Matrixston
Wow! Such a good movie.
Ezmae Chang
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Kimball
Exactly the movie you think it is, but not the movie you want it to be.
Jack Spencer
Never got a chance to see this on stage, but it has the kind of dialogue that makes a play great with competent actors. Chapter Two just doesn't work as a movie. James Caen and Marsha Mason certainly have the chops, and for the first 30 minutes, the show is an interesting romantic story.That all ends however, when Caen's charterer has a meltdown and it becomes almost painful to watch. I felt horrible for Marsha Mason, and the emotional baggage, that was heaped upon her character.Even with the eventual resolution, I had no hopes that this ill advised marriage would survive. Joe Bologna, and Valerie Harper, provide a bit of comic relief, but not enough to make me feel much better.Movies are supposed to be a pleasant escape for the most part. If you ever have had relationship problems or not, I doubt you will enjoy this movie much.
cliffcarson-1
Let's get this out of the way first. Marsha Mason is the type of actress that puts a great deal of herself into every part she plays. What Diane Keaton and Mia Farrow were to the writing skills of Woody Allen, Mason was to Neil Simon. An actress who possessed an instinct for the writers mind and interpreted his material better than anyone. In CHAPTER TWO, Mason is at her best when delivering clever Neil Simon one liners. And although she gives it her all, she cannot on her own be expected to put across some of the stickiest dialogue ever written by Neil Simon. Particularly the self righteous overly emotional speech at the end. Not even Meryl Streep could pull that one off !! Simon had written a similar speech for Mason in THE GOODBYE GIRL. About how the character likes herself now and how far she had come in her life and how grown up and wonderful she feels. Mason should have put her foot down with this monologue in CHAPTER TWO. There is no way short of a miracle that any actor can pull gooey dialogue off like that without setting nervousness up in the viewer. This is not to say that Neil Simon has failed with this piece. Some of his words hit a nice autobiographic mark and I like the confessional speech that George (James Caan) gives about all the reasons why he resents marriage the second time around. It's too bad Caan never becomes the part. He's so wooden and uncomfortable in this. Not as the character, but as an actor who can't find his way through the part. Caan looks to Mason knowing she's carrying the weight of the picture and he's hoping her performance will carry him too. The chemistry between them doesn't jell the way it did in Cinderella LIBERTY. Probably due to some of the icky dialogue displayed here. Fortunately there's top notch supporting work by Valerie Harper and Joseph Bologna. Both are at the top of their game here. Simon seems to have written the best scenes for them. While I can forgive Robert Moore's soapy direction, I cannot for my life excuse the awful music score. Indicative of most music in movies between the decade of 1976 through 1986. Inappropriate and sappy in the worst sense.Why would anyone want to be in love after watching this picture and hearing it's sticky music? The feeling of this movie is like one of those old butter commercials with the two lovers running in slow motion towards each other. I must admit to feeling lonely before watching CHAPTER TWO. After it was over I was extremely happy that I was not in a relationship and quite content to be single for a while. Thanks Neil !!
moonspinner55
This agonizing comedy-drama got surprisingly sterling reviews upon its release in 1979. I remember opening the movie-section of the L.A. Times and looking at a 2-page advertisement for "Chapter Two" filled with glowing captions like: "Better than 'The Goodbye Girl'!" and "Neil Simon does it again!" What does Neil Simon do? He takes an autobiographical situation (remarrying too soon after the death of a beloved spouse) and makes it rusty, unpleasant and--worst of all--unfunny. James Caan plays Neil--er..that is, George--a writer who can't seem to get back into life after losing his wife; enter spirited Marsha Mason (real-life Mrs. Simon...soon to be ex-Mrs. Simon) who attempts to love George despite his moods and general melancholy. Mason is very appealing here and might've saved the day were it not for Caan's indifference (not to mention a sub-plot concerning painfully-thin, blonde Valerie Harper which brings the proceedings to a screeching halt). I liked Mason's outburst at the end ("I am wonderful! I am NUTS about me!"), but I saw no happy ending for these two people...and time proved me right. ** from ****
Coxer99
Sappy adaptation of the Simon autobiographical play with Caan horribly miscast in the Simon character (played by Judd Hirsch on the stage). He lacks the timing and precision for comedy. Mason is splendid in an Oscar nominated role as Caan's new love interest who tries to give Caan a sense of hope and deep love. Bologna and Harper add flavor to their key supporting roles.
