ip Man 2 2010, Flash Point 2007, S.P.L. 2005, Hero 2002, Blade II 2002, Once Upon a Time in China II 1992, Dragon Inn 1992, Cheetah on Fire 1992 and Woo-ping Yuen's Iron Monkey and Tiger Cage 2.Also starring Cynthia Khan.Also starring Michael Wong who was also in another classic flick, Beast Cops 1998.I enjoyed the fight and chase scenes.If you enjoyed this as much as I did then check out other classic modern day martial arts flicks, American Samurai 1992, Best of the Best 2 1993, Bloodmoon 1997, Bloodsport 1988, Broken Path 2008, Chocolate 2008, The Hunted 1995, Kickboxer 2: The Road Back 1991, The King of the Kickboxers 1990, Martial Outlaw 1993, Mission of Justice 1992, Ninja 2009, Ninja Assassin 2009, No Retreat, No Surrender 3: Blood Brothers 1990, The Perfect Weapon 1991, Ninja: Shadow of a Tear 2013, Death Grip 2012 and Versus 2000.

Tim Greenwood Between 1984 and 1991, after the demise of the traditional kung fu film, and before things really started going downhill with excessive wire-work, Hong Kong action movies moved through a kick-boxing phase which introduced more pragmatic fighting but retained some old-school sensibilities. Of all the films produced in these five/six years "Witness: ITLOD 4" is hands down the best. Here's my reasons why: the pacing is superb. You watch action films for action - and Yuan Ho-Ping,as is his wont, keeps the movie going at a breathless pace with a fight or chase almost every five minutes.Yuan Ho-Ping uses his strict rhythmic parameters so the action is clear and we can enjoy every movement. Some classical moves are dropped in just to make the action a little prettier. Long shots and close ups are used when appropriate and to give variety - all typical Yuan Ho-Ping trademarks and this is what sets him apart from inferior filmmakers in the genre. He also introduces some great novelty fighters - the female foreign fighter who looks like an English teacher with a heroin habit, the crazy eyed foreigner in the alley with the eccentric fighting style and of course Michael Woods.The syncronisation of the action and sound effects is SO crisp here and the sound effects have never sounded better - deep body blows and crisp "pak" sounds - music to my ears! The soundtrack music is superb! A little bit like the repeated theme of "Halloween" - it's icy and sinister - a delicious backdrop for the brutal and surgically precise action. There's a way that the theme anticipates the action in the way that a repeated theme introduces particularly nasty sequences in a Lucio Fulci film.Silence accompanying action. I love the way that characters roll over, across in and out of cars and buildings in silence. It may not have been a deliberate device - but the fact that HK films are shot silent and then dubbed later sometimes results in some very interesting dynamics.You enter into a world of claustrophobic and relentless brutality - which slips in and out of a cartoon universe where people take beatings with tire-irons and walk away intact one minute, and end up bleeding and lifeless in lift shafts in another. Yet in this icy universe of remorseless violence there are moments of compassion - for example when the "witness" is allowed to visit his mother - but this touching scene is, once again, abruptly terminated and violence resumes.On top of the best action you will ever see, there are also the qualities to the film I have listed above. This all results in a quite extraordinary film with a very distinctive feel and ambiance. It's strange - I've never experienced the same kind of quality with any other Hong Kong film. When I first showed this to friends they demanded repeat viewings - it's like a roller-coaster ride that leaves you craving yet another adrenalin rush.

drngor This is one great action film. It combines the fighting talents of Cynthia Khan and Donnie Yen with Yuen Woo-Ping's excellent directing skills. The plot is something about a witness to a murder by the CIA who flees to Hong Kong. However, this movie is filled to the brim with fight scenes. Of note is Donnie's fight with Michael Woods, the dirt bike joust, Cynthia's fight in the elevator shaft, and the last big brawl. There are so many good fights, that this movie isn't to be missed.