Everything

2004
6.4| 0h30m| en| More Info
Released: 08 October 2004 Released
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Budget: 0
Revenue: 0
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Synopsis

A man visits a prostitute but just wants to talk. She goes along with it until he starts asking questions. Is he just a loner or is there a different reason for him to come here?

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Reviews

VeteranLight I don't have all the words right now but this film is a work of art.
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
cradun I found this low budget film very slow and after about the first 20 minutes I didn't know where it was going. Getting to the anti-climax was a drawn out process. As for the ending of the film it leaves you and the characters up in the air and you have to do your own film making. If you can put up with the cockney accents, the butchering of the Queen's language and wondering where this is all going after the first half of an hour you may enjoy the film. A bit of a let down but then what do you expect for nine(9) days of filming and a budget of $47,500.00. Think of an Easter egg and when you break it that is what this film is really about. "NOTHING!"
dilbertsuperman An overweight man with a Don Johnson beard is our main character, he's unfortunate to look at. He looks up a hooker who is worn out looking and must be pushing 40 if not already hurdled past. They sit together in a crappy run down apartment, and he asks her creepy questions but won't have sex with her. Since this is pretty psychotic it creeps her out- OK.. we get that in the first 5 minutes.. where is the rest of the idea? It promptly falls flat on its' face after delivering the idea and the only tool it has left is boredom and lack of action as a clumsy attempt at building suspense. After 7 minutes you go.. OK does anything ever happen in this piece of crap? Well.. you will be waiting for half an hour before any skin presents itself and be promptly let down directly after. And so we plod through this trash. The hooker has a very interesting body- it is quite athletic, almost to the point of androgyny, but she has a butter face. Her body is hot but her face...So you would expect either sex or violence in large quantities to present themselves but it just kind of bumbles along in a mind numbing lack of action and lack of any sort of plot development.This video will be a great joke to play on someone- tell them it is the sexiest most mind blowing heart pounding movie. They will hate you forever because this is anything but!!!!!!!!!!As Rick James said- I wish I had me 4 hands so I could give it four thumbs down!
Ali Catterall For those of us who continue to wave the flag for British cinema, perennially undermined by poor scripts or craven overtures to the States, maintaining such respect is very often like trying to love a puppy that keeps crapping on the duvet. So it's a joy when you stumble across a no-budget homegrown sporting great writing, even better performances – and which doesn't compromise to anyone. Winstone is the mystery john who visits Naomi the prostitute (a terrific debut from Graveson) over 9 consecutive days (the film was shot in 9 days too), without once soliciting sex. He just wants to talk; to find out why she does what she does. On the penultimate day, he even brings a Monopoly set round. If the climax doesn't come as a surprise exactly, the emotional impact remains intact, aided by heartfelt, beautifully understated performances from the cast, including Winstone's real-life daughter. See it.
didi-5 Just back from seeing this low-budget UK film, written and directed by Richard Hawkins and starring Jan Graveson as Naomi (a prostitute in a dirty room in London) and Ray Winstone as Richard (a mysterious character who only wants to visit Naomi to talk, play cards and ask questions).Filmed in very dark and cramped conditions, 'Everything' is claustrophobic and seedy from the start, but starts with much more potential than it actually fulfils. I could see the 'twist' coming from a long way away, although I can't fault the central characterisations of performances of Winstone and Graveson. It could have just been a little bit more off the wall than it is.

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