Call of the Wild

1935 "An Epic Novel . . . An Epic Picture !"
6.8| 1h31m| NR| en| More Info
Released: 09 August 1935 Released
Producted By: 20th Century Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Jack Thornton has trouble winning enough at cards for the stake he needs to get to the Alaska gold fields. His luck changes when he pays $250 for Buck, a sled dog that is part wolf to keep him from being shot by an arrogant Englishman also headed for the Yukon. En route to the Yukon with Shorty Houlihan -- who spent time in jail for opening someone else's letter with a map of where gold is to be found -- Jack rescues a woman whose husband was the addressee of that letter. Buck helps Jack win a $1,000 bet to get the supplies he needs. And when Jack and Claire Blake pet Buck one night, fingers touch.

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Reviews

Stellead Don't listen to the Hype. It's awful
Cleveronix A different way of telling a story
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
bkoganbing The last time Clark Gable got loaned out for a film was the year before and he won an Academy Award. This time Louis B. Mayer got a good price for him from Fox for Call of the Wild.Fox also did something unusual in that the film was shot on location with the mountains of Washington state serving as the Canadian Rockies. Some really stunning cinematography is done for this film, especially in the river scenes. Too bad color was not in use back then.Watching Gable, Loretta Young, and Jack Oakie on a raft pulling it to shore in what must have been freezing water reminded me so much of the stunts Gable did for The Misfits. Of course back then he had the youth and vim and vigor to do such things.The film served as the meeting place for Gable and Young they carried on a torrid affair that resulted in Loretta Young giving birth. Back then it would have been a career death sentence for a star to give birth to an out of wedlock daughter, especially for the very Catholic Ms. Young. A whole elaborate charade was concocted with Loretta adopting her own daughter as a single mom.No Oscars this time for Gable, but a good strong performance as a rugged prospector up in the Klondike during the gold rush. Of course being involved with Loretta sure helped in the love scenes. Young plays a woman apparently abandoned in the snow by her husband who's presumed dead.Jack Oakie as Gable's sidekick and Reginald Owen as the English villain engaged in some claim jumping are the best two of the supporting actors. Of the human variety.Then there's Buck, Gable's trusty St. Bernard who he rescues from Reginald Owen. In that rugged country good sled dogs can come in mighty handy and Buck sure proves his worth. Up there, they are indeed man's best friend.
JoeKarlosi This is my first exposure to anything regarding THE CALL OF THE WILD. Meaning that I haven't read Jack London's original novel, never saw any of the earlier film versions, and did not see any of the later remakes. Even as a Charlton Heston fan I've so far avoided his 1972 edition because it's said to be pretty bad; even Heston begged his fans not to see it! But all that may soon change, as I enjoyed the 1935 version, starring Clark Gable and Loretta Young.Gable is well cast as Jack Thornton, a rugged and adventurous type who travels the Yukon on a hunt for gold with the aid of his comical sidekick Shorty (Jack Oakie) and man's best friend, Buck the dog. In the midst of their quest they stumble upon a shaken woman (Young) whose husband has disappeared in the wilderness and may or may not be dead. Fearing the worst, Young joins the expedition and the expected romance with Gable gradually takes shape.For me, one of the highlights of the picture was British actor Reginald Owen who scores high with his portrayal of a nasty rich man who's also competing with Gable for the loot. Never short on snobbish insults, and harboring a personal vendetta against Thornton's dog Buck, Owen is a delight in every scene he's in. The same cannot necessarily be said for Jack Oakie, however... as Shorty, his goofy shenanigans sometimes verge on the overbearing.A nice mixture of adventure, villainy, romance, and some comedy that occasionally works, makes for a mostly good time. I was a little let down by the convenient ending. *** out of ****
jotix100 Wiliam Wellman is the director at the helm of this version of Jack London's immensely popular novel. As an adventure, this movie offers a lot of fun because of the enormous appeal of its star, Clark Gable. He is a man's man. Mr. Gable projected such an aura about himself that he carried from film to film, making him one of the favorites of all audiences. The gold rush is presented as it should have been for the people that went in search of riches in the inhospitable confines of Alaska.In this version, Loretta Young plays Claire Blake, the woman who conquered Jack Thornton's heart. The rumored affair between Ms. Young and Mr. Gable is fun to look at. What's real, and what not? It's up to the stars to know and for us, the viewers, to guess. Ms. Young and Mr. Gable were appealing players, as they prove in this film.In other roles, Jack Oakie, Reginald Owen, Frank Conroy, and other old faces from films of the era make wonderful appearances. Above all, Buck, the great St. Bernard dog in the film is amazing. It's a joy to watch Mr. Gable's scenes with Buck as they compliment one another in that frigid background.
alice liddell There are some brilliant things in CALL OF THE WILD, such as the vivid portrait of frontier life at the turn of the century. This is, though, largely a disappointing version of Jack London's novel. Much of his anti-capitalism is here, but reduced to the emotional progress of Clark Gable. The theme of tame/wild is invoked - dog, woman, nature - but the crucial Buck plot is sidelined and made cute. The acting irritates in its refusal of depth, although Loretta Young's entrance could be straight out of Cocteau. The landscape is beautiful to look at, but there is little sense of nature as devouring or malevolent.