Elysium

2013 "He can save us all."
6.6| 1h49m| R| en| More Info
Released: 09 August 2013 Released
Producted By: TriStar Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes, a hard line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds.

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Reviews

HeadlinesExotic Boring
CrawlerChunky In truth, there is barely enough story here to make a film.
Rexanne It’s sentimental, ridiculously long and only occasionally funny
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
erivalo In the year 2159, humanity is sharply divided between two classes of people: The ultrarich live aboard a luxurious space station called Elysium, and the rest live a hardscrabble existence in Earth's ruins. His life hanging in the balance, a man named Max (Matt Damon) agrees to undertake a dangerous mission that could bring equality to the population, but Secretary Delacourt (Jodie Foster) vows to preserve the pampered lifestyle of Elysium's citizens, no matter what the cost.
anuntapr Elysium, while it was not necessarily bad, was a bit disappointing. The special effects in this film look great, from the violence, to Elysium itself. However, the story is not so great. The plot is decent at best, and the character development is very underdone. The relationships between characters were barley explored, and the characters seemed to have next to no emotion. The felt like, in a sense, machines. In my opinion, the best part of the movie by far was Sharlto Copley's Kruger. At the end of the day, the movie was OK, and if you have nothing else to watch, then give it a go. But, I wouldn't be in a rush to see this one.
welshnew50 a legitimate sci-fi plot, is never an opportunity for nothing but the reinforcement of to-be-attractive changes in the individual after joining the military, and when taking a step back from the main CHR's perspective, only a few other things remain, that will keep expecting-more from their sci-fi fans, in watching this - some might be less exposed to some of the tech introduced in it, which is of some interest, but if familiar, this film is crammed with tired tension-building devices, simplified characters/relationships, and little OTHER, than a straightforward inequity/innopertunity base plot, to make people who have acted outside the law, feel better about themselves, when going beyond the family values they say are paramount, but not in people they exclude from deservedness, per religious impact-teachings.if that's your thing, then i guess it's a blast, and without too-complicated a plot , it keeps it's dynamics consistent enough, that you can concentrate on the action.acting-wise tho, practically no-one really seemed interested in their characters, with except perhaps the nurse... she was the only one not involved in killing others / being in a position of taking rather than sustaining life.the exploitation of the simplified emotions within it, for the impact-religious teaching claim, is quite obvious, not that I'm disagreeing with whether or not the inequity plot / innoppertunity plot, was undeserved.it was, deserved, but that's not a reason to only have two antagonists against it - gangs, OR, the then in-memory, to-be-kept-precious-in-memory religious sub-plot in the memory of the main character.it did not need to be there... neither did any gang content.it could've done just as well, with a RECLUSIVE, hidden, secretive, low-numbers Spider's den type source(ie, not easily-found, from continual partying),.. or, without the privitiva-contrast.it is no reflections-causing piece-du-renaissance , to contrast a poverty-end perspective, with the robotic natures of the two corporate/centralized control characters,..Also, the beleiveability of how easily/quickly, a "secretary" , with shoulder-pads to match , took over the entire society there, is quite pointless to re-assess - by this movie, all you need to do successfully pull off a cue, is have a bit of a i'm-determined so you have to do what i'm asking you to, because normally it's your father, or normally it's you who makes the decisions in this relationship , or, it doesn't matter if my suggestion is a bad one, i'm the under-represented gender in this workplace, you have to do what i'm telling you to, because its MORE than a suggestion - it's a direction... hmmmmphh!I'm a feminist, and are all for equity and gender-balancing ... but this was offensive in reverse...not against men/masculinity ... but offensive against anyone with any sense of just how easily taking over, really is-NOT.You could tell the anything-in-the-way to a heroic ending, directors/producers, really didn't CARE, about this film. Good enough to get a few teenagers and low-rank schmucks, for the bucks, was good enough for them.
Harrison Tweed (Top Dawg) Neill Blomkamp did it again as writer and director in this visual masterpiece set in a dystopian era.He seems to have a knack with these type of productions, and executed this one really well. I'm shocked at the low average score - yet another underrated film.Casting Matt Damon was the right choice - c'mon, it's Matt Damon. His character was very convincing, as was Jodie Foster's and Sharlto Copley's.The Cinematography and VFX were great. The editing could have used a little tweaking.The plot had some issues here and there, but the VFX and directing made up for that.It's a 9/10 from me!