Destiny Turns on the Radio

1995 "Fate visits in ways you never expect"
4.5| 1h43m| R| en| More Info
Released: 28 April 1995 Released
Producted By: Savoy Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Johnny Destiny burns into Las Vegas in his hot Plymouth RoadRunner, stopping only to pick up a stranger stranded in the desert. But then, things aren't always as they seem. Anything can happen in that town of many possibilities...especially since there's been some weird electrical disturbances. As the stranger, fresh out of prison, tries to put his life back together--to recover his money from an old bank heist and the girl he lost in doing the job--something keeps interfering with his plans. Is it fate...or just Destiny?

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Reviews

Karry Best movie of this year hands down!
CrawlerChunky In truth, there is barely enough story here to make a film.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
punishmentpark I always liked the title of this one - still do^. The films starts out okay. There's a lot of colour, there's some nice introductions of the characters, but at forty-five minutes into the thing I'd like for things to get started already. The romantic plot shouldn't have been anything more than a small subplot, but instead it takes on a lead part... and becomes quite tedious. It all tries to be sympathetic, and especially at first it ís that, but things falls apart more and more, almost by the minute.'Crime' as a genre isn't really justified here, in my opinion. Yes, there is a large sum of money from a robbery involved, there are some bad guys, cops and guns and so on, but it is leaning far more toward romantic comedy with lots of dialogue - most of which are not very interesting. Then there's some fantasy elements in it (with some off the cuff references to the return of Jesus Christ and an immaculate conception, no less), but they hardly work - if at all. All this in spite of many a fine actor (with a fun supporting role by Tracey Walter) and the colourful setting. And then there's the Elvis Presley-like blues muzak, in which it is cemented; nice for a while, but then...4 out of 10.^ I saw this one almost twenty years ago for the first time, but I didn't remember much of it.
ron i was talking with a friend who doesn't get QT movies at all .. while this, i've learned, is only a QT acting role, i really enjoyed it .. i'm surprised by the negativity of the comments by others .. seems this is either a love/hate movie or a sore point with QT aficionados .. whatever, i recommended it to my friend and do so to others who enjoy quirky little movies with a touch of magical realism together with a nice soundtrack .. i smile recalling the many scenes that entertained .. no deep meaning or message here, just a fun way to spend a little time while passing through an evening .. i'm no fan of Las Vegas, where the movie is set, but the little motel with its homage to film stars of the 1950's hearkens ones memory back to a time when the Strip was much less commercialized and overdone, a time when life seemed simpler, more magical, and just plain fun .. check out this little gem for yourself
Dirt_Britland It is said:Uttamo brahinasadbha'Va madhyania' Khayyam ha'Ravi'a' Japastutih sya'dad-ha a' murtipu'ja Dhaka'Dhaka'Society at large has lived in relative indifference of the cohesive power of Dylan McDermott (Wonderland, TV's The Practice, Cowboy Way) culture. The spiritual values of Dylan McDermott culture are integrative, relational and adaptive. McDermott and McDermott's father Pappy, played by Tracey Walter (Tv's Nash Bridges), seem quite startled to notice a man who appeared from their hot-tub and that man is Destiny, as played by the Q-man (Tarantino). Ideation on James Belushi (Tv's According To Jim, Daddy's Boy, Animal House, Mulholland Falls) is, in this movie, anyway, the best process of intuitional practice. The second best is Dhaka'Na (meditation) and dharana (concentration). LeGros and Travis are inferior and idol worship (Tarantino) is the least favorable.This is what is called in Western philosophy a fallacy of a 'straw man argument'. that is, you present the notion of people worshiping Hollywood pretty-boys which they presume will enable them to achieve some sort of cosmic liberation. McDermott flounders and can barely do anything. LeGros and Travis are wasted and Travis didn't sing those songs, you know. Tarantino gives this movie it's surviving 9.1/2 star ruling. Furthermore, it survives being a Bomb with the assistance of David Cross (Men In Black 1 and 2, Showboat) and Bobcat Goldthwait (Blow, Indepenence Day) but even their parts are also a kind of sadhana. Also starring Sara Trees (Legend of Curly's Gold Strike) as Lucille's friend.The tantric paths are the vehicle, as it were, and realizations are stations along the way....
trevorten This film seems like a Tarantino-sponsored "mind altering" party, complete with improvisation and wit that ultimately seems to fall flat. I laughed hysterically at how embarrassingly poor a movie with this great of a cast was turning out. It certainly entertains though, in a train wreck sort of fashion. Who knows, maybe that was the point. As far as the performances go: McDermott was sort of underwhelming as the lead but it was funny to see him pre-"Practice" wearing tacky royal blue dress pants throughout. James LeGros gave his usual steady performance as a neurotic-type. Tarantino is WAY better off behind the camera but his acting performances in Pulp Fiction, From Dusk 'til Dawn and Desperado were all oscar-worthy compared to this one, although he didn't have much to work with here, script wise. Always great to see Richard Edson in the small but memorable role.