Noutions Good movie, but best of all time? Hardly . . .

Listonixio Fresh and Exciting

Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Billy Hammah-Fluid Refreshing to hear a different (mixed narrative) Nice to have a doco NOT directed by the 'male gaze' for a change and more a mix of people who's voices are usually the quieter ones within our community.GREAT DOCUMENTARY!!! aka Great documentary, watch it and hear a different side of things PLEASE too don't get confused with the trolls who are worried the world might change slightly. They are the modern IBM-minded tech fans, who will fade/evolve or die. Well thankfully they will all eventually die but I hope some of them grow-up before that happens.All the 1 star reviews from Captain Privates...blah blah (insert 20 second-taken-to-make-alias that masks the dudes taking the high ground with the 'safe' and 'winning' majority. 1v1 me at bedroom nub.FORGET THE HATERS... 100% over 9000 are newbies at any level of competitive gaming, I could wrecked all these scrubs guaranteed, at any game and you can put they're disappointed Dads on that!. SCRUBS.Great documentary which adds to the other GREAT video game documentaries we have and shows a different angle on a side of our scene which has room for improvement. Big up all the ladies in games industry and thank you for all you do to make the games we know and love! Haters... you will be old men (single) and shallow minded who took nothing but a generalist standpoint that you did little to craft yourself, your knowledge will be meaningless and your family will disown you for never growing out of being a douche.GREAT DOCUMENTARY!!! Dear haters, watch the Documentary like Your Mum made 'Pacman' instead of making your lunch everyday. YOU Stupid, STUPID Babies!.

1/2Opinion&1/2Truth I just can't even start with this...Yes I know that the Internet can lead to harassment, but how is it at this level?!? Based off of ONE SINGLE EVENT, we get a film that claims to be about how women and video games equal sexual harassment, but fails horribly. The group video evidence had a women majority, WOMEN MAJORITY. It also tries to show that all male gamers are sinful little devils that hate women, which by the way is COMPLETELY BIAS. My recommendation is to just skip this film, and play games with your girlfriend. Sadly I wanted to give it a 0/10, but IMDb can only go to 1/10, so it will stay there.

stian-ohrvik How do I summarize this movie into a short review.I will start by saying that this movie is segregating it's targeted audience. The fact remains that you can't judge a group based on a few of the individuals, and this is what GTFO: Get the F&#% Out is doing.Summed up in four points. 1. It's an important documentary about girls in the gaming industry and/or culture without even acknowledging the other side. As a documentary, it's flawed because of its one-sided approach. 2. As I said above, it's creating(intended or not)a gap between the genders, where women come out as victims and men their assailants. 3. There's a lack of consistency. For example it will imply that there's a lack of female attendants for different conventions, while simultaneously showing footage of groups of people where there is a rather high ratio of women. This is not 50/50 for each gender, but the female presence is higher in their footage than what their statements would suggest. 4. There is too much generalization. The harassment that's happening in chats, lobbies and through messages is depicted as to be done by every male in the world, when in reality it is not. The gaming culture is enormous, and as a result there will be people with bad intentions or lack of understanding. I am grateful for the fact that Miranda Pakozdi referred to what went on during the Cross Assault stream as an isolated incident, giving the first impression that this harassment in topic is the work of several individuals(a large number of individuals) but not an entire gender.This topic needs to be discussed more, but I would not recommend someone who doesn't know about this beforehand to watch this movie. It's prone to ignite more rage than understanding, and therefore I give it 3 out of 10 stars.

Joseph Godfrey The internet provides the world with unfiltered information, it highlights issues which are both family-friendly & trauma-inducing. People browse the web for an infinite number of possibilities. Users google everything & anything on a whim, although the results are only that 4% of the internet Google maintains for itself and other corporations such as Facebook, Youtube, Amazon, Gawker Media, etc ...The founding principles of our internet was about connecting strangers/individuals separated by vast distances all across the world. It was a commune of free exchange in religion, thought, pictures, news & gossip on a global scale. The problem is that governments such as China began closing doors to that access. Eventually laws within the US were passed that not only forbid a connection with people in certain countries, but allowed arrests of the very people attempting to reconnect with that world.The documentary 'GTFO' which premiered at the South by Southwest film festival - focuses on controlling one specific narrative of the internet; The Video Game Community - by self justifying a larger need for policing the web & shutting down free communication. The documentary denies all rebuttal or balanced observations, it is a purely one-sided opinion piece that blames society (mostly men) for online issues with video games & video game developers.'GTFO' in its 76 minute run-time is a showcase for Director Shannon Sun-Higginson to deliberately misrepresent a field of work through falsified information. She uses the long out-dated & refuted claims from the Jack Thompson (activist) era upon a reactionary audience. The goal being the encouragement of angry and fear towards a subject with no basis in reality. It's the basic tool of fascism. At several points Sun-Higginson will randomly highlight unverified Twitter posts to forge the claim that "women are in danger on the web". She provides subjective evidence about women in gaming based on the limited personal experiences of one small camaraderie; A noted telemarketing scam-artist named Anita Sarkeesian; Apprentice of scammers Bart Baggett, Alex Mandossian & David DeAngelo. Chelsea Van Valkenburg alias Zoe Quinn of the infamous "Zoe Post" & nude modeling websites. The overly self-promotional John Walker Flynt alias trans-gender female Brianna Wu. And a virtual unknown "amateur video gamer/gun enthusiast" going by the alias Jenny Haniver.The pessimistic outlooks of each interview is a haunting dialog; They are affixed on violence & sexualization throughout this bitter telling. They speak on harassment commonly found in multi-player games believing the fact that they are women induces said harassment. It's an ineptitude by pervasive idiotic self-proclaims that ignore the customary "trolling" found in multi-player games. The unorganized absurd lengths that trolls will go to becomes ridiculous in its devotion. The agenda of a troll typically is unleashing one or more cynical or sarcastic remarks on an innocent by-stander in order to frustrate them into outrage. Yet these women persistently entertain & bait these trolls; they document the absurdity and then claim it's the same as violence in the real world.That very negativity is both where the film begins to lose some of its authenticity and possibly appeals to the misandry of absolutist feminism. The documentary spends most its energy accusing the gaming industry of "sexism" based solely on female characters being attractive. It doesn't present much else in the conclusions that Sun-Higginson wastes so much time allowing these women to self-promote & complain about men, that she seems to get lost in how to edit the footage. Her subjects continue repeating stories and promote their own money-making schemes. The alleged "attackers" remain faceless and pushed to the background. There's one brevity of a side note to acknowledge the male gamers/journalists that agree with their opinions, yet again maintains self-promotional agendas. Sun-Higginson divides the audience at SXSW 2015. For many, specifically the experienced gamers, it's an unconvincing portrayal with political leanings. This is not a problem that must be stopped, there is no suggestion towards some proposed next step - just an outcry for web police. We are left confused & drained by the first 20 minutes only to groan at the remaining 46 minutes left to go.The documentary collapses on itself by repeatedly returning to the same narrative of threats and deficiencies in video games. It's an exact 1980's remodeling of fundamentalists that decry board games as devil-worship.It Kickstarter funding of $33,706 comes into question as an after thought. It begins with some professionally crafted title cards, but the quality drops severely as the documentary loses cohesion and the cameras blur & shake between movements like a found-footage reel. The quality of sound is unbalanced most of the time as it levels up & down during one speaker to the next. No, 'GTFO' just isn't a very well-composed documentary - it lacks structure and is too amateurish for a professional like Shannon Sun-Higginson. Remembering the $33,706 in funds, I'd be left to believe it was pocketed.'GTFO' is the type of film that you shouldn't watch because it fails on it's promises, it fixates with blatant lies & bias. It fails to deliver a logical conclusion, because that conclusion is just a demand for federal regulations to prevent an imagined issue. Watch it if you want, but you can find the exact word-for-word dialog in a Twitter search.