Green Light

1937 "He Took the Blame!....FOR A SLIP OF THE KNIFE IN ANOTHERS HAND!"
6.1| 1h25m| NR| en| More Info
Released: 20 February 1937 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A brilliant young surgeon takes the blame for a colleague when a botched surgery causes a patient's death and buries himself at a wilderness research facility.

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Reviews

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
MartinHafer This might just be the strangest Errol Flynn film other than the truly odd Cuban movies he made at the very end of his career. It has many strange plot elements and a convoluted religious element that just left me dazed! But, despite the very strange writing, the overall effort is still pretty good--mostly because it's hard to imagine Errol Flynn making a bad film! Heck, drunk and disinterested, he was still a heck of an actor--and here he is young and vigorous and engaging.The film begins with a strange Norman Vincent Peale sort of sermon by Cedric Hardwicke. In fact, whenever this odd preacher talks, he sounds very mystical...but never seems to mention God or the Bible! And you also wonder what the heck he has to do with the rest of the film. Well, honestly, he DOESN'T have much to do with the film--he seems more like a wacky social gospel-spouting plot device--but a pleasant one.The film actually has to do with a bizarre doctor (Flynn) who inexplicably covers for his boss when the boss-man botches an operation and kills a patient. I say inexplicable because his reasons for covering for the elder doctor seemed convoluted to say the least. As a result of taking the blame for something he DIDN'T do (and, by the way, possibly allowed an inept surgeon to keep practicing), agnostic Flynn goes to see Hardwicke--who pulls some strings and manipulates him into meeting the daughter of the woman (Anita Louise) killed by the other doctor. She falls for him but when she discovers that Flynn is the one blamed the death, she despises him and he runs off to a life of self-sacrifice working on Rocky Mountain Spotted Fever! This culminates with him injecting himself with an experimental vaccine--and Louis comes running to him! Does the amazingly self-sacrificing Flynn pull through?! Well, don't expect any surprises! If the plot I described sounds convoluted and weird, that's because it is--and it's actually a bit worse, but I omitted a bit of the plot due to space. The bottom line is that the film STILL manages to be enjoyable even though it is never the least bit believable. A very minor Flynn outing to say the least. At least it IS original!
blanche-2 Lloyd Douglas was a popular author whose books, Magnificent Obsession, Demetrius and the Gladiators, the Robe, and this film, Green Light, were all made into films. Since Douglas was a Lutheran minister, his stories often had a spiritual theme. In "Green Light," a surgeon (Errol Flynn) takes the rap for another surgeon (Henry O'Neill) when a patient dies during surgery. He is asked to resign his hospital position, which he does, and he joins a fellow doctor (Walter Abel) in his work to find a cure for spotted fever.Cedric Hardwicke plays an Episcopal minister who is the spiritual adviser of the dead woman's daughter (Anita Louise) and Flynn's nurse (Margaret Lindsay). He is the voice of author Douglas.The theme is self-sacrifice, that no person exists alone, and that we all are part of life's tapestry. The needs of the many outweigh the needs of the one.As others have pointed out, this is a different type of role for Errol Flynn. He doesn't quite nail it. Handsome and charming, Flynn was a sincere actor whose looks and athleticism made up for the fact that he very often didn't get under the skin of a role. This role called for a more solid, contemplative approach. Someone on this board mentioned Tyrone Power, and I agree, he would have been a better choice. Flynn was just too lightweight for this sort of part, though, like everything else he did, he gets away with it. He was a movie star first, and that covered a multitude of sins. Lindsay and Louise don't have much to do. Hardwicke imbues his role with a great deal of dignity.A definite for Flynn fans to see him do a role against type.
bkoganbing Because Green Light was done under the banner of Cosmopolitan Pictures for Warner Brothers, I've got a feeling that William Randolph Hearst might have originally intended Anita Louise's part for his amour Marion Davies. The thought of Marion Davies and Errol Flynn together in a film boggles the mind, but I'll bet Hearst would not have wanted Flynn opposite Davies for personal reasons as Errol was just starting to acquire his reputation as a rake.W.R. provided Flynn with a change of pace that he requested. After doing adventure films Captain Blood and Charge Of The Light Brigade, Flynn wanted something different. Green Light is based on a Lloyd C. Douglas novel of spiritual values and Universal had just had a smash hit in Magnificent Obsession that made Robert Taylor a major star. No doubt Hearst persuaded Jack Warner to get the film rights for Davies, but then Marion couldn't go through with it. The story does center on the man however and that was never something you would see in a Davies film.Errol Flynn plays an idealistic young surgeon who takes the rap for a botched operation that his mentor Henry O'Neill performed. Resigning the hospital he goes to work for research scientist Walter Abel who is looking for a cure for spotted fever in the west which is deadly to humans and livestock. Along the way he meets and falls for Anita Louise who is the daughter of the woman who died on the operating table, Spring Byington. Presiding over all of this is an Episcopal bishop played by Cedric Hardwicke. In her last hours Byington is heard listening to a broadcast by radio of one of Cedric Hardwicke's inspirational sermons. Hardwicke functions as the author's voice, he shares with the other characters and the audience the philosophy of self sacrifice and good works that Lloyd C. Douglas had. With all these people being so noble and self sacrificing, you know it has to turn out all right.Flynn never quite nails down the character which would have been ideal for Tyrone Power over at 20th Century Fox. Still he gives it a good try and the audience did respond. But it would be a long time before Jack Warner would cast him in a modern drama.For me the character I remember best is that of Margaret Lindsay who plays a nurse who really has it bad for Errol, but who loyally steps aside and even helps Louise get together with Flynn. Now THAT'S a sacrifice.
dbdumonteil If I should choose one American director for the twenties/thirties,I would take Frank Borzage any day.This is a film of a believer ,but a believer who never falls into the trap of bigotry:the "green light" of the title is the light that comes from the sky,the light of hope which should enlighten everyone.His early silent movies (particularly "Humoresque" ) displays a strong faith in a divine intervention provided that you are worthy of it."Seventh Heaven" ,"Little man what now" ,to name but two,featured characters who had nothing,nothing but their love for each other and their faith in providence.It would culminate in 1940 with Borzage's masterpieces,"the mortal storm" and "Strange cargo",particularly the latter where Cambreau becomes some kind of messiah.Eroll Flynn,cast against type ,-but portraying a physician who predates his role in Walsh's "Uncertain Glory" where he finally sacrifices everything- ,gave all:first he took the blame for an operation which cost a patient her life;then he acted as his own guinea pig for his vaccine.It often recalls "magnificent obsession" (the first version by J.Stahl was released two years before):both works feature a man of God : the man who tells the hero of "obsession" a man died on the cross for man's salvation,the priest in "green light".The choir in the church which we heard at the beginning returns for a canticle which climaxes the movie .Be prepared to sacrifice anything and do not ask anything in return,there will be a reward anyway.