Lovesusti The Worst Film Ever

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Kimball Exactly the movie you think it is, but not the movie you want it to be.

Minkey Track this film down, if you can. It's one of those rare films that surprises, intrigues, and sets you thinking. And not only about bookkeeping as a way to keep the record straight -- both personal and political. It questions the dull conformity that so many of us are accepting -- why do we?

K11 The film, set in 1999, is a version of a novel from the seventies about a young man from Hammersmith's London Irish Community, Christy Malry who decides to live his life according to the principles of double entry bookkeeping. For every debit he exacts a credit or recompense. This starts as means to avenge dismissive or rude workmates but evolves into being against society, the more credit owed to him the more extreme his means become. This is against a backdrop of news of America and Britain bombing Iraq. Eventually Christy starts making the news.In a parallel plot we see the life of the monk, Pacioli who invented double entry bookkeeping in renaissance Italy (we are witnessing the birth of capitalism as we know it) and his dealings with his patrons and Leonardo Da Vinci. It illustrates the death of the old system of religious patronage and new system where everything (including loyalty) has a price. This is an unusual, intensely gripping story, superbly acted by the entire cast, although Nick Moran as Christy and Shirley-Anne Field as his cancer-ridden mother deserve a particular mention. The unsettling atmosphere is supplied through the superb direction of Paul Tickell and an evocative score by Luke Haines.A world-beating independent film to go and see. Ten out of ten.

Gerald Clark This is a very sharp british film, one of the best since trainspotting. The lighting, editing and music are very snappy and bring to mind (along with much of the dialogue and hints of the plot) Fight Club. I went mostly cos it had Neil Stuke in it (right from Game On, I've loved everything he's been in) but its genuinely entertaining, funny and compassionate.We can only hope that the future makes it big elsewhere - as Croupier did.

makisathens I see it in a festival in Athens.Brilliant English film!Hard to explain!What can i say??You M-U-S-T see this film!I can't write very good English,so i can't write a lot of the plot of the film.Go see it and you will see something you will remember a long time!