Lightdeossk Captivating movie !

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Megamind To all those who have watched it: I hope you enjoyed it as much as I do.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

gavin6942 Farinelli is the artistic name of Carlo Broschi, a young singer in Handel's time. He was castrated in his childhood in order to preserve his voice. During his life he comes to be a very famous opera singer, managed by his mediocre brother Riccardo.Although this is the story of a real person, it relies very little on facts. Just a few notes: the ambiguous relationship between the Broschi brothers, the stormy one with rival composer Handel, and Farinelli's own amorous escapades and over-the-top "rockstar" attitude are totally spurious. But I don't think this makes the film bad, because it is not intended to be a true story.It is somewhat hard to believe that this used to be a real practice... the purposeful destruction of a child just to have him sing high notes. Whatever was the point?

Cinefill1 Farinelli is a 1994 Belgian-Italian-French biographical drama film directed by Gérard Corbiau and starring Stefano Dionisi, Enrico Lo Verso, Elsa Zylberstein and Jeroen Krabbé. It centers on the life and career of the 18th-century Italian opera singer Carlo Broschi, known as Farinelli, considered the greatest castrato singer of all time; as well as the relation with his brother, composer Riccardo Broschi. Although based on real-life events, dramatic license was taken to a great extent, and only the basic facts of Farinelli's life are correct, while the plot line is completely fictional and far removed from what is known about real-life Carlo Broschi (1705-1782). For example, the ambiguous relationship between the Broschi brothers, the stormy one with rival composer Handel, and Farinelli's own amorous escapades and over-the-top rock star attitude are totally spurious. Additionally, Farinelli's brother is given much more importance than he actually had in his brother's career, while Porpora's own (and that of other composers of the Neapolitan School as well) is De-emphasized; the movie also offers a different explanation for how Carlo Broschi came to take the stage name Farinelli than what has been historically ascertained. George Frideric Handel, played by Jeroen Krabbé, is made out to be somewhat of a villain, but that is based on the competition between the London theater at which Handel's music was played and the rival theater at which Farinelli sang for a short period It was released in 1994 and won the Golden Globe for Best Foreign Language Film in 1995. It was also nominated for an Academy Award in the same category.

bubblegumyums65 I was quite intrigued by the scenery in the film. I also like the acting. The actors in the film were perfectly chosen. They fit right into their characters. One thing I didn't like about the movie was that whole brotherly thing in the movie. They kept saying that they had a pact or something like that to the women. And the opera was nice to a point, but then I just kept forwarding. It was the same thing over and over again, but to different tunes. If you like operas and, Italian and French actors, this movie is worth seeing. I give it an 8.5 out of 10.

filmkenner-1 Based on the true story of Carlo Broschi, Farinelli is an opera singer from Europe, hailed for the beauty of his voice and his fine musicianship. Unfortunately for the people who love opera music, this film is a real disappointment. Since it is not about music, but about the costumes, the setting and the boring and pointless relationship between the two brothers, proving to each other they are not `gay'. Compared to Amadeus, this film is worse than a B-movie. It's a B-minor movie.