Limerculer A waste of 90 minutes of my life

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Claudio Carvalho Brigitte Fisher (Sandrine Kiberlain) is a successful writer, who adopted the pseudonym of Betty Fischer also as her real name. She is a single mother, and has just moved from New York to France with her son of about four years old to a house in the French suburb. Her mother Margot Fischer (Nicole Garcia) is a deranged woman, who lives in Spain and comes to France for some specific physical and mental exams. Betty has many traumas from her childhood due to the treatment spent by her mother. While talking with Margot in the kitchen, her son falls from the window of his second floor room and after a period in coma in a hospital, the child dies. Betty becomes very depressed and one day her mother arrives at home with a child of approximately same age as her dead grandson. She tells Betty that the boy is the son of a couple friend of her, who had traveled on vacation and asked her to take care of him. Some days later, Betty realizes through the news that her mother had indeed kidnapped the child. However, Betty is very affectionate to the boy. Meanwhile, many parallels stories happen with characters related to Betty and the child, being disclosed to the viewer. With a great screenplay and excellent interpretations, this low budget French movie is excellent. The story has many subplots, alternates drama and mystery, is amoral and not corny, the characters are very well developed and there are no clichés. I watched this movie in an American DVD called `Alias Betty', spoken in French with subtitles in English, and I highly recommended it. My vote is eight.Title (Brazil): `Alias Betty' (American DVD)

jotix100 I can now understand why authors feel leery about letting screenwriters adapt a novel. First of all, a full length novel doesn't translate well to the screen. There are too many nuances and too many details, that trying to do them all, will humble the most talented scribe.Take the case of the novel in which this film is based. The Tree of Hands by the magnificent British master of suspense, Ruth Rendell. The adaptation has nothing to do with the brilliant narrative she gave us with this novel. If anyone wants to see the best adaptation of a Rendell book, I would recommend to see Claude Chabrol's, "La Ceremonie".Not only was that a superior film, but it reveals the essence of the book with little effort. The problem with "Alias Betty" is Mr Miller's scenario. He has changed the basic premise of the book into something else. Now, don't get me wrong, it is a better film than some of the mediocrity coming from France lately.The big problem is with the character of the mother. Nicole Garcia is out of her range here. Not only that, one never understands what's wrong with her, even though she appears to be schizophrenic. She's a loose cannon up to no good. In the novel she's even more so. Betty is ambiguously played by Sandrine Kiberlain, which in a way, suits the character better. She is the only sane person around, even though she is unable to control the mother. The minor side plots add to the story, but everything at the end is resolved so easily that one wonders if anything like that is possible in life. The films end in an upbeat note, even though it has nothing to do with the original novel.

taylor9885 This is the second adaptation of a Ruth Rendell book that I have seen. The first was the glossy but creepily empty and tiresome La Ceremonie, in which Claude Chabrol's visceral hatred of the bourgeoisie led him to that bloody climax. Claude Miller has done a satisfying version of The Tree of Hands, with a solid script and some excellent performances. Nicole Garcia as Betty's mother is so compelling, so dangerous in her impulsiveness and inability to see the consequences of her actions. I forgot about the stiff chatelaines she usually plays when I saw her look coolly at the little boy lying on the deck, then up at the open window out of which he'd fallen, then look again at the boy while calculating the benefit to her of the boy's death. Truly frightening.Mathilde Seigner as the single mom whose son is getting in the way of her partying, and Edouard Baer as the gigolo who can hardly believe his luck when he sells a house that isn't his (such an engaging thief!) are both good. Sandrine Kiberlain as Betty is stronger than I am used to seeing her--she often plays bleak loners who resort to prostitution as a quick fix (A Vendre; En avoir, ou pas)--here she has inner resources that allow her to combat her crazy mother, her prying ex-husband and the police kid-hunt.Miller has a problem that defeats him in the end: how to reconcile the demands of the plot while giving us the fully-realized characters. The end is rushed--I don't blame him for this--and serves to tie up loose ends only. If A and B are shot, then C can make a get away. Still, for the acting, it's one of the best noirs of recent years.

LeRoyMarko This movie has some very strong parts. It's sometimes very intense, sometimes funny, but never it let you indifferent. You tend to identify to the character. Sandrine Kiberlain is superb as Betty, the best-seller writer that sees her life change, not by her writing but by her mother. It's also a critical eye on today's society.Out of 100, I gave it 82. That's *** out of **** stars.Seen in Toronto, at the Canada Square Famous Players Cinemas, during the Cine-Franco Festival, on April 4th, 2002.