Howards End

1992 "Based on the Novel by E.M. Forster"
7.4| 2h22m| PG| en| More Info
Released: 13 March 1992 Released
Producted By: Sony Pictures Classics
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

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Reviews

Alicia I love this movie so much
VividSimon Simply Perfect
Beanbioca As Good As It Gets
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
gavin6942 A businessman thwarts his wife's bequest of an estate to another woman.In 1993, the film received nine Academy Award nominations, including Best Picture for Ismail Merchant and Best Director for James Ivory. The film won three awards, including for Best Art Direction (Luciana Arrighi and Ian Whittaker). Ruth Prawer Jhabvala earned her second Academy Award for Best Adapted Screenplay, while Emma Thompson won the 1992 Academy Award for Best Actress.The film ended up on Ebert's list of "great movies" in 2005, which is impressive -- typically you only see classics make a list like that, but Ebert went for it. And indeed, so far it has stood the test of time, and perhaps has even grown in stature. I suspect it has found a new audience with fans of "Downton Abbey", and who knew when this came out that Helena Bonham Carter was going to be a big deal?
avik-basu1889 Directed by James Ivory and based on the novel of the same name written by E.M. Forster, Howards End is a film about class struggle in early 20th Century Victorian England and a social commentary which will always seem relevant.The storyline can be described as the junction or the meeting point of the three primary classes of Victorian British society- the upper class of rich aristocrats- the Wilcoxes, the middle class consisting of philanthropic intellectuals- the Schlegels and the poor working class consisting of people who have to struggle constantly to survive- the Basts.The film for the most works due to great acting. Emma Thompson richly deserved the Oscar that she won for this performance. Sir Anthony Hopkins is also great as Henry Wilcox, the stern figure of male authority and Helena Bonham Carter is impressive too. The film has a very likable Victorian charm about it that you expect from films set in that period of British history.However I think the screenplay is a bit faulty. There are a few too many scenes which seem rushed and haphazardly stuck together. Due to the rushed screenplay, the story fails to have a resounding effect that could have happened with a better screenplay.Overall this is a very good film with a socially symbolic storyline. It portrays the hypocrisy of the rich and the helpless nature of the poor. However the film could have been a great film in my eyes with a better screenplay.
copperncherrio Helen Bonham Carter and Emma Thompson alone… what more can I say? Victorian-ish drama at it's best. There's outstanding dialog and Emma Thompson is at her prime: innocent and naively charming. I have some serious issues with the plot, but that's just because it's done so well that I've accumulated so much hate for certain characters. We are met with two families the Wilcox and the Schlegels. First of all the Wilcoxes in this film are complete assholes, except the mother who dies early on in the movie (don't worry I didn't ruin anything, everyone sees it coming).I didn't care for some of the turns that this film took, but this movie just pulls you in with all of their relationship with one another as well as the atmosphere of the film. Overall, this film has a great cast and an entertaining story interwoven with drama. A great watch.
T Y Though lambasted by a minority as a Merchant/Ivory snoozer, Howard's End eventually inveigles its way into a thoughtful viewers mind with rather abundant ideas and plots about agency, good intentions in a weary/cynical world, passive cruelty, active cruelty, material transference, and cultural ascent, all stitched together in a story of class warfare, with surprising, sometimes hypocritical motivations. No one behaves as expected; as with Thompson selling out her values in preference to ascent; and the generally awful Hopkins secreting his true, malevolent nature, while fate endeavors to correct it in a roundabout way.There is far more than most films provide to digest. And the ideas put into play are far more interesting than other movies deign to investigate, and certainly better than other similar chatty, period Emma Thompson films (Sense and Sensibility) which are fatal to the life urge. It's also superior to Remains of the Day (also with Thompson and Hopkins). One can imagine a much more modern, intriguing film (not bogged down with politeness and high production values) with these ideas, but this is the film we've got; and it's fine.At no point can you guess where the circumlocutions will take you. Howard's End is a knot tied back into itself a half dozen times. I find its complexity extremely pleasing. Suffice it to say, this is 'Final Destination' for the thoughtful set.