Matialth Good concept, poorly executed.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

DKosty123 This movie is one of those films over shadowed when it was released because of the top films of 1939. It is a solid "B" feature, a swash buckling adventure attempt from the Hal Roach studios to make a film like 1938's Robin Hood, using a different setting and black and white film. It succeeds more than one would realize.While the list of stars in this one is not A List, a fair amount of the cast worked for careers in films ranging from Titanic (1953) to The Quiet Man (1952) and others. One of the strengths of this movie is the cast as they really do a great job acting on a solid script.It is quite easy to recognize the Culver City, California western sets which are being used as Australia here. The story of Blokes in Australia and the history of the British sending their prisoners to the Island to get rid of them is pretty accurate, and the minds of a couple of very capable screenwriters put this script together well. The reason the history is covered and feels well is due to Grover Jones work as he very a very adept screen writer. A year later, another of his screen plays based on some real history, Dark Command, Republics only teaming on screen of John Wayne and Roy Rogers proves where things would move on from here.There is one sequence with Kangaroos which is put in to try and give the Australian feel to this. The cast does a good job selling this is actually happening in that country. This film and Raoul Walsh's Dark Command are both films which have Western Casts doing something different. The difference is this one has a much lower budget and a B cast from the Roach studios. This film does hold it's own quite nicely, though it is a bit dated now.Prisoners helping settler's whose freedom is being threatened is a Robin Hood type of plot. In this instance, pretty well done.

bkoganbing Hal Roach who more often than one would think as his reputation has come down today sometimes left the two reel comedies and occasional feature films for Laurel&Hardy and did some big budget stuff. One of his biggest was this 18th century costume drama Captain Fury. It even snagged an Oscar nomination for Art settings.This story which borrows most liberally from the legend of Robin Hood casts Brian Aherne as Irish convict who was fighting for independence in Ireland which activities got him arrested and sent to Australia which as we know was a penal colony in those days.He's indentured to a most cruel and rapacious landowner George Zucco who treats the army of convicts in his charge like slaves. He's our Sir Guy of Gisborne in this tale. It doesn't take long for Aherne to escape with a few good men and take up his rebel ways once again. In the process he wins June Lang away from her puritan father Paul Lukas.Lukas's mittel europa accent is easily explained when one realized that the King of Great Britain had some considerable real estate in the heart of Germany. The Hanover dynasty were first Electors of the Palatine. Lots of settlers from there migrated to all kinds of British colonies so Lukas by no means would have been out of place.His is a strange character, a great example where one can get truly warped overindulging in religious doctrine. He doesn't like Zucco and his cutthroats, but can't get past Aherne's criminal activity.The film also features Victor McLaglen just being his charming self. That's enough for a lot of people to watch the film.Even without McLaglen's oafish ways, Captain Fury is a fine and dashing action/adventure film. I'm sure the parallels with The Adventures Of Robin Hood which came out the year before could not help being noticed by the movie going public.

kevin olzak 1939's "Captain Fury" is an undeservedly obscure venture behind the camera for longtime comedy producer Hal Roach, whose few non-Laurel and Hardy features include the famous "One Million B. C." This earlier effort, like "Of Mice and Men" from United Artists, brings together a spirited cast in a lighthearted adventure set in 1840s Australia, where the British banished many prisoners to spend the rest of their days in hard labor. Brian Aherne stars as Captain Michael Fury, among 300 new arrivals set to work the station of evil landowner Arnold Trist (George Zucco), in possession of many whip wielding guards to keep the prisoners in line. During a fracas involving light fingered tough Blackie (Victor McLaglen), Fury makes his escape, and becomes the happy captive of pretty Jeanette Dupre (June Lang), until overhearing Trist's henchmen threatening all the valley settlers to give up their homes or face dire consequences. Convincing the frightened townspeople to give him the chance to fight on their behalf, Fury orchestrates a jailbreak for several comrades, who spend the rest of the film making things difficult for the bad guys. While George Zucco (wearing a black toupee) is as evil as the part warrants, virtually all his henchmen are played for laughs, even Douglass Dumbrille and Charles Middleton (the latter does come to a surprisingly bad end however). Difficult to spot among the many convicts are plug uglies Rondo Hatton and Harry Wilson, while perennial Hal Roach favorite Charlie Hall can be seen as a gossiping townsman (pretty daughter Margaret Roach does well in a rare featured role). Best of all is legendary scene stealer John Carradine, given free reign to shine as one of the good guys, Roger Bradford, whose persistent cough (earning him the nickname 'Coughy') marks him as a terminal case right from the start. Having the time of his life cast against type, Carradine also surprisingly makes it all the way to the end, adding to the exuberant sense of fun by doing a running commentary on the beauties of life, kicking, pummeling, and generally distracting the villains until the final showdown opposite Zucco. In a busy year that included well remembered turns in "Stagecoach," "Jesse James," "The Hound of the Baskervilles," "Five Came Back," "Frontier Marshal," and "Drums Along the Mohawk," this must rank as one of John Carradine's very finest (and least appreciated) film roles.

MartinHafer The best way to describe this film is by saying it's like an Australian version of ROBIN HOOD. In this case, the film is set during the penal colony days in Australia. George Zucco plays an unscrupulous jerk who buys up all the prisoners to be his indentured servants (though he treats them like his ranch is Devil's Island). In addition, he's power-mad and wants to force all the small nearby farmers to run away by having his thugs attack them one at a time. However, Brian Ahern plays an Irish patriot who was banished to the land down-under and he won't live like a slave, so he leads a small rebellion. With his group of suddenly free men, they embark on a campaign to unify and protect the small nearby farms from the evil Zucco.Brian Ahern, not a familiar leading man, does a fine job and he is very ably assisted by Victor MacLaglen in a semi-comedic role. The film is exciting and fun, though a tad predictable--much like a Saturday morning B-adventure film from the era.