Honor Thy Father

1973 "The rise and fall of an organized crime family."
5.2| 1h37m| NR| en| More Info
Released: 01 March 1973 Released
Producted By: Metromedia Producers Corporation
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Budget: 0
Revenue: 0
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Synopsis

Joseph Bologna stars as Bill Bonanno in this made-for-television adaptation of the controversial bestseller from Gay Talese, chronicling the rise of New York's infamous Bonanno organized crime family. When his father disappears in 1964 and Bill is compelled to take over the "empire," other mafiosi attempt to take what's theirs. Brenda Vaccaro and Richard S. Castellano fill out the impressive cast of this gripping crime tale.

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Reviews

Plantiana Yawn. Poorly Filmed Snooze Fest.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
bkoganbing Although both Raf Vallone and Joseph Bologna register well as father&son Mafia duo of Joe and Bill Bonanno and the source of this film is Gay Talese's account of Bill Bonanno's life up to that point, it does not really tell the story certainly from the point of view of those trying to bring them down. Read the Wikipedia article on the Bonannos. There was a certain resentment of the son by some of the close associates of Joe Bonanno of the nepotism there. And Bill Bonanno was hardly the reluctant don himself.Interesting this came out in 1973 between the release of both Godfather films. The 70s because of the great popularity of The Godfather in both book and film there was a glut of these on the market. It seemed for awhile back then that every other film was a gangster story.I liked what Brenda Vaccaro did with her portrayal of Rosalie Profaci Bonanno, wife of Joseph Bologna. Back in the day this was considered the great Mafia marriage, in their world like Charles and Diana. But Diana had more free will than Rosalie did. As a dutiful Mafia wife who grew up in that world she certainly knew never to ask questions about her husband's business.Also note Richard Castellano in a portrayal similar to what he did as Clemenza in The Godfather.This is the Bonanno version of their internal wars within their crime family. But the Corleones prove more interesting.
gavin6942 At last, the story about New York's underworld. The real-life drama of notorious Joseph "Joe Bananas" Bonanno and his heir apparent, son Salvatore (known as Bill).This film suffers from a sloppy, shaking camera, which is probably present in the original aired version. It also happens to be blurry, making it hard to see faces. But that is probably from the transfer, and if an original negative exists, a decent DVD could be released.The film does a very straightforward telling of the Bill Bonanno story, as it has been told by Gay Talese and by Bonanno himself. Exactly how true any of it is, well... that is a matter of opinion. The Bonanno family (both father and son) have spun a lot of baloney about their lives, and who knows how much is accurate. Amazingly, an objective biography has yet to be written.
arthurclay I first saw this movie as part of a collection entitled "Great Mafia Movies" and they were right about this one it is great. This film is one of the very few movies that accurately and unromantically portrays real life in the Mafia and the inherent danger that is present in it(the others being Goodfellas and WTTM). Right off the bat you are thrown into the violent and not so secretive world of the Bonnano family as the public and police know as much or even more than the mobsters. You can literally feel the danger and impending doom that hangs around each member especially Bill and Joe Bonnano. They are fighting for their lives in every frame of the picture. You feel bad when their friends are killed and that they have to struggle just to survive each day. This movie is pro-Bonnano but in my mind that is not such a bad thing since its being told from the son's perspective just as Gotti is told from John's perspective. Even if Joe Bonnano was wrong and at fault for what happened in real life its hard to muster any compassion or sympathy for his enemies as treacherous and vicious as they are. I loved the scene with the commission I would have liked to see Carlo Gambino have a bigger role but that wasn't central to the plot. My only problem with this movie is that it really doesn't end with a definite sense of finality like it's like there's a whole other saga waiting to be told but given the circumstances I don't suppose it could have ended any other way. In any case Honor Thy Father is a goldmine of information on the mob and a real treat to view as well.
manuel-pestalozzi I cannot recommend this movie highly enough. It is a powerful antidote against dramatized, romanticized gangster sagas like The Godfather or Goodfellas. Apparently based on actual facts, the movie is the story of a New York Mafia boss's son. He tries to help his father because he thinks it is his filial duty.There is a gang war on. Gangsters go into hiding. They are constantly in limbo. The father is in hiding. The son goes into hiding, in a different place. He is accompanied by an old, seasoned hit man - a magnificent performance by Richard S. Castellano of Godfather fame. As the two men just sit and wait - but wait for what? - in a shabby downtown apartment, the hit man passes the time reading Sartre's Being and Nothingness!There is a fine sense of the absurd throughout this movie. The son hasn't got a clue what he is supposed to do. He just stands around asking everybody: What is going on? He never finds out. (Probably a chicken stolen somewhere in Sicily a hundred years ago, he suggests). Joe Bologna gives a wonderful portrait of Salvatore Bonanno. He plays a basically good natured, normal guy who can't cope with the circumstances that direct his life. It is wonderful how Bologna always has this strained expression on his face as Salvatore Bonanno tries to listen well and to understand. He has a wife and kids, and he wants to procure a respectable family life for them. His wife is scared and angry; she does not want to put up with a bunch of snoring, farting mobsters in her living room night after night!Joe Bologna is paired with legendary italian actor Raf Vallone who plays Joe Bonanno, the father. And they really are a minor dream team! There is a model case of two people who can not communicate, although they really love each other. This is best shown in the final parting scene, when the son has to go to jail. They don't know what so say, they just stand, looking at each other. Finally the father shows the son his school report from Sicily he accidentally found while clearing out a desk. "Ninety in maths. Not bad, eh?" These are the father's cryptical final words. The son as usual doesn't know what to answer.I guess the famous TV series The Sopranos owes more to this movie than to any of Coppola's or Scorsese's pictures.