Come Clean

1931
7.2| 0h20m| NR| en| More Info
Released: 19 September 1931 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The Hardys wish to have a quiet evening in their apartment, but are interrupted when the Laurels pay a visit. Stan and Ollie go out for ice cream, and manage to prevent a shrewish woman from committing suicide on the way back home. The woman is ungrateful and makes threats against the them unless they look after her. They spend a chaotic evening trying to keep her hidden from their wives.

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Reviews

CrawlerChunky In truth, there is barely enough story here to make a film.
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Steve Pulaski James W. Horne does what he does best as a director of Laurel and Hardy shorts with Come Clean, a spry comedic short, which is erect a story and short film on the opportunities that naturally arise from situational comedy. His directorial style, combined with H.M. Walker's writing, is often comprised of coming up with a ridiculous story and continuing to feed its inanity by seeing just how far one could take it. This results in a short that is more than just endless bouts of physical comedy with no real humor whatsoever, but a showcase of two charismatic comedy talents and a screen writing exercise that serves as a fulfilling laugh-riot.Come Clean may not live up to Horne's other Laurel and Hardy shorts, like Big Business and Thicker Than Water, but there is still an incomparable amount of energy and liveliness within the screenplay and the characters. The short begins by Mr. and Mrs. Hardy wishing they could have a restful, quiet evening in their apartment, but are interrupted, per usual, by the well-meaning but troublemaking Mr. and Mrs. Laurel. After trying to refuse entry, the Hardy's give up and decide to let them in, to which Laurel replies by hanging with his old pal Hardy and the wives are left to mingle in the frontroom. When Laurel and Hardy decide to venture out to get ice cream, they wind up preventing a woman from committing suicide off a bridge, to which she is ungrateful and begins making threats to both men if they dare leave her company. What results is a manic evening between the two men and the shrewish woman, as they try to get back to their wives for a dinner, while preventing the woman from screaming whenever she is unsatisfied with what's happening.This is the first Laurel and Hardy short I've encountered where little sense is made in regards to the short's narrative or its cause-and-effect relationship. Why would this woman try and commit suicide? Was it all just a ploy to get the attention of someone she could blackmail? Why are Laurel and Hardy's wives so bitter and shrewish themselves? Writer H.M. Walker doesn't concern himself with that information so much as he does try his best to quietly obscure details by making such a ridiculous and wild short film, one that operates with the one-thing-leads-to-another formula of early comedy filmmaking, without so much as clearing up why one thing leads to another.It's all in the name of comedy, and in that spirit, Come Clean is pretty funny, especially during the last ten minutes of its nineteen-minute runtime, where, per usual, all hell breaks loose and Laurel and Hardy are left to their own thoughtful wits, as lackluster as those often are. Come Clean provides for fun and enjoyment, which is precisely what most of these shorts have been giving me, so far.Starring: Stan Laurel and Olive Hardy. Directed by: James W. Horne.
MartinHafer The beginning of this film is an almost exact copy of SHOULD MARRIED MEN GO HOME, as Ollie and his wife are trying to spend a quiet evening ALONE, but Stanley (and in this case with his wife) show up unannounced. Ollie and his wife hide and pretend they aren't home, but to no avail. Then, you soon notice that Ollie's wife is a pretty bossy and mean piece of work and she begins nagging him unmercifully. Stan wants ice cream, so he and Ollie leave to bring some back for everyone. On the way back, they catch a woman who appears to be trying to drown herself. Instead of being grateful, she is a major pest who follows them home and tries to make their lives miserable (a rather unbelievable turn of events, I know). And the last portion of the film consists of the boys trying in vain to stop this woman from revealing herself to the wives.As far as the film goes, it's funny stuff, but also pretty forced. It's awfully familiar and ordinary. Not a bad film, but also not particularly memorable.
Boba_Fett1138 Tiny problem with most Laurel & Hardy movies is that most of them have some weaker scene's and moments in them. "Come Clean" however is a wonderful exception to this and it's a movie that manages to stay consistent throughout its entire running time.All of the sequences are very well constructed and are highly amusing. Also some of the slapstick moments are not original but certainly entertaining. The movie also has some great comical spoken lines, which mainly involves Stan Laurel.Also Mae Busch shows her comical talent and her character gets the boys into some serious hilarious trouble. Mae Busch appeared also in several other comical Laurel & Hardy short's such as "Them Thar Hills", "Oliver the Eighth" and "Unaccustomed As We Are".One of the better Laurel & Hardy comical short's.9/10http://bobafett1138.blogspot.com/
bob the moo The Hardy's are planning for a nice evening in when the Laurels come knocking. When they can't pretend to be out any longer, they let the Laurel's in and Stan and Oliver go out to buy some ice cream. On the way home they see a woman drowning in the river and save her. Less than grateful the woman follows them home and the duo try to hide her from their wives. Meanwhile the police continue their hunt for a wanted woman.In terms of plot, this short is quite weak. The main plot doesn't really happen till the end of the short and, even then, it doesn't really make any sense and it feels like the writers had an idea about L&H hiding a woman in their home but couldn't work out a better way of setting it up. Aside from this the opening of the film is good, as is the scene in the ice cream shop. The scenes involving hiding Kate from their wives are OK but the final short is quite underplayed considering how quite funny it is.Laurel and Hardy play their parts well. Laurel has some very good scenes of his trademark confusion early on and Hardy does well without dominating the film in the way it is often easy for him to do. Busch does OK as the wanted woman but I couldn't understand her part one little bit!Aside from these complaints the short still contained enough funny moments to be worth watching. It's just a little distracting that the writers came up with the basic sequences first then trying to crow bar them into a poor plot.