Fluentiama
Perfect cast and a good story
Actuakers
One of my all time favorites.
Mjeteconer
Just perfect...
GManfred
Hollywood produced this one as the war in Europe had barely begun and the US was a couple of years away from Pearl Harbor. They had correctly identified the threat from Nazi Germany, though, and made a pretty accurate assessment of the consequences involved. "Confessions Of A Nazi Spy" is better than it sounds, and is not a story extracted from a cheap novel.Nutshell; Some German-Americans felt an attachment to their Fatherland at the outbreak of the war, and some bought into the narrative and became Nazi sympathizers. Schneider (Francis Lederer) is one of those. He is inspired by the speeches of Dr. Kassell (Paul Lukas) and becomes a spy - more of a messenger - for a local subversive Nazi group. He is discovered by the FBI (Edw. G. Robinson), loses his nerve and informs on the group. Any more of the plot will spoil the story.The picture is related in semi-documentary style which gives it a patina of authenticity and is directed by Hollywood veteran Anatole Litvak, who adds the required tension and who made several noteworthy noir and crime dramas in his career. Lederer and Lukas supply the villains and Robinson the hero in this surprisingly good rendition of a story of troublesome times to come for America.
Rumjal
Those who would comment upon the film "Confessions of a Nazi Spy"--and many other Warner Brothers films--would do well to see director Richard Schickel's five-hour film "You Must Remember This: The Warner Bros. Story" and the book that accompanies the film, both of which were created as the centerpiece of a celebration of the studio's 85th anniversary (more information on this series is available on the PBS website under the series American Masters).While "Confessions of a Nazi Spy" is seen as mild in its view of the Third Reich today, it was the first anti-Nazi film produced by any studio and was so controversial in its day that the studio was to be prosecuted for making the film and would have been prosecuted had the Empire of Japan not attacked Pearl Harbor two weeks before the prosecution was to begin.
Neil Doyle
This is definitely a better than average espionage yarn produced by Warner Bros. a couple of years before our entry into WWII. FRANCIS LEDERER has a key role as a homegrown Nazi spy without much experience but learning the ropes from the more experienced GEORGE SANDERS and PAUL LUKAS.Anatole Litvak's direction is swift and the story told in a semi-documentary style that would flourish more often in the '40s over at Fox where films like THE HOUSE ON 92nd STREET and 13 RUE MADELINE would exploit the subject of espionage.EDWARD G. ROBINSON has the role of a good guy for a change, an FBI man who has to track down the Nazi spies before valuable information is leaked.Maintains interest throughout, despite the late appearance in the film of Robinson's character.One of FRANCIS LEDERER's best roles during the '30s, it's a film well worth watching despite the overtones of propaganda.
krorie
With the Nazi Party now illegal in Germany but still legal in the United States with several active members, it's not surprising that the American Bund had such a large membership in 1939 when Hitler was at the height of his power and was rapidly augmenting the Third Reich with territory stolen from his neighbors. Since the United States was officially neutral at the time, it is surprising that this film received such a wide distribution. One must remember, however, that FDR early on recognized the threat to world security, including the danger to our interests, from Der Fuher. He was in the process of asking Congress for the approval of Lend Lease and worked closely with Winston Churchill following the fiasco of the Munich appeasement which ousted the incompetent Neville Chamberlain.The movie turns out to be somewhat of a mixed bag. There are really three main elements composing the film. From time to time there is a documentary-style narration by John Deering of actual events taking place in Europe such as the Anschluss; second, there is the main story which is well written, directed, and acted concerning a spy network in the United States attempting to lure the minds of German Americans into the Nazi trap with help from the Gestapo, Hitler's private police force of bullying goons; third, is the preachy part filled with patriotic talk, some noble, some propaganda, some prophetic. The best element is the actual story with standout performances by: Edward G. Robinson, who doesn't appear until the movie is almost half over, George Sanders playing a Nazi Stooge who is a go between for agents in Germany and their counterparts in the United States, Paul Lukas playing a medical doctor who mixes medical facts with Nazi myth and who gives stirring speeches for the Party to get recruits and to hold his own ring of spies together, Francis Lederer as a Nazi agent who places fame and fortune above all else including the master race, and Dorothy Tree playing Hilda a true believer until she breaks under pressure from FBI agent Ed Renard (Edward G. Robinson).Whether you like this film depends a lot on how much you like espionage flicks dealing with World War II. As a spy movie from 1939, "Confessions of a Nazi Spy" holds up well. It comes across not as a relic from a bygone era but as an exciting movie thriller based on historical events.
