Unlimitedia Sick Product of a Sick System

Acensbart Excellent but underrated film

Curt Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Nicholas Rhodes The first and only time I saw this film I was naively expecting something on the "comic duo" lines oft employed by Francis Veber in such films as "La Chèvre", "Tais-toi", "Les Fugitifs" to name but a few. I was soon to be disappointed as this is only a pale imitation of the preceding. The plot was over zany and far-fetched, and the behaviour of the characters was so stupid as to be annoying ! There was also over-use of special effects ( useless in a film of this kind ) and to boot the whole picture "looked" over-synthetic without natural colours and over dominance of blue and yellow hues. The other thing was that I didn't find the actors funny at all. That this film, in spite of its numerous failings, had a reasonable success at the box office only goes to show that present-day humour in France is slowly descending towards prehistoric levels of vulgarity, unsubtleness and crudity. This film is therefore destined to an audience with very basic and limited humoral appreciation. Thank God we have the older films and the Vebers to remind us that good, clean, witty and intelligent humour did exist in the past.

dbdumonteil Launched in the Spring 2002 in France, "le boulet" was hugely successful (more than 3 million of spectators in the French theaters). Why? This success remains both mysterious and unexplainable because Alain Berbérian's movie's got every conceivable fault, every fault imaginable so that you can name it: the perfect load of rubbish. It consists on an uninspired and hackneyed script with threadbare topics. Dialogs that aren't very worked and a poor directing that emphasizes too much on special effects.But above all, "le boulet" is a bad movie because it borrows mostly elements or sequences from a lot of French movies. Thus, you find traces of "la cité de la peur" (1994) made by the same director, always Berbérian. But you also think about "la soif de l'or" (1993) and "la grande vadrouille" (1966) both made by Gérard Oury. Even the duo of characters with opposed disposition (here, we deal with the frail Poelvoorde and the heartless Lanvin) and who are however compelled to work together isn't original. Indeed, this comic device had been already used (and brilliantly) by Francis Veber. You only have to watch "la chèvre" (1981) or "les fugitifs" (1986) to realize it.With this poor movie that looks hollow, we deal with a very serious situation: it would appear that French comedy is declining...

samwise1usa I just got this movie from Amazon.fr and am I glad I did! What a hoot. It is a great buddy-buddy movie, with over-the-top comedy gags, as well as some of the best cgi effects in any film. The Farris Wheel sequence is something to behold. My wife and I encourage you to get this one. Very funny, wonderful action.

llanoite I didn't expect to but I liked the film very much. Granted, buddy films have been done one million times, but rather than try to put a new twist on an old theme, this one simply had fun with it. A cheerfully kooky film, with some really well-executed stunts (loved the "It's TURK, not KURD" shootout and the chase scene--nice to see a Peugeot stand in for an Aston Martin for a change), a wild set of plot twists, snappy dialogue, exotic locations. I genuinely enjoyed the Malian prison warden--very funny especially during the (brief) watch scene. I honestly laughed a lot. It's just a well-done, clever, fresh little buddy flick. Sit back and enjoy it.