VividSimon Simply Perfect

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Ian It's really interesting to look at some of these old movies from the 40s and 50s. They had a directness and economy of style and language that is lacking in so many movies and TV series these days.Modern screen writers could learn a lot from watching them. Note, if you will, that few have the same writer and director - a fact that makes them far, far better than the vast majority of writer/director movies these days, certainly at least as far as story goes.Dakota is typical John Wayne fare. John Wayne plays John Wayne and we love him for it. We know who the good and bad guys are and the script is not without its subtleties. We know who's going to win but not always who the casualties may be.A (relatively) young Walter Brennan plays, er, Walter Brennan - yes, and that's why we love him! - and the whole thing is packaged in an economy. bite-sized package, ideal Saturday morning fare and, of course, a must for anyone who loves Westerns and John Wayne.Side note - the plot does, in part, include 'fields of wheat;, a phrase that will resonate (possibly in an ironic way) with viewers in the UK in 2018!

Edgar Allan Pooh . . . Vera Hruba Ralston brings DAKOTA to vivid life, acting circles around her co-stars Walter Brennan and John Wayne, in many critics' opinions. If Ms. Ralston had been the mistress of a Major Axis Figure, such as Hitler or Mussolini, American Movie Studio Heads might have felt that she was carrying too much personal baggage for her supporting players such as Brennan and Wayne to lug (this dichotomy is literally pictured on-screen here in DAKOTA'S first scene). But just as this opening incident of DAKOTA illustrates, Ms. Ralston is particularly adept at jettisoning excess carry-ons in favor of winging it Au Naturel. That's right, Vera's portrayal of "Chicago Sandy" is so convincing that she hardly needs to be tricked out in period costumes, make-up, and wigs. One can just as easily picture Chicago Sandy as a working gal, brazenly baring everything as she murmurs Sweet Nothings into a john's ear. With such a star turn by Ms. Ralston, viewers may not even notice as the Dakotas are burned down to cinders around her, including the City of Fargo and all of the wheat farmers' homes, along with their crops. Wayne's bumbling may have gotten most of Fargo's population killed, but at least no one is wood-chipped to death in DAKOTA, as America exclaims, "Hubba, Hubba, Hruba!"

weezeralfalfa Many reviewers complain about Vera Ralston's acting in this film and others. I thought this failed ice skating queen did an OK job playing her role. She is supposed to be the elegant daughter of an immigrant father who struck it rich in railroads. This explains her foreign accent and the fact that she is unlike those sexy dance hall girls of Fargo. Wayne appears to have married her mainly for her wealthy connections, looks and good pedigree. She appears to have married him for his good looks and charismatic personality. She is determined to call the shots when it comes to deciding where they will live, both near the beginning and at the end of the film. When they run away from her disapproving father, Wayne tells her to buy tickets to CA, but she buys tickets to St. Paul, knowing that her father's railroad is planning to soon begin a line to Fargo. She hopes to buy land cheap from the farmers and sell it dear to her father's railroad. Unfortunately, Ward Bond and gang have the same idea. Bond assumed the railroad was soon coming to Fargo because he saw their surveyors. He also assumes that Wayne is a land buying agent for the railroad(until late in the film, when the real agent shows up). Bond hammers out a contract with most of the farmers that he gets their land if they can't repay the money he loans them to harvest and market their wheat. He plans to burn their wheat, a variation on a similar scene in "The Westerner", when cattlemen were trying to burn out the sod busters. Wayne threatens to pressure the railroad to via Grand Forks, instead of Fargo, unless Bond signs over his contract with the farmers to Wayne(and presumably the railroad) for a big discount compared to the amount Bond was planning to sell the contract to the railroad. Wayne plans to share his profit with the farmers, should the farmers be unable to repay their loans. Bond hopes to steal the contract back from a deceased Wayne, delete the part about Wayne being the new contract owner and then burn the wheat fields. See the film to find out how things turn out.Walter Brennan plays a goofy old riverboat captain who mostly talks to his boat or himself or shouts at his assistant, Nichodemis. He practically steals the show. Nick Stewart, as Nichodemis, plays his stock character:a sleepy, incredibly slow thinking "darkie". He was Lightin' in the Amos & Andy TV series.

herb_at_qedi This is the most enjoyable "B" Western I'd seen in quite awhile. It is fast-paced, mostly light-hearted yet doesn't stint on the serious implications of the dramatic sequences; it makes you feel and believe the human tragedies that would occur if town boss Bender (Ward Bond, marvelously effective and subtle as smooth-talking and thoughtful villain) were to be successful at bankrupting his fellow townspeople, paving the future railroad towns with the rubes' broken dreams. John Wayne was starting to solidify the nucleus of the stock company of supporting actors he would make many movies with in the future (on hand besides Bond are Paul Fix, Walter Brennan, Grant Withers, Olin Howard, Bruce Cabot, and Mike Mazurki.Wayne is perfectly cast as the rough-and-tumble gambler who falls for railroad heiress Vera Rhuba Ralston, much to father Hugo Haas' chagrin who is a rather slick and powerful operator himself. The twist here is that Ralston is as cunning and devious as her Dad and new husband combined, and is continually effective in steering things in the direction she wants them to flow. Not normally a Ralston fan, I thought she played the role with flair, attractiveness, and a perfect energy level. She doesn't have the on-screen chemistry with Wayne that Maureen O'Hara or Gail Russell later did, but when your husband owns the studio, you don't want to allow the chemistry to get too real-looking. Ona Munson as "Jersey" is hotter and makes both her scenes memorable. Walter Brennan is perfectly cast as a persnickety riverboat captain, and Nick Stewart provides able comic assistance as his blunt first mate(Racially stereotyped, of course, but still very funny, and not at all demeaning if you look at it objectively). Bond and Mazurki are excellent as the deceptive villains. Fix and Withers are professional and provide subtle special touches as Bond's hired guns.Given the budget and the generally pedestrian record of Director Kane, this is actually a surprisingly well made. My demands/expectations of this oater were small when I tuned it in on the Encore Western channel. I was looking for a fast-paced, check-your-brains-at-the-door oater to have on in the background as I picked up around the apartment. Instead, not only is it tautly directed, fast-paced, wry, and well-acted, but it has an extremely well-crafted adapted screenplay from Carl ("High Noon") Foreman. The insights conveyed by the script, even including some of the background and "throwaway" lines, are literate and register long after the lines have passed.Overall, this movie can be recommended on many levels. Deapite it's quite modest roots, it is a durable, high-spirited, well-acted, and well-directed oater that also is exceptionally well-written. Not the type of title that will impress your art-house buddies, unless they accept your challenge and actually watch it before they write it off. Those actually watch it are in for special treats.