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InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Lawson Perhaps they took this movie and improved on it and came up with the classic My Man Godfrey, which was released a year later. Both tell a story of a rich man who pretends to be a butler so as to get close to a woman he's infatuated with. It's the sort of story I love, I have to admit, so I was quite disappointed that this movie wasn't as well-written as Godfrey, and that Herbert Marshall is not nearly as charming as William Powell. It's a bit silly that Jean Arthur's employer (she's a cook), who runs a bootlegging gang, would arrive at Marshall's wedding guns-ablazing to bring him back to her when in the first place he wanted her as his mistress. It's only because I love Jean Arthur that I'm giving this movie a marginal thumbs-up.

MartinHafer This is a rather simple plot for a film, but due to exceptional writing, deft direction and the winning acting of Herbert Marshall and Jean Arthur, it's a wonderful movie. This is a great old romantic film that would be great to see with someone you love.Marshall plays the CEO of a huge car manufacturing company. When his ideas are rejected by the board, he gets annoyed with the business. At about the same time, he meets Arthur, who has no idea he's a rich big-shot. She actually thinks he's an out of work schnook and convinces him to apply to a job with her--she as a cook and he as a butler in the same household. Since Ms. Arthur is so charming and sweet, he agrees and neither she nor the employer know his true calling. Later, this misunderstanding REALLY gets out of hand, but I don't want to spoil the film by explaining further.The bottom line is that the freshness and delightful nature of the film make up for the fact that the plot line is pretty hard to believe. Unless you are an old grouch or hate old films (people like this need to be shot), you will like this film.Interestingly, the film was so good that Columbia Pictures' president, Harry Cohn, tried a "fast one". Since Frank Capra worked at the studio and was now famous for IT HAPPENED ONE NIGHT (having practically swept the Oscars) and since IF YOU ONLY COULD COOK was such a sweet film, it was marketed as a Capra Film--even though Capra had NOTHING to do with it!! As a result, Capra sued and Cohn nearly lost his job until it was all smoothed over and tempers subsided.

movingpicturegal Entertaining, almost screwball-like, comedy about successful car designer, James Buchanan (Herbert Marshall), soon to be married in what seems like a "marriage of convenience" to a society woman he doesn't love. Well, he meets a pretty out-of-work blonde named Joan (Jean Arthur) on a park bench where she is busy reading the want ads. Finding an ad desiring a married couple for "cook and butler", they decide to pretend they are married and apply for the job (James agreeing to go along with the idea 'cause he "likes" her). Well, they get the job, the employers are a bunch of gangsters, and they end up living in the servants quarters above the garage with just one double bed!This is a very enjoyable film, much better than I was expecting. The plot is lots of fun, and features a couple of my favorite actors, Jean Arthur and Herbert Marshall, who are both great in this - they even seemed to have some chemistry together (even though the first kiss between them looked almost like a boy kissing his grandma). The actors who play the gangsters in this are quite funny, especially Lionel Stander as the main man's sidekick, a guy named Flash who seems like just another dumb mug, but is actually the one who immediately catches on, via snooping around, that James and Joan may not really be a married couple. A really good film that deserves to be more well known than it is.

Neil Doyle TCM's star tribute to JEAN ARTHUR included a few of her early films, some of which are on the weak side, as is IF YOU COULD ONLY COOK. With a brief running time of an hour and ten minutes, it might have been ideal for the bottom half of a double feature back in the '30s, yet it opened as an A-film at New York's Roxy theater. But what can I tell you? Not every film TCM shows is really what we call a "classic".HERBERT MARSHALL is Jean's husband, who poses with Jean, as a servant in the home of a mobster. Marshall is a bored designer for an automobile manufacturer mistaken for being unemployed by Arthur who's job hunting and sees an ad for a husband and wife team. She talks Marshall into joining forces so they can find work.Marshall, who says he's "fishing for something better to do with his life" proves to be quite adept at light comedy rather than the heavier material usually associated with him. His scenes with Arthur have every bit as much sparkle as those she did with stars like William Powell or Cary Grant.Both stars are warm and appealing in roles that could have been written expressly for them. LIONEL STANDER and LEO CARILLO are amusing in supporting roles as the mobsters who hire the housekeeping team, with Stander suspicious of both of them from the start.JEAN ARTHUR, as the girl who has faith in Marshall's auto designs, was never one of my favorites but she's on good display here and HERBERT MARSHALL is much less stiff than usual. Basically a romantic comedy, it turns screwball for the frantic ending.Fans of the stars should find it an enjoyable romp that passes the time pleasantly.Summing up: Strictly fluff.