Finding Altamira

2016 "Some secrets are too powerful to hide."
6| 1h37m| NR| en| More Info
Released: 16 September 2016 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://morenafilms.com/en/peliculas/altamira-2/
Synopsis

The story of nine-year old Maria and her father Marcelino who, in 1879, found the first pre-historic cave paintings at the now world famous Altamira cave.

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Reviews

SnoReptilePlenty Memorable, crazy movie
Marketic It's no definitive masterpiece but it's damn close.
Contentar Best movie of this year hands down!
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Nelson Garcia Beyond some controversy in the history behind the story, Finding Altamira is, in its own right, a find worthy of celebration.The cinematography of Jose Luis Alcaine is amazing. One could take almost any frame in this film and hang it on a wall as a work of art. I could have watched this film in mute and enjoyed just the visual majesty of every scene.After doing work in films like the Spy Kids franchise, Antonio Banderas is developing a reputation, in my mind, as a recognizable actor who brings attention to otherwise obscure movies, not to drive up the budget, but to elevate attention to the art. I would have never watched Automata, had I not been wondering what Antonio Banderas was doing in that movie; only to be wonderfully surprised again. In this movie, I would say that his acting was adequate, but once again, after the Automata experience, I decided to give the movie a chance. I am so glad I did.My favorite scenes were those involving Rupert Everett (Monsinor) and Golshifteh Farahani (Conchita). The cinematography was almost like watching an oil painting, with barely any movement, yet the tension and intensity of every scene was incredible. Was it sexual? Was it a power struggle? Was is a tug-of-war of morality? I could have watched them all day.The little girl in the film, Allegra Allen (Maria), as most child actors tend to be, is just too precocious in this movie and the character almost did not work for me. In my opinion, the point of view of the story shifted too much from the child in the beginning, the father in the middle, and the mother at the end. I believe the story would have been better served if the arc of Conchita's story would have remained the focus throughout.There was an "affair of the heart" storyline which was totally unnecessary, in my opinion, and only included to generate more scenes and conflict for secondary actors. I believe the movie would have been just fine without diving into that part of the story and leaving it as wistful glances between two characters.The story, whether parts are true or fictionalized, is simple enough and I would suggest, secondary to this film.You should watch this movie if only for watching how beautiful the craft of movie making can be.
elgratia The film is gorgeous and is faithful in its location shoots. The actors are fantastic, particularly Banderas as Sanz de Sautuola, and I enjoyed the music.Unfortunately however, the writers decided they wanted to take cheap-shots at religious people, by making his wife Conchita the stooge of a nefarious priest (is there any other kind in Hollywood?). She's upset because neolithic art of still extant Pleistocene mammals, is somehow anti-creationist (Yeah, I didn't get it either).In real life Conchita had no problems with the Altamira cave art and supported her husband.The actual controversy at the time was that the paint looked too fresh, and there wasn't any soot marks from torches. Many people initially suspected the images were forgeries because of those reasons, not because pictures of bison, horses and wild boar somehow frighten creationists.It's too bad they stooped to defaming Conchita for the sake of unnecessary drama and cheap demagoguery. It knocks three stars off my review.
abhishek-bose I think Golshifteh Farahani.. has a mesmerising performance.. yet again.. with Antonio Banderas on a beautiful story on the cave paintings of Altamira in Cantabria, Spain. The story is powerful and modest in rendition, at the same time, which is a very difficult trick to portray. The script in essence lacks a few fine knits which the story deserves causing fine misses in story weaving, not a big deal though as the cast as well as the entire production has made a brilliant attempt on a beautiful story focussing more on the discoverer and his perils of a very borderline orthodox society with ample light on the beautiful discovery as well.Overall a great rendition by #HughHudson and the beautiful artists that painted a beautiful 19th century story with prolific and deep notes.
Pablo Garcia The man who discovered the Altamira Caves was a shepherd named Modesto Cubillas.The person who the film says is the discoverer, Marcelino Saenz de Sautola is only the owner of the land but the film insists on giving all the importance to this man. Do you know why? The family Botin & Sainz de Sautuola is one of the most powerful families in Spain (owners of Santander Bank), they are creepy aristocrats who want to honor his ancestor with a lie. The family Botin & Sainz de Sautuola are who sponsor the film. Poor Modesto Cubillas, you were "only" a shepherd with no money.