Jeanskynebu the audience applauded

Fluentiama Perfect cast and a good story

Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

bob the moo Opening with footage of sperm fertilising an egg, this film begins a montage of archive footage from different places and times that encompasses the act of birth, growing up, teenage experience, sex, violence, war, spirituality, creativity and death. Having said that it is probably unfair of me to note that it is not wholly successful because when your aim is to sum up the human condition in less than 90 minutes then even attempting it is worthy of credit.Pummell is credited as writer and director but a massive chunk of credit belongs to those who pulled together this mass of archive footage from all over the world and all over the last century. Pummell groups it together well to establish themes that generally do flow well together to create a general impression of what it is to be alive in overall terms of experience (ie not specific of individuals as such). In doing this the film slightly falters when some clips are dull and others are fascinating but this comes with the territory and the overriding impression is one of being carried along. It is an experimental sort of film and as such will not easily win a mass audience but it does deserve to be seen by many more people than its 150 odd votes on this site suggests have seen it.Pummell benefits from the skill of those that provide him with his images and although he is "director" it is fair to say that this role is not as it would normally be considered as all of the material has been directed and filmed by others. These others are uncredited as far as I can see but they have captured a great range of footage, some good, others stunning. El-P has called it when he said that this is basically what you need to sit ET down in front of to give him an idea of what being human is. The soundtrack is haunting and well put together to mostly compliment the footage; my favourite being the jazz building to (literally) a climax during the section that depicts the passion and joy of sex.Overall then a fascinating film that aims for an impossible goal but does a very good job of getting surprisingly close to achieving it. The footage is good and is well used by Pummell to develop themes and threads that combine to sum up the human experience. It is hard to put into words but it is not at all as patronising or arty as that sounds because it is surprisingly accessible and impacting (although you should be prepared for images of graphic sex, violence and births).

davincigreen brilliant archived footage from all across the world and an original concept plus score by jonny greenwood of radiohead. very humanistic approach to viewing life and it's stages of consciousness. at one point in the film you see a man set a piece of crumpled up paper on fire w/ his mind. lots of birth scenes- FYI for the weak stomached. the dreams section of the film is especially interesting. also, there is an awesome website where you can hear some of the score by greenwood. hope you enjoy it as much as i did. initiates intellectual conversation easily and is a great film for any foreign/experimental film freak. the tribal sequences of war are also especially exhilarating.

matthood I had been really psyched in expectation of seeing this film, but the end experience has left me rather flat. The two major issues of contention I have concern the structure and the much-hyped soundtrack. Although billed as a journey from birth to death the film actually continues past death into a bizarre and ultimately pointless montage of random and arbitrarily selected human activities. Ending the film at death would have been appropriate both in terms of content and time.My other concern is the soundtrack, which is used to make judgements on what we see, in an otherwise silent film. However this is done inappropriately so that 'womb-time' is depicted in an anti-abortionist almost sacred manner and sex as both crazed and frenzied, whilst death camps are merely romanticised by elevator music! The net result is to depict sex as more unsavoury than the Holocaust! Either let us make up our own minds or treat all human activity with the same contempt.

mthe I saw this film at the world premiere in Rotterdam, 3 weeks ago. I didn't know what I was going to see. The only thing I knew was the music was composed by Radiohead's Jonny Greenwood. According to the title I thought the film was going to be like an ode to the human body, or something...It was far from that; a better discription for this film would be: an experimental summary of all the bright and dark sides of life that every human being will encounter during his or her existence... Beautiful and moving it is. This film feels as a strong, videoclip-like story, not as an documentary. Though, the whole film consists completely of archive footage. Every piece of footage of every highlight in the history was used to accomplish a stunning effect. (The director of this film told us, before the film was started, every shot has a story and every story can be found on their interactive website.)This was all superbly guided by a score that, in my opion, sounded very fresh and modern and it harmonized wholly with the visuals as its counterpart.