Creature Comforts

1991
7.7| 0h5m| NR| en| More Info
Released: 29 March 1991 Released
Producted By: Aardman
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

A humorous and thought-provoking view of what animals in zoos might be thinking about their captivity and surroundings.

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Aardman

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Reviews

Harockerce What a beautiful movie!
Tockinit not horrible nor great
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Mandeep Tyson The acting in this movie is really good.
Andy (film-critic) Fairing only 32 minutes long, I was worried that these shorts would be cheap, unexciting, and overall just a few animals talking about life at a local Zoo. While I had no problems with this, I wanted more … and guess what? This short DVD provided it. Not only does it give us that unquenchable desire to see British animals talking about life in a Zoo, but it gives us three more additional shorts which only broaden the power that is known as Nick Park. From those little animals to dynamic storytelling to becoming a staple in the stop-motion animation field, you can literally see the impact of these shorts in today's cinema. From just a short 32 minutes, I witnessed the power of Tim Burton (apparently borrowed quite a bit from Park on his film The Nightmare Before Christmas) in a little short called "Not Without My Handbag", the creation of life on this planet (as seen through Park's eyes) and even a little ditty about the Middle Ages. All of these continue to prove that Park was developing powerful film-making well before his time. For those that perhaps haven't been introduced to a show called Wallace & Gromit, I would highly suggest seeing where Park's Claymation has gone from these creative beginnings, but for those that want to see his early efforts (which were rewarded with an Oscar!) , than I suggest Creature Comforts. More of a observation on our society than just some random cartoons jumping on screen, we watch as animals in a Zoo react the same as we would if we were caged daily (as if we aren't already). The short that impressed me the most was "Not Without My Handbag" where the simple misunderstanding of a contract pulled a darkened cloud over a family. It is deeply disturbing, but powerfully imaginative and vibrant. The final short also impressed me with its powerful references to the "Creation". Simply titled "Adam", we watch as this naked man tries to adapt to living alone on a unexplored planet. If the religious references to Adam & Eve weren't blazin enough, we are privy to a final moment where we think "Adam" will finally get the companion that he deserves … only to find out it is something that nobody expected. Park has this amazing ability to take images from our day to day society and juxtaposition them into the world of the imaginative and unbelievable. The ability to give these Zoo creatures enough life to feel just like normal humans while being caged behind bars is incredible. I do not believe anyone has come close to recreating the effect that Nick Park has done. The closest that comes to mind is Brad Bird with his recent creation of the superhero family dynamic in The Incredibles. That was smart and enlightening at the same time. That is what Park creates. His animation is not just creatures falling on the floor for young children to react, but instead intelligent, rather symbolic, metaphors about life, which appeal to both children and adults. To create those characters that are able to cross that boundary from children to adult is difficult, but Park seems to have accomplished it with the greatest of ease. Overall, I thought this was a great introduction to the work of master animator Nick Park. As I patiently wait for his Wallace & Gromit film release, it is fun to revisit his early work and witness a bold new birth of animation. I am surprised more films haven't been released using this style of cartoonery. In a way I am happy because I would hate to see too much over-dominate the Hollywood community, but we need to see more than what has been handed to us in the theaters. With duds like Madagascar and Home on the Range, I would have thought that Park's work would be the logical next step, but I am always wrong. I applaud your work Park, and suggest that anyone willing to laugh, chuckle, and be entertained for a great 32 minutes should check out this DVD!My favorites from great to least:1. "Not Without My Handbag" 2. "Creature Comforts" 3. "Wat's Pig" 4. "Adam"Grade: ***** out of *****
Jackson Booth-Millard This is the old version of the soon-to-be TV series of Nick Park's Aardman Animations. Basically they record voices from real interviews talking about a certain subject, for example they mention about food and where they are living. When they have recorded these voices they use their genius to match this talking with a suitable character. All the characters are wild and zoo animals talking. There is a lion, tortoises, polar bears, a panda bear, a female gorilla, a hippo (with one behind her pooping) and many other animals made of the genius Plastercine. There is now quite a good TV series of this one-off show of interview made animation. The quality of this animation is obviously the fact that everything moving is made of Plastercine, it deserved the Oscar! As part of Aardman Animations, it was number 15 on The 100 Greatest Cartoons. Very good!
gowing Creature Comforts (1989) sets a standard for "claymation," for animal welfare and animal rights issues, for integration of real life and animated action, and for subtle and outright funny humor. After finding it by chance on a PBS station in the early 1990s, I've tried to track it down, and was pleased to learn that a new version has been made, which I have yet to see. Wherever Nick Park's figures appear -- be they animal, vegetable or mineral -- in advertising or movies, it's a sure bet that they'll be funny and memorable.In Park's full-length films featuring Wallace and his dog, Grommit, he endowed these two "stars" with such mundane domesticity that, no matter what country the viewer calls home, we can relate to their comfortable behaviors, e.g. knitting (Grommit), cheese and crackers, reading the paper in the comfy chair. When the bizarre occurs, as it does with Wallace's inventions, we can imagine that we're all capable of such flights of fancy. The same is true in Creature Comforts. We've seen enough TV interviews and talking heads that this seems like another such program -- but funnier.
runar-4 This is an excellent cartoon, except for two things: first, it shows up in so many compilations that people like me who seek out quality animation have seen it more times than we can count on our fingers, toes and teeth combined; second, EVERY film that Nick Park and Aardman Studios produces, whether a short, a commercial or a full-length feature, has characters with upper and lower jaws that have different curvatures - the lower teeth are in a nearly straight line while the uppers are properly curved. For me, that is a distraction that takes away from the content, and that is why I have never bothered to see Chicken Run - I would not be able to stand watching mismatched jaws for an hour and a half.