SnoReptilePlenty Memorable, crazy movie

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Eric Stevenson I feel bad for not loving this movie. Don't get me wrong, it was definitely a good movie for me, but I just thought that the other entries were better. I was complaining about how the last movie was a bit hard to follow, but I think this film had the opposite problem. I think it was too clear and it took away a lot of the mystery. Of course, the animation is completely flawless as you would expect from this series. It's great to see a movie series that's been consistently good. I was disappointed that Motoko didn't appear more. Of course, Batou is still pretty entertaining on its own.It's just that this film was lacking the action of the previous two films. I also wish that there was more philosophical dialogue. Still, they certainly had great voice work and good talking. If you're a fan of "Ghost In The Shell", you really should see this. The colors are just so gorgeous in this movie. We even get some pretty tender moments involving little kids. I guess if you want to make us care you have to have the lives of a children at stake. It certainly worked here. It was still pretty creative. ***

Tweekums I assume most people will have seen both series of GitS: Stand Alone Complex so will be familiar with the characters. If you haven't seen them yet I'd strongly recommend watching them before watching this follow-on film.Set two years after the second series Section Nine is on the trail of a hacker known as The Puppeteer. Don't worry, this isn't a rehash of the Puppet Master story from the original GitS film though. The team, led by Togusa since the Major left them, learns of the Puppeteer while investigating a sting of Suicides. While investigating a brake in at a lab Batou sees a familiar face; Major Motoko Kusanagi. She warns him to keep away from the Solid State Society. At first Batou doesn't mention that he saw her but as he starts to believe that she may be the Puppeteer he is forced to tell Togusa about his fears.As one would expect the animation looks fantastic without being distracting... unlike in GitS: Innocence where I often found myself admiring an animated object at the expense of following the story. Once again the music went well with the action and the voice actors all sounded good, although I had to read the subtitles as I can't speak Japanese.If you liked the "Tachikomatic Days" shorts at the end of each episode be sure to watch "Uchikoma Days" on the second DVD which features the little blue tanks as well as the new green ones and the Jameson Unit.I strongly recommend this film to anybody who enjoyed the series, while it isn't essential to watch them first I'm sure it will be a better experience if you have as you'll know and care about the characters more.

db215 I'm quite a big fan of Masamune Shirow, though I haven't seen much of his recent work. I was first exposed to his intelligent and mildly titillating style in 1994 with Dominion: Tank Police. What was great about that series was the comedy, aesthetic genius and hot chicks. Ghost in the Shell came out the following year and was incredible work. Though a bit complicated for the youngster I was at the time, there were at least loads of tits.This latest and third movie is pretty damn slick. I haven't watched the Stand Alone Complex series', but the story was engaging and thought-provoking regardless.I'm really interested in concepts of the cyborg, and visions of the future. I'm not convinced by the idea of downloading a personality into a computer, but most of Shirow's work makes interesting observations of the social problems which would accompany such a move.The story in this installment is particularly interesting, and follows an attempt by a person or persons unknown to solve political and social problems by manipulating cyber-brains through the global network. Far too complex to waste time explaining, it makes for a great 100 minutes.The animation is superb, on the most part. The characters and backdrops are awesome, yet occasionally suffer from blatant CGI-ness. Smooth and beautiful it may be, but like the second Appleseed film, it just doesn't look right. Animation is not live action or CGI or any combination of the two, and a degree of difference is what makes each media interesting and fluent. For me, that aspect of this feature was whack, and distracting. Also, CSI-style shaky-cam in anime?? Rubbish.The music is very good, though not quite as good as the first film, and there is a diabolical song in the first 10 minutes that made my arsehole close-over. Otherwise, the awesome Yoko Kanno (Macross Plus) goes beyond mood-music and achieves an awesome synthesis.There's a reasonable helping of Shirow sexiness, though not enough. Needs more greased up babes. His trademark cool style in mecha and costume design remains strong, without succumbing to Matrix-style pansy over-styling. The film could have done with more comic relief, however. Shirow is a very funny guy, and this series of films has never really allowed that to find a place. Shame.The direction is good, though makes obvious what an influence Mamoru Oshii's (Patlabor, Jin-Roh) personal style had on the direction and attitude of the films. That's no bad thing, as he is one of the all-time great directors. It would, however, have been nice to have seen some more impressive personal touches from Kenji Kamiyama.Essentially very good, though perhaps too engorged with the intellect of the last two films, and trying just that little bit too hard to be cool.

johcafra --but 3S is a worthy continuation of the GITS:SAC television series on which I've also commented as an IMDb user.Chances are your reading this means you've either seen or know what to expect from 3S or well know the GITS universe and the saga of Public Security Section 9. So neither introduction nor spoilers appear here. But if 3S is your introduction, you could do worse (as I did), and if it inspires you to view the two seasons of the series on DVD, you're welcome to engage with one of the more fully realized and challenging tales of speculative fiction told on the 'tube, by anime or otherwise. (Refrain for now from viewing the first two movies if you've not seen them, for reasons explained further on.)Section 9 still exists, but The Major resigned two years ago. Togusa is in charge, at first harder-edged than you're accustomed to, while an aged Aramaki still plays an authoritative role. Batou is as expected after the conclusion of the series' second season and The Major's departure. Saito returns from a "hellish" engagement in Africa. The rest appears none the worse for prosthetic wear. I'm not all that certain why the Tachikoma return, though perhaps Batou is more the sentimentalist (with clout) at prosthetic heart.No worries, The Major reappears (but did she do something to her nose?), as all try to contend with a "Super Wizard-class" and murderous hacker known as The Puppeteer, the identity of which may not fully satisfy but nonetheless may surprise you.The core premise is a well-reasoned conjecture on the impact of an aging and shrinking home-grown "natural" demographic on a service-oriented economy and extraordinarily high-tech society. I would've liked to have seen this fleshed out, but there's only so much possible in a hundred or so minutes with room for the obligatory hyper-action sequences. References to the translated phrase "Noble Rot" give you some idea, and what's involved is more "Steady State" than "Solid State," though I can also understand the marketing decision behind the title choice.3S is NOT a continuation of the first two GITS movies any more than the television series, but there is a direct homage to the end of the first GITS movie. At times you'll think you're viewing that movie, but the divergences outweigh the similarities. 3S also continues the series' style of not quite telling the whole story, which if done well acts as a hook for further viewing as well as thinking. Kanno Yoko's characteristically excellent musical score also borrows from the television series, and I'm glad the movie translates Origa's lyrics for the opening and ending theme songs from Russian to English.All in all, it's not to complain. The mere fact that I allow an anime series to sustain my interest in its characterizations and plot line over years of viewing is revelation sufficient, as most conventional film series don't. My hat is off to all involved.