Grandma

2015
6.7| 1h18m| R| en| More Info
Released: 18 September 2015 Released
Producted By: Depth of Field
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://sonyclassics.com/grandma/
Synopsis

Self-described misanthrope Elle Reid has her protective bubble burst when her 18-year-old granddaughter, Sage, shows up needing help. The two of them go on a day-long journey that causes Elle to come to terms with her past and Sage to confront her future.

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Reviews

Console best movie i've ever seen.
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Curt Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
eric262003 In the opening scenes of this financially challenged flick "Grandma" under the direction of Paul Weitz, I swore I was going to show my disdain for it. But after a while, I started to progressively get into it as the characters kind of became easy to relate with as their stories drew its attention to its audiences making it all the more easier to watch. It's a rare finding to see a film where the film is sinking in expectations in the beginning only to emerge later on the film, but "Grandma" is one of those exceptions. Lily Tomlin is the leading performer as Elle Reid, a cynical smarmy, foul-mouthed lesbian poet, who before the film starts has just broken up with her girlfriend (Judy Greer) after courting for four months. In an attempt to vent out her frustration, she regards her lover as nothing more than a footnote. Shortly after this messy breakup, she gets a visit from Sage (Julia Garner), her granddaughter who needs some much needed cash to go with her abortion but is too afraid to ask her intimidating mother Judy (the always incredible and fearful Marcia Gay Harden). Elle is also low on dough, but still takes Sage along for a rough and wild ride to get some old allies to see if they could conjure up a few bucks that they owe her.The opening scenes were quite eye-catching, but the early scenes were placed as just an excuse to have Tomlin's Elle to churn out the laughs by embarrassing Sage in one situation after the next. They visit a coffee shop that was once a clinic for women facing similar problems as Sage's and sure enough Elle causes a scene by loudly exploiting the high costs of abortions which leads Elle get into a verbal sparring match with an unfortunate worker named Chau (John Cho). They visit the diner where her ex Olivia works, which results in a myriad of childish verbal abuse and condescending insults. They come to a tattoo parlour and the tattoo artist (Laverne Cox) isn't strong in her finances, but offers Elle a new tattoo. Tomlin is truly a great legend in comedy that traces back to the 1960's, but sadly here she seems reduced to just playing the type-cast sassy grandma.It's just that we've seen this way too many times in movies where old-timers get involved in awkward situations and are doing it just to get a laugh from their audience. And to make it more appalling they force the comedy down our throats with that awful pizzicato scores in the background.By the time Elle gets to visit one of her rare relationships with her ex-husband Karl (Sam Elliott), whom she was estranged with for 30 years before discovering that her true affection is with women, this movie starts to pick up. To see her go so far as to visit the man she kept herself apart for so long clearly points out she's low on options to get money while reminiscing awful memories about their troubled past.Even though his role is very brief, Elliott truly brings out the best in his performance and truly shows that less could mean more Elliott brings a lot of depth, emotional pain and nuance to his role he is the character that garners the most sympathy from. After all the superficial and forceful humour depicted here, Elliott turns the table with a more real and raw turn that has a dramatic edge to the film. Elle starts to change on me as we see her transform from a sitcom like geriatric to a more humane character we could all relate to. Even when the film returns to the madcap silliness, I have become more invested in her character. Sure abortion is a subject matter that is very sensitive to grasp at, it will surely spark divinity in how this situation is handled. One thing for sure, Sage is not going to change her mind about going through this difficult procedure. What makes this film so unique is that every character has a differing opinion of this heavy-handed subject matter, but it's handled in a mature perspective, even if the comical elements tell you otherwise.There are no villains in how one feels about abortion which is refreshing in itself. The other trait that makes this film unique is that it goes along with Sage's decision without being judgmental even though the baggage she carries with her is something she'll have to deal with.The midway comeback in this movie isn't strong on unpredictability. The closing scenes are cliched with sentimental vibes and moral lessons we would expect from a standard comedy-drama. However, the emotions will surely tug at your heartstrings and hope that all ends well for the characters in the film once it ends. It's truly a film one could treasure and feel good about after watching it.
shereen333 This was a sad use of good acting. Although Lily Tomlin delivers brilliant acting with excellent character development, there's nothing else to this film. It's rather boring, over all with not much to the story line, there's minimal plot, at best. What's really disappointing is that IMDb listed this ad a comedy first. I'm not sure why it's listed as a comedy at all, it's in no way humorous.
Prismark10 Grandma is an Oscar bait movie for Lily Tomlin. She plays the acerbic even bitter grandma (Elle) of the title. A renowned writer, poet, lecturer and lesbian we see her cruelly breaking up with a much younger partner. Of course Elle has never got over the death of her long term partner.The film is divided up into six segments but is essentially a road movie set in a single day where Elle revisits her past and allows Tomlin to be grouchy and bad tempered. Yet the the reason for her journey is her granddaughter has turned up and announced she is pregnant and wants money (about $600) for an abortion.We later find out that her mother (Marcia Gay Harden) is a high powered businesswoman and has plenty of money but both her daughter and Elle have an uneasy relationship with her.Elle only has a few bucks in her name goes out with her granddaughter in her old, classic car to visit people from her past, a few who owe her money. First stop though is her granddaughter's douche bag boyfriend who Elle beats up.Of course further along the journey Elle becomes tender, her edginess becomes less jagged. The best scenes are with her ex played by Sam Elliott who is still bitter after forty years that she left him the way she did.Of course the abortion angle is not taken lightly. Elliott has become a patriarch with several grandchildren and is not happy to give money for an abortion. At the abortion clinic Elle gets into an argument with a protester.The film is billed as a comedy drama. There is less comedy but it is a no nonsense film about ageing, family and looking back over your life.
meeza Writer-Director Paul Weitz' dramedy "Grandma" might not be a grand showstopper of a movie but it has a grand performance from veteran actress Lily Tomlin, and that was grandly suffice. Tomlin stars as Elle, an outspoken & tough-as-nails grandmother/mom who assists her granddaughter Sage in her mission to get funds for an abortion. It might sound like a very simplistic plot, but there were some dynamic family connections to it; especially when Sage's mom/Elle's daughter Judy comes into the picture. Weitz draws up "Grandma" as a mini-tour movie highlighting Elle and Sage, and it primarily focuses on how an vociferous and mean-spirited grandmother could still show her "heart of gold" to do whatever it takes to help her granddaughter. Sure, there is some formulaic family feud dynamics we have seen before, especially in the relationship between Elle and Judy; but it's not that huge of a flaw. Tomlin was grandly snubbed for a Best Actress Oscar nomination for her outstanding performance here as Elle. Although, Marcia Gay Harden as Judy and Julia Garner as Sage were performances that were not too grand. I did like though the supporting work of the vastly underrated Judy Greer as Elle's younger lover Olivia, and Sam Elliot as Elle's ex-boyfriend Karl. But it's Tomlin who was the most grandiose in "Grandma", and that enough is worth a grand look at this movie. **** Good