Cathardincu
Surprisingly incoherent and boring
SpuffyWeb
Sadly Over-hyped
Exoticalot
People are voting emotionally.
SnoopyStyle
Helen Leonard (Ashley Judd) is a talented pianist and university instructor. She has a great second husband David (Goran Visnjic) and teenage daughter Julie (Alexia Fast). She is fascinated with student Mathilda (Lauren Lee Smith). She is racked with anxiety and gets hospitalized where she finds Mathilda. Dr. Sherman (Alberta Watson) is her therapist. After struggling back home, she tries suicide and gets sent back to the psych ward. She finds solace with fellow patient Mathilda and eventually goes off to live with her.Ashley Judd certainly tries hard to do some big time acting. Quite frankly, the acting is perfectly good. Lauren Lee Smith has a good role. However the movie has too many slow moving quiet scenes. It doesn't move enough to be compelling. It is a slow tired depressing watch. It's probably realistic but I've never liked watching depressed characters. They're a downer and this movie is a downer, too.
rooprect
At first I didn't like this movie a whole lot. As other reviewers have already pointed out, it's merciless in its stereotypical portrayal of people: every character in the movie is a royal jerk except for the 2 depressed people, and it gives the impression that all doctors are cold-hearted sadists, all spouses are selfish psychos, and people in general are totally apathetic.But hold on...Then it suddenly dawned on me, duh, that's exactly how one views the world when one is in the throes of depression. I believe it wasn't the filmmakers' intent to make an objective film. I think they were out to show us a somewhat skewed perspective through the eyes of a depressed person. At that, it's very successful.So yes, this is a depressing movie. It's dark. It's irritating. It makes you feel like the world is a sucky place. But if, for some bizarre reason, you want to know what it's like to be depressed, then this is the movie for you.I can't say that I "enjoyed" it (I'm no masochist!) but I can say that it's very well made, with excellent acting, effective cinematography (good use of focus & blurring), and a fitting musical score. Just as "Peewee's Big Adventure" takes us into the mind of a manically happy person with its cartoon colours and bouncy pace, "Helen" shows us the opposite side of the coin with its darkness, bleached visuals and monotonous presentation. If you want to know what it's like to be bipolar, I suppose you could watch the 2 movies back to back.Movies like this: "House of Sand and Fog" (or as I like to call it, "House of Sand and Why Don't We Just Slit Our Wrists and Save Ourselves the DVD Rental Fee") and "Leaving Las Vegas". All of these are excellent films. But wow, hide the sharp metal objects before viewing.
megalemeter
There are no heroes, no victims, no rescue teams, no spectacular recovery...and that's the beauty of this movie. Some might say that the film is too long or too dark with no switches or no sharp turns of events. This is one of those movies where you can learn from a lot. The most important knowledge coming from it is deconstructing a mith that 'love will concur all'. The other thing is all 'what not to do's' coming from distanced once who should be listened to the most. I have a strong believe that if you watch this movie carefully you will be well prepared if someone you love had to deal with such problem. Ashley Judd gave wonderful performance. Light, camera, action should be credited as the rest of the cast.
evanston_dad
A painful movie about a woman struggling with severe clinical depression.Ashley Judd has a knack for giving powerhouse performances in movies no one's ever heard of (did you ever see her in "Bug?"), and she disappears utterly into the character of "Helen," who herself descends into hell when her illness makes an appearance after lying dormant for many years. Let me be clear -- this movie is one long sustained note of agony, and it is not pleasant to sit through. But it's fascinating in its own way, and the thought of it haunted me for days after I'd seen it.The filmmaker clearly had a very personal and painful relationship with her subject (she lost her childhood friend to clinical depression), and one might think this would make her incapable of retaining the objectivity needed to prevent a film like this from turning into melodrama, but one would be wrong for thinking that.Grade: A-
